Agrega una trama en tu idiomaPorky digs up some gold and send Beans to town to stake a claim.Porky digs up some gold and send Beans to town to stake a claim.Porky digs up some gold and send Beans to town to stake a claim.
- Dirección
- Guionistas
- Elenco
Fotos
Billy Bletcher
- Gold Thief
- (sin créditos)
Tommy Bond
- Beans
- (sin créditos)
The Californians
- Cowboy Vocalists
- (sin créditos)
Joe Dougherty
- Porky Pig
- (voz)
- (sin créditos)
Bernice Hansen
- Little Kitty
- (voz)
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Beans (the character that resembles all kinds of others) is a prospector. He finds gold and announces it to all the people in town. They head out. Soon he is fighting off the bad guys (with an early version of Porky Pig). There are a few funny little bits as they dig for the yellow stuff, but it isn't all that remarkable. Special effects fall short.
It's 1849 and prospectors are searching for gold in Red Gulch. Our hero Beans finds it by way of a slot machine and inspires a small town to join the gold rush. There are lots of captions to move the story along, although they never explain what kind of animal Beans is. I suppose he look a bit like Felix the cat, but then most of the characters in the thirties did. Still the Warner brothers must have had high hopes for Beans, as he gets the honour of saying "That's all folks" at the end. Lots of silly animals appear, including an unnecessary barbershop quartet and a big fat pig who seems to be in charge of things. Could this slob really be Porky? He has the stutter, but that is the only recognizable feature.
Enter the villain employing an impressive lasso gun to steal Porky's most prized possession. If beans gets it back Porky tells him he can literally have his daughter. Luckily for Beans the girl does not look like her father but seems to be of the same unidentified black and white species as our hero. The chase scene features some early examples of the kind of lunacy that would make Supervisor Fred (Tex) Avery famous in later years, but the pace is much slower. The art of animation was so new at this time, that just seeing funny animals riding mules and horses, driving cars and playing racial stereotypes was good enough for a laugh.
4 out of 10
Enter the villain employing an impressive lasso gun to steal Porky's most prized possession. If beans gets it back Porky tells him he can literally have his daughter. Luckily for Beans the girl does not look like her father but seems to be of the same unidentified black and white species as our hero. The chase scene features some early examples of the kind of lunacy that would make Supervisor Fred (Tex) Avery famous in later years, but the pace is much slower. The art of animation was so new at this time, that just seeing funny animals riding mules and horses, driving cars and playing racial stereotypes was good enough for a laugh.
4 out of 10
This is not another of those Warner Brothers cartoons kind of promoting their "Gold Digger" musicals of the 1930s, but a story about the real gold diggers of 1849. It stars "Beans," and takes place in "Goldville." Beans, trying to woo Porky Pig's daughter (who is not a pig), is out on the mountain when he strikes gold (via pulling a slot-machine-like arm!). He goes back into town and tells everyone.
From that point, we mainly see Beans and Porky out digging for gold. A bad guys is nearby and he snags a bag full of gold. Porky tells Beans that if gets the bag back, he can marry his daughter. Beans hops into his jalopy and races up the hill, firing with a shotgun! Beans isn't really a funny guy but the cartoon has some good moments and the car is a real hoot. In the end, the bag of gold is only Porky's lunch, but that's gold to him!
It certainly looks dated, but that's the case with most 1930s black-and-white cartoons, and sometimes that's just fine with me. This was a fast-paced, inventive cartoon.
From that point, we mainly see Beans and Porky out digging for gold. A bad guys is nearby and he snags a bag full of gold. Porky tells Beans that if gets the bag back, he can marry his daughter. Beans hops into his jalopy and races up the hill, firing with a shotgun! Beans isn't really a funny guy but the cartoon has some good moments and the car is a real hoot. In the end, the bag of gold is only Porky's lunch, but that's gold to him!
It certainly looks dated, but that's the case with most 1930s black-and-white cartoons, and sometimes that's just fine with me. This was a fast-paced, inventive cartoon.
"Gold DIggers of '49"* is a first...as well as a second. First, it is the first cartoon directed by Fred 'Tex' Avery. While it lacks the wonderful weirdness of his later MGM films, it is significantly better than the Harmon-Ising singing cartoons Looney Tunes was known for at the time. Second, it's Porky Pig's second film. And, unlike the first ("I Haven't Got a Hat"), Porky is older and fatter.
The cartoon is one starring a character long forgotten...mostly because he just wasn't that interesting. 'Beans' (I think he's supposed to be a cat) is the hero here and he and Porky and many others are all out looking for gold in 19th century California. There are a few nice laughs here and there...as well as a few nasty 1930s racial stereotypes which were not that unusual for the time.
