Juanita Fletcher
- Mrs. Roberts
- (as Juanita Crosland)
Gloria Browne
- Gloria Stewart - The Child
- (as Gloria Brown)
Marian Constance Blackton
- Dissaproving Woman
- (sin créditos)
Symona Boniface
- Helen - Burma's Customer
- (sin créditos)
Horace B. Carpenter
- Bartender
- (sin créditos)
Mark Daniels
- Teenager
- (sin créditos)
Hildegarde Stadie
- Woman in Roadhouse
- (sin créditos)
William C. Thompson
- Waterfront-Raid Detective
- (sin créditos)
Bill Woods
- Detective
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I love these 30s exploitation flicks! This one definitely builds on the stereotypes of marihuana and its evil effects. Victims under the influence of this terrible narcotic wear menacing smiles and blank eyed stares. They gad about and jiggle in nightclubs while intoxicating themselves on copious amounts of alcohol as if mesmerized by the music. You will love how a couple of puffs/tokes/hits turn a group of young women into hysterical, sex crazed floozies! Man, that scene was funny.
On the down note, Burma (nice to be named after an aftershave) spirals downward into destruction and despair. Hey, don't blame the pot, it didn't make her become a heroin dealer! Very poor gateway drug reference they were trying to get across.
There seems to be a plot, but don't bother following. Dialogue is lame, muffled, and you'll be saying the phrase "who are you?" quite frequently throughout the film. I don't think that guy's spanish accent was authentic either. Doesn't top the all-time kampy 'Reefer Madness ', but it's a load of hoots.
On the down note, Burma (nice to be named after an aftershave) spirals downward into destruction and despair. Hey, don't blame the pot, it didn't make her become a heroin dealer! Very poor gateway drug reference they were trying to get across.
There seems to be a plot, but don't bother following. Dialogue is lame, muffled, and you'll be saying the phrase "who are you?" quite frequently throughout the film. I don't think that guy's spanish accent was authentic either. Doesn't top the all-time kampy 'Reefer Madness ', but it's a load of hoots.
A young woman slowly becomes a dope pusher.
Most people have heard of "Reefer Madness". But if you wanted to see another film that was anti-marijuana in 1936, look no further than "Marihuana", which (not surprisingly) was made by some of the same people.
This film is not the cult classic of its step-brother, and with good reason. It is far less humorous, with the only really notable thing about it being a nude swimming scene that never would have passed the censorship code. In fact, the film is not even really about marijuana so much as a drinking party gone wrong and the bad choices made after the fact.
Most people have heard of "Reefer Madness". But if you wanted to see another film that was anti-marijuana in 1936, look no further than "Marihuana", which (not surprisingly) was made by some of the same people.
This film is not the cult classic of its step-brother, and with good reason. It is far less humorous, with the only really notable thing about it being a nude swimming scene that never would have passed the censorship code. In fact, the film is not even really about marijuana so much as a drinking party gone wrong and the bad choices made after the fact.
Based on the script and technical aspects of this film, I should have rated it "one star." But I'm giving it a five because it's so campy that it's worth a few laughs. And I am not a doper...I've never even inhaled! This is definitely the poor relation of "Reefer Madness," which has higher technical quality and is more entertaining overall. "Marihuana" is just jaw-droppingly awful, with weed blamed for virtually all vices, many of which are shown on screen (including...gasp...spraying a woman's backside with soda!). The budget was so low that the producers used classical music clips instead of a real soundtrack, so the dangers of dope are underscored by Strauss, Liszt, and others.
This is just a nasty little low-budget exploitation film, using the dope scare as an excuse to titillate the audience.
This is just a nasty little low-budget exploitation film, using the dope scare as an excuse to titillate the audience.
An Innocent young woman is seduced into pot parties,a wedlock baby, and eventually, into pushing drugs for a professional ring.
Naturally, no one expects artistry from these exploitation flicks. Instead, audiences expected more titillation than usually allowed under Hollywood's restrictive Production Code. Of course, the liberties were granted under the guise of educating the public on the menace of demon weed. However, I doubt anyone went to see this epic for its hyped-up pot warning. Instead, Dwain Esper's mid-1930's production has more peek-a-boo than usual, with a lot of nude scampering and uplifted skirts.
Surprisingly, however, it's a better movie than at least I expected. Except for the exaggerated pot party, it plays pretty much like a standard Hollywood cheapie of the time. Actress Wood does a good job going from innocent fun-loving teen to hardened drug pusher. At the same time, director Esper adds some nice unexpected touches, such as Burma's descent reflected in her choice of shoes, a bad guy joining the innocence of the little girl, plus the final symbolic shot of the door closing. Also, the script integrates its central twist effectively into the narrative.
Of course, these are minor virtues in an otherwise shoddy production. Still, they should not be overlooked. All in all, this cheapie plays more legitimately than most of its competitors from that campy category of sex, dope, and retribution.
