La kermesse héroïque

"Carnival in Flanders"

This a clever, charming film that depicts the womenfolk of a Flemish village winning over Spanish invaders. The mayor's wife rallies the women to use all their power and resources to seduce the Spaniards--and it works!

There are some very funny moments involving the vigil for the "deceased" mayor (especially when the court midget blackmails him). Most films about the 17th Century are pretty stodgy, but "Carnival" is delight.

I recommend this film.

I enjoyed this film very much--partly because of its clever writing and partly because it shows a period you just don't see in films very often. It's well worth your time.

"Carnival in Flanders" is set in the 16th century--during the time that Flanders (modern Belgium) was ruled by Spain. It is set in a fictional town in Flanders--and apparently some thin-skinned Belgians during the 1930s wanted to ban the picture because they thought it made them look bad. That's silly--it's just a cute little comedy! The film begins with some minor intrigues in town--including a painter wishing to marry the daughter of the Burgomeister (that's a mayor for us Yanks). However, suddenly, this is unimportant--what IS important is that the Spanish army will be passing through and the town council KNOW this means they'll sack the town. So, they come up with a crazy plan--to pretend that the Burgomeister is dead. This really won't help anyone--just the Burgomeister! So it's up to the man's wife and the women of the town to deal with these invaders. However, they are shocked to see that the Spanish are incredibly polite--and kind of cute!! What's next? See the film.

I found myself laughing several times during this movie--a very good sign for a comedy. I particularly liked the needlepoint scene! All in all, very entertaining, funny and exceptionally well made--they got the look of 16th century Flanders down pat. A wonderful little comedy that deserves to be seen.

...because of the American production code. In early-17th century Flanders, at the town of Boom, a Spanish duke (Jean Murat) and his advisors are due to stop over for the night. The townsfolk panic, as they believe the "savage Spaniards" will rape and pillage their small village. So the burgomaster (Andre Alerme) and his sharp-witted wife (Francoise Rosay) devise a plan wherein many of the menfolk will pretend to be dead and the "widows" will be accommodating to the visitors. The plan works, only too well, as the women find the Spanish visitors virile and attractive in comparison to their fat and lazy husbands.

This is a fun, bawdy, lighthearted historical fiction that doesn't skimp on period detail. The costumes are elaborate and fascinating, from the corsets to the giant frilled collars to the over-sized pants. The performers are entertaining, especially the ladies, playing a range of flustered flirtation and nervous excitement. There are sly comments about the church of the time, and the hedonistic impulses of even the most chaste. Marcel Carne was one of the assistant directors.

During the Spanish domination of the Netherlands and throughout the so-called Eighty Years' War, a group of soldiers led by the Count-Duke of Olivares enters a Flemish town. When the village of Boom, in Flanders, learns a Spanish Duke (Jean Murat) and his troops scheme to pass the night, the army deserts and the Burgomaster (André Alerme) plays dead; so the Burgomaster's wife (Francoise Rosay) organizes the townswomen to greet the invaders and preserve the peace with womanly wiles. The invaders discover all the men have disappeared Le duc d'Olivarès and Le chapelain (Louis Jouvet) are surprised by this situation. So the town's ruler hides, while the women prepare a triumphant reception hoping for clemency. First approved then condemned by the Legion of Decency !. First Prize Winning French Film Hit!

This is a sly drama about a village that postpones its possible destruction and so women decide to avoid it by seducing the invaders, colaborating with their conquerors and freely offering their goods during carnival season. The film won the Grand Prix du Cinema Française and created a great deal of controversy. La Kermesse héroïque (1935) (also known as Carnival in Flanders) was a meticulously staged period film which aroused some contemporary political resonances. It earned fame and fortune for Feyder , getting several international awards.

¨Kermesse heroique¨ reputed to be one of Goebbels' favorite films. It also was considered a poor statement to make the rest of the world in light of what Nazi Germany and Italy were attempting to do a their neighbors. A subtle, clever work and one of Feyder 's finest achievements , this classic is a conscious effort to recreate on celluloid the great paintings of the master depicting village life during carnival time . Interesting and enjoyable film on many levels.

The motion picture was well directed by Jaques Feyder. In 1917, Feyder had married Parisian-born actress Françoise Rosay (1891-1974), she acted in many of his films and collaborated with him as writer and assistant director on Visages d'enfants. Jacques started directing films for Gaumont in 1916, but his career was interrupted by service with the Belgian army during 1917-1919. After the end of the war, he returned to filmmaking and quickly built a reputation as one of the most innovative directors in French cinema. Directed Missing Husbands (1921), shot on location in the Sahara, followed by another big success, Crainquebille (1922) two years later. Briefly with MGM in Hollywood, 1928-32, but did not enjoy the experience and returned to France. Directed his best film, Carnival in Flanders (1935) in 1935. After filming Knight Without Armor (1937) for Alexander Korda, L'Atlantide (1921) based on the novel by Pierre Benoit), and Crainquebille (1922) were his first major films to achieve public and critical attention. La Kermesse heoique rating: 6.5/10. Essential and indispensable seeing for the classic french films.

"La Kermesse Heroique" is looked upon,in France ,as Jacques Feyder's apex as well as the beginning of his decline .

This is a colorful entertaining work,with wonderful settings ,costumes,actors ,folk songs and scenes inspired by the Flemish art (the mayoress' daughter is in love with a painter ,Jean Brueghel.) The director's wife,Françoise Rosay (who was also featured in the two previous works "Le Grand Jeu" and "Pension Mimosas " and would be the star of the next work "Les Gens Du Voyage" ) finds here the role of a lifetime : the mayoress character was probably inspired by the strong wives or servants we find in Molière's plays (Madame Jourdain,Toinette).Rosay has the first part of the movie for herself ,but she shares the acting honors with Louis Jouvet's mischievous part of the chaplain;an opportunity for Spaak to laugh at religion;during the banquet ,the nice innocent young ladies ask the ecclesiastic to tell them a tale of the Holy Office :the clergyman tells them the tale of a virgin whose body was covered with honey and licked by a he-goat,the guests have a wonderful time!And when the holy man ,leaving the town,is given chocolate by an inhabitant:he smiled, he thanks and gives her ,as a bonus, some indulgences!I hope she was not protestant.

In this Flemish town,where people are gathering for the fair ,men are cowards :as soon the coming of the Spaniards is announced,they hide their money ("superior significance women cannot understand" ),or they pretend that they are dead (the mayor).A false flash-forward depicts the cruelty of the invaders.

Not only the occupying forces treat the woman as ladies ,but they show romanticism - the mayoress dreaming of Italy, the chaplain marrying "Romeo" to "Juliet" - and a sense of humor -the duke has obviously guessed that the mayoress is not a widow.

Today,Feyder is eclipsed by Renoir ,Carné -who was here his assistant again ,after "Pension Mimosas" - or Duvivier;he seems to enjoy a good reputation abroad though;"Kermesse" and the two other works I mention above are essential viewing for anyone interested in the French cinema.