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IMDbPro

La voz que acusa

Título original: The Murder Man
  • 1935
  • Approved
  • 1h 9min
CALIFICACIÓN DE IMDb
6.8/10
1.3 k
TU CALIFICACIÓN
La voz que acusa (1935)
CrimeDramaMysteryRomance

Agrega una trama en tu idiomaWhen a crooked businessman is fatally shot, a hotshot New York newspaper reporter specializing in murder stories narrows in on the dead man's associate.When a crooked businessman is fatally shot, a hotshot New York newspaper reporter specializing in murder stories narrows in on the dead man's associate.When a crooked businessman is fatally shot, a hotshot New York newspaper reporter specializing in murder stories narrows in on the dead man's associate.

  • Dirección
    • Tim Whelan
  • Guionistas
    • Tim Whelan
    • John C. Higgins
    • Guy Bolton
  • Elenco
    • Spencer Tracy
    • James Stewart
    • Virginia Bruce
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.8/10
    1.3 k
    TU CALIFICACIÓN
    • Dirección
      • Tim Whelan
    • Guionistas
      • Tim Whelan
      • John C. Higgins
      • Guy Bolton
    • Elenco
      • Spencer Tracy
      • James Stewart
      • Virginia Bruce
    • 32Opiniones de los usuarios
    • 12Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos12

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    Elenco principal60

    Editar
    Spencer Tracy
    Spencer Tracy
    • Steve Grey
    James Stewart
    James Stewart
    • 'Shorty'
    Virginia Bruce
    Virginia Bruce
    • Mary Shannon
    Lionel Atwill
    Lionel Atwill
    • Captain Cole
    Harvey Stephens
    Harvey Stephens
    • Henry Mander
    Robert Barrat
    Robert Barrat
    • Hal Robins - Newspaper Editor
    William Collier Sr.
    William Collier Sr.
    • 'Pop' Grey
    Bobby Watson
    Bobby Watson
    • Carey Booth
    William Demarest
    William Demarest
    • 'Red' Maguire
    John Sheehan
    John Sheehan
    • Sweeney
    Lucien Littlefield
    Lucien Littlefield
    • Peter J. Rafferty
    George Chandler
    George Chandler
    • Sol Hertzberger
    Fuzzy Knight
    Fuzzy Knight
    • 'Buck' Hawkins
    Louise Henry
    Louise Henry
    • Lillian Hopper
    Robert Warwick
    Robert Warwick
    • Colville
    Joe Irving
    • Tony
    Francis X. Bushman Jr.
    Francis X. Bushman Jr.
    • Pendleton
    • (as Ralph Bushman)
    Stanley Andrews
    Stanley Andrews
    • Police Commissioner
    • (sin créditos)
    • Dirección
      • Tim Whelan
    • Guionistas
      • Tim Whelan
      • John C. Higgins
      • Guy Bolton
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios32

    6.81.3K
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    Opiniones destacadas

    eddie-83

    Read all about it

    I predict that when junk like Big Brother and The Weakest Link are gone and forgotten from our TV screens movies of the vintage and caliber of `The Murder Man' will still be providing us with superb entertainment.

    I love these old thirties `Newspaper dramas' which probably culminated with the sublime `His Girl Friday' and this one stands up well despite lack of realism. Did New York papers really produce fresh editions all day long? Come to think of it perhaps they did in the days pre-TV.

    I agree with the many judges who rate Spencer Tracy one of the greatest of all screen actors but feel he goes a bit over the top here, he certainly reined in his performances later. On the other hand James Stewart in his debut (?) appears fully formed with all the shy gawky charm which made him a star for the next fifty years already apparent.

    `The Murder Man' is an excellent fast-moving film with a twist in the plot that I challenge you to pick. See this one if you can.
    8planktonrules

    Exceptional, but don't blink or you'll miss Errol Flynn!

    This is an exceptional little film due to an excellent script. Spencer Tracy stars as an alcoholic newspaper man who specializes in covering murder investigations. His ability to guess what occurred and how it occurred is amazing--as again and again he's able to piece together the little it of evidence they have to determine the facts of the case. As a result, he always beats out the competing papers for breaks in the investigation. However, Spencer actually has a bit of an edge in this particular case, but I don't want to say more as it would spoil the film.

    The writing, acting and direction are all exceptional and the film is well worth seeing. Overall, an excellent effort by Tracy playing a role VERY close to home, as he himself was an alcoholic and binge drinker in real life--just like the character in the film. Also, look for a very young Jimmy Stewart in a rather bland supporting role before he became a star.
    7ackstasis

    "Well, here's that story you've been waiting for"

    Steve Grey (Spencer Tracy) is the best homicide newspaper journalist in the city: they call him "the Murder Man." If there's a murder, he'll get all the inside information, and he'll have it on the press first. That he always succeeds despite a debilitating weakness for alcohol is considered by colleagues simply a part of his genius. In the killing of investment broker (read: con artist) James Spencer Halford – snipered in a car from a streetside shooting gallery – Grey is once again on the frontline, with an uncanny knack for reporting murder details before even the police know them.