Naturally, no one expects artistry from these exploitation flicks. Instead, audiences expected more titillation than usually allowed under Hollywood's restrictive Production Code. Of course, the liberties were granted under the guise of educating the public on the menace of demon weed. However, I doubt anyone went to see this epic for its hyped-up pot warning. Instead, Dwain Esper's mid-1930's production has more peek-a-boo than usual, with a lot of nude scampering and uplifted skirts.
Surprisingly, however, it's a better movie than at least I expected. Except for the exaggerated pot party, it plays pretty much like a standard Hollywood cheapie of the time. Actress Wood does a good job going from innocent fun-loving teen to hardened drug pusher. At the same time, director Esper adds some nice unexpected touches, such as Burma's descent reflected in her choice of shoes, a bad guy joining the innocence of the little girl, plus the final symbolic shot of the door closing. Also, the script integrates its central twist effectively into the narrative.
Of course, these are minor virtues in an otherwise shoddy production. Still, they should not be overlooked. All in all, this cheapie plays more legitimately than most of its competitors from that campy category of sex, dope, and retribution.
One of several anti-marijuana/drug propaganda films of the 1930's with over- reactive screen narratives, over-dramatized screen-writing and acting...that is completely inaccurate in the depiction of marijuana usage.
Over-excessive to the point, in light of what is known about marijuana today and effects upon the average marijuana user, it's almost comedic by today's standards and realistic knowledge of this drug.
Burma, an 'innocent' but unhappy youth clashes at home and hangs out with a 'wild' crowd..to the point the laughing makes my head ache with high- pitched, giggling, silly girls. Solely because of using marijuana, according to the film, she indulges in a series of immoral acts, becomes pregnant out of wedlock, and two friends are killed (as if one was not enough in a one- hour film). Her response is to become a hotshot dealer herself....leading to deeper crime (with an ironic twist to boot) & yes, another tragedy.
Way over-the-top, inaccurate, but entertaining to watch and thus what is known as a 'cult classic' in today's world. One of a series of anti-drug, specifically anti-marijuana films aimed to exaggerate & allegedly decry the horrors of marijuana usage.
Over-excessive to the point, in light of what is known about marijuana today and effects upon the average marijuana user, it's almost comedic by today's standards and realistic knowledge of this drug.
Burma, an 'innocent' but unhappy youth clashes at home and hangs out with a 'wild' crowd..to the point the laughing makes my head ache with high- pitched, giggling, silly girls. Solely because of using marijuana, according to the film, she indulges in a series of immoral acts, becomes pregnant out of wedlock, and two friends are killed (as if one was not enough in a one- hour film). Her response is to become a hotshot dealer herself....leading to deeper crime (with an ironic twist to boot) & yes, another tragedy.
Way over-the-top, inaccurate, but entertaining to watch and thus what is known as a 'cult classic' in today's world. One of a series of anti-drug, specifically anti-marijuana films aimed to exaggerate & allegedly decry the horrors of marijuana usage.
¿Sabías que…?
- TriviaAccording to Harley Wood's daughter Jan Tache, this film was the one regret her mother had of her film career.
- ErroresSeveral years pass between Burma giving up her baby and kidnapping her sister's 6- or 7-year-old child. If the film is set in present day (1936), the kids in the earlier scenes should be drinking at a speakeasy, not a bar, as Prohibition (which ended in 1933) would still have been in effect. It's especially unlikely that the bar/speakeasy would have a sign advertising 5-cent beer.
- Citas
Teenage boy: One hot lover coming right up!
Teenage girl: One ripe peach coming right down!
- Créditos curiososFOREWORD: For centuries the world has been aware of the narcotic menace. We have complacently watched Asiatic countries attempt to rid themselves of DRUGS CURSE, and attributed their failure to lack of education. We consider ourselves enlightened, and think that never could we succumb to such a fate. But - did you know that - the use of Marihuana is steadily increasing among the youth of this country? Did you know that - the youthful criminal is our greatest problem today? And that - Marihuana gives the user false courage, and destroys conscience, thereby making crime alluring, smart? That is the price we are paying for our lack of interest in the narcotic situation. This story is drawn from an actual case history on file in the police records of one of our large cities. Note: MARIHUANA, Hashish of the Orient, is commonly distributed as a doped cigarette. Its most terrifying effect is that it fires the user to extreme cruelty and license.
- Versiones alternativasWhen the film was released in Chicago, several cuts were ordered. They included:
- a. A male character concealing cocaine in his shoe.
- b. Shots of Joanne preparing to go swimming.
- c. All shots of the women undressing and then running about on the beach in the nude and being chased by their boyfriends.
- d. A portion of dialogue: "Just a sweet little love child."
- Exhibitors were also told to trim a close-up shot of Burma Roberts toking up for the first time .
- ConexionesEdited into Sleazemania! (1985)
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- How long is Marihuana?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Marihuana, the Devil's Weed
- Locaciones de filmación
- 6731 Leland Way, Los Ángeles, California, Estados Unidos(Aloha Apartment Hotel)
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 100,000 (estimado)
- Tiempo de ejecución57 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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Principales brechas de datos
By what name was Marihuana (1936) officially released in India in English?
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