*Nearly all of the cartoons by Looney Tunes and most other studios (aside from Disney) made black & white cartoons in 1935. This is because Disney bought exclusive cartoon rights to Three-Color Technicolor--the first true color film stock widely used by filmmakers. As a result, other studios either needed to use black & white or a two-color process, such as those made by Technicolor and Cinecolor....and the colors tended to be more orangy-green than color.
The cartoon is one starring a character long forgotten...mostly because he just wasn't that interesting. 'Beans' (I think he's supposed to be a cat) is the hero here and he and Porky and many others are all out looking for gold in 19th century California. There are a few nice laughs here and there...as well as a few nasty 1930s racial stereotypes which were not that unusual for the time.
*Nearly all of the cartoons by Looney Tunes and most other studios (aside from Disney) made black & white cartoons in 1935. This is because Disney bought exclusive cartoon rights to Three-Color Technicolor--the first true color film stock widely used by filmmakers. As a result, other studios either needed to use black & white or a two-color process, such as those made by Technicolor and Cinecolor....and the colors tended to be more orangy-green than color.
Tex Avery has gone on to far better cartoons since, but 'Gold Diggers of 49' is not a bad first cartoon at all, while not great it's decent.
Wasn't crazy about Porky here, really like him as a character but his taller and slobbery look is nowhere near as appealing as the design that we're more familiar with, pretty crude from personal opinion actually. Nor with Joe Dougherty's voice work, Mel Blanc's Porky stutter is much more natural while Dougherty's sounds annoying and overdone. One gag misfires too, and that's the racially stereotypical gag with the Chinese dogs.
However, while Avery's animation style became more refined later on there are some really imaginative and beautiful visuals here, especially in the chase sequence with lots of fluidity, crispness and meticulous detail. The music is no Carl Stalling, but it's lively, charmingly orchestrated, rousing and dynamic enough. There are some good gags, though Avery's succeeding cartoons were more consistent in humour and were sharper and wittier, especially the barber shop gag and the chase sequence, the latter being the highlight of the cartoon. There are some cute moments too, and the whole stuff with the gold makes for good fun.
Beans is not one of the funniest ever characters and there are more interesting ones too, but he is compelling and amusing enough and he's likable. Kitty is adorable, and the villain is suitably dastardly. The chemistry between the characters is also enjoyable, and apart from Dougherty the voice acting from Bernice Hansen and Billy Bletcher is very good but the lack of Mel Blanc is much lamented.
All in all, a decent first cartoon for Avery but he went on to do better. 7/10 Bethany Cox
Wasn't crazy about Porky here, really like him as a character but his taller and slobbery look is nowhere near as appealing as the design that we're more familiar with, pretty crude from personal opinion actually. Nor with Joe Dougherty's voice work, Mel Blanc's Porky stutter is much more natural while Dougherty's sounds annoying and overdone. One gag misfires too, and that's the racially stereotypical gag with the Chinese dogs.
However, while Avery's animation style became more refined later on there are some really imaginative and beautiful visuals here, especially in the chase sequence with lots of fluidity, crispness and meticulous detail. The music is no Carl Stalling, but it's lively, charmingly orchestrated, rousing and dynamic enough. There are some good gags, though Avery's succeeding cartoons were more consistent in humour and were sharper and wittier, especially the barber shop gag and the chase sequence, the latter being the highlight of the cartoon. There are some cute moments too, and the whole stuff with the gold makes for good fun.
Beans is not one of the funniest ever characters and there are more interesting ones too, but he is compelling and amusing enough and he's likable. Kitty is adorable, and the villain is suitably dastardly. The chemistry between the characters is also enjoyable, and apart from Dougherty the voice acting from Bernice Hansen and Billy Bletcher is very good but the lack of Mel Blanc is much lamented.
All in all, a decent first cartoon for Avery but he went on to do better. 7/10 Bethany Cox
¿Sabías que…?
- ErroresThe year when the action takes place is established by a calendar inside a covered wagon, showing '1849' and 'July' with the '1' for the first day in the third box on the first line (usually indicating a Tuesday). July 1, 1849 was a Sunday.
- Versiones alternativasThis cartoon was colorized in 1995, with a computer adding color to a new print of the original black and white film. This process preserved the quality of the animation in the original cartoon.
- ConexionesFeatured in Behind the Tunes: A Conversation with Tex Avery (2004)
- Bandas sonorasYou're the Flower of My Heart, Sweet Adeline
(1903) (uncredited)
Music by Harry Armstrong
Lyrics by Richard H. Gerard
Sung by a quartet
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Detalles
- Tiempo de ejecución8 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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What is the French language plot outline for Gold Diggers of '49 (1935)?
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