    Grey plays the story from both sides, as a pivotal witness in the murder case against Henry Mander, the victim's business associate, and as a reporter ostensibly reporting the unbiased facts (intriguingly, it's a two-way street, since Grey often twists the facts to his advantage). This MGM drama, which I had expected to be as grim as the similarly- themed 'Crime Without Passion' with Claude Rains, is surprisingly light- hearted in tone for the most part. Particular amusement is provided by the lanky young form of Jimmy Stewart, boasting a cheerful cockeyed grin in his feature debut. Jimmy's first ever words in a prolific movie career? "Hi, Joe!"
    7AlsExGal

    James Stewart's first credited film role

    This is one of those films that plays very well because it's so well acted and directed. It's very contrived, but that's the fun of it, really.

    Steve Grey (Spencer Tracy) is a homicide reporter - the murder man - for a big city paper. He's always drinking too much and sullen, but his editor loves him because he always seems to have a good handle on murders. When a crooked stock broker is murdered - shot to death while riding in his car - his equally crooked business partner looks to be the culprit and is arrested and tried for the crime. Steve Grey covers this story with the same flair, aplomb, and ability that he's been known for, and he always seems to be one step ahead of all of the other reporters. There's good reason for that, and I'll let you watch and find out why, but it turns out to be a great character study of "the murder man" with Tracy getting a dynamite role for his first film at MGM. Just don't expect something along the lines of "The Thin Man", because it is not that kind of film.

    I'd probably make this one an 8/10 if not for Virginia Bruce who plays the writer of the advice column on the paper and who loves Tracy's character for no good reason that I could find. He doesn't treat her well, he's a rather mean drunk, he doesn't let her in emotionally, and he seems morbidly stuck on his dead wife. Bruce's character goes around doe-eyed and over emoting like she's in a silent film.

    This was not only James Stewart's first film at MGM, but it was also his first credited film role ever. He plays a reporter on the same paper as Grey but is considered one of the minor or "cub" reporters. He still shows some of those trademark James Stewart expressions. For example, the editor is going to send Stewart - or "Shorty" as he is called here - to do an interview in the death house at Sing Sing. But then the editor rethinks this and says Steve would be better for it. The editor doesn't mean to hurt Shorty's feelings when he says "this job needs more than just any reporter" but that's what it does. Stewart indicates with just a look that he has been disrespected, doesn't like it one bit, but doesn't know what to say or how to react.
    tedg

    Hat on, Hat off

    The thirties was an amazing time in film. Noir was to be refined, with one of its main elements being our on-screen detective. Before the conventions matured, we had a good 6- 7 years of experiments about embedded story and on screen surrogates. Some of those surrogates were detectives of different kinds, including newspaper reporters and insurance guys.

    This is one of the most interesting experiments. The large shape has our detective being both outside and inside the story, what I can folding. He is a writer, and writes both the outside and inside stories. An inner observer of our folded man is an earnest woman. There are a lot of symmetries in this thing — very tight writing and lots of screen details.

    One screen detail is a good example. We have a nervous street huckster who factors as an innocent in the murder. He is portrayed with a delicate balance of confidence and control when he is in his element and slightly hidden deference when with the law. He is court to testify as to what he saw. As he is called, he hands his hat to the surprised cop beside him. There is a 3 second — not even that — interplay concerning the hat, and its role in the social order. It is perfect.

    I came to not like Spencer Tracey in his later career, his stock mannerisms and one-size- fits-all reflexes. But here he is fresh, spontaneous, right on.

    Ted's Evaluation -- 3 of 3: Worth watching.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      La voz que acusa (1935) was 35-year-old actor Spencer Tracy's first film in what would be a 21-year career with MGM. Tracy's first MGM film was to be Riffraff (1935), opposite Jean Harlow. But, when that picture was temporarily postponed, the studio put Tracy to work immediately on The Murder Man, a modest programmer shot in three weeks. Tracy plays an investigative reporter who specializes in murder cases.
    • Citas

      Steve Grey: Hi, Mary.

      Mary Shannon: Oh, Steve. We were beginning to think you'd gone to the South Pole with Byrd.

      Steve Grey: No, I couldn't get reservations. You still love me as much as ever?

      Mary Shannon: Oh, I'm crazy about you.

      Steve Grey: Well, you better be because I'm dappy about you. You know that, don't you?

      Mary Shannon: Yeah. I know you're dappy alright, but not about me. Where were you last night?

      Steve Grey: I went for a long ride.

      [sighs]

      Steve Grey: May I have a little of your coffee?

      Mary Shannon: If you don't mind drinking out of my cup.

      Steve Grey: I prefer it.

    • Conexiones
      Featured in AFI Life Achievement Award: A Tribute to James Stewart (1980)
    • Bandas sonoras
      Hi Diddle Dee Dum
      (uncredited)

      Written by Con Conrad and Herb Magidson

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    Preguntas Frecuentes15

    • How long is The Murder Man?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 12 de julio de 1935 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • The Murder Man
    • Locaciones de filmación
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, Estados Unidos(Studio)
    • Productora
      • Metro-Goldwyn-Mayer (MGM)
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

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    • Presupuesto
      • USD 167,000 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      1 hora 9 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.33 : 1

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