Una pareja de escaladores sociales organiza una lujosa fiesta para una desconocida a la que persuadieron para que se hiciera pasar por su hija.Una pareja de escaladores sociales organiza una lujosa fiesta para una desconocida a la que persuadieron para que se hiciera pasar por su hija.Una pareja de escaladores sociales organiza una lujosa fiesta para una desconocida a la que persuadieron para que se hiciera pasar por su hija.
- Dirección
- Guionistas
- Elenco
Joseph E. Bernard
- Deck Steward
- (sin créditos)
Paul de Rincon
- National Press Reporter
- (sin créditos)
Bill Elliott
- Post Reporter
- (sin créditos)
Pauline Garon
- Josephine - the French Maid
- (sin créditos)
Maude Turner Gordon
- Mrs. Vandergrift
- (sin créditos)
Sherry Hall
- United Press Reporter
- (sin créditos)
Olaf Hytten
- Watkins - Butler
- (sin créditos)
William Jeffrey
- Cafe Proprietor
- (sin créditos)
Opiniones destacadas
Guy Kibbee made a lot of money in the stock market in 1929 when his broker sold when Kibbee told him to buy. Now he spends some of that money granting his wife's wishes. Her latest is to break into New York society. Matron Nella Walker is down to her residences and the furnishings, but she still has prestige. So Edward Everett Horton suggests they can enter society by marrying Miss Walker's son, Ross Alexander, to their daughter.
They don't have a daughter, but Kibbee has taken a shine to June Martell, the waitress in the diner he likes to eat at. They fit her up as their daughter and throw a party to introduce her to Alexander, not knowing they've already met, and Alexander is smitten.
It's a Cinderella story, with Kibbee's checkbook serving as a magic wand. Although it occasionally gets a bit tiresome by its reliance on Horton's nitwittery, there's enough of the old-style Warner Brothers' rapid-fire editing to keep this moving along amusingly.
They don't have a daughter, but Kibbee has taken a shine to June Martell, the waitress in the diner he likes to eat at. They fit her up as their daughter and throw a party to introduce her to Alexander, not knowing they've already met, and Alexander is smitten.
It's a Cinderella story, with Kibbee's checkbook serving as a magic wand. Although it occasionally gets a bit tiresome by its reliance on Horton's nitwittery, there's enough of the old-style Warner Brothers' rapid-fire editing to keep this moving along amusingly.
Not as bad as some here say. A tremendous showcase for Edward Everett Horton. His talking/singing duets with Ross Alexander are marvels of comic timing. Horton was in many better films than this, but few that showcased his talent as vividly. Ross Alexander has several scenes where he carries himself with great poise and comic sophistication. There is evidence here he could have been a stylish leading man had he not killed himself. Little known June Martel is surprisingly fetching as diner waitress, though she fades a little when masquerading as a debutant. The story construction is awful in this film but there is some snappy dialogue. In the end a must-see for Horton's and Alexander's musical numbers.
If you like the silly comedies of the 30s then check this movie out.
Everybody is good in this movie but Edward Everett Horton steals the show. He is excellent.
ZaSu Pitts is also top notch. But as I say all the actors show their stuff in this funny uptown romp.
Everybody is good in this movie but Edward Everett Horton steals the show. He is excellent.
ZaSu Pitts is also top notch. But as I say all the actors show their stuff in this funny uptown romp.
This film is a wonderful example of a rotten plot yet wonderful characters. It appeared as if the film were actually written by two people--one for the plot and one who strictly designed the characters and wrote the dialog. As for the plot itself, it's easy to sum up with one word--"stupid". Instead of trying to describe it, just let it go with that! But as for the characters, I have always been a sucker for colorful character actors and this one has Edward Everett Horton, Guy Kibbee and Zasu Pitts (in a rather restrained performance, thank goodness). And the writers infused these characters with wonderful personalities that were very much in line with their normal screen personas. Kibbee was a not overly bright but decent "normal guy", Zasu played a bumpkin of sorts who wanted "class" and Horton played a rich but decent schemer. Together, they helped to infuse the film with enough warmth and humanity that I was able to overlook the films MANY deficiencies and just enjoy it. While this is certainly NOT a film you should rush to see, it's a very amiable time-passer and a good example of a quality B-movie.
"Going Highbrow" is entertaining, yes, but it definitely also is lacking an uncertain something. I just couldn't help thinking during the entire film that it was a shame for this notable cast and the attention to production to be pretty much squandered on a story that is so under-developed as well as begging for another edit.
The sets, for example the diner, the hotel, the party venue, and even the streets are filled with extras and appointments that were carefully chosen and liberally placed. Edw Everett Horton gets carried away at times with his antics, but the cast does a credible job here and it is fun to see Ms. Pitts and Mr. Kibbee play their cards. But, gee, a little more care and ten minutes more of exposition here and there could have resulted in a far more satisfying picture. Nonetheless, it should be fun for movie fans of the 1930's to see once.
The sets, for example the diner, the hotel, the party venue, and even the streets are filled with extras and appointments that were carefully chosen and liberally placed. Edw Everett Horton gets carried away at times with his antics, but the cast does a credible job here and it is fun to see Ms. Pitts and Mr. Kibbee play their cards. But, gee, a little more care and ten minutes more of exposition here and there could have resulted in a far more satisfying picture. Nonetheless, it should be fun for movie fans of the 1930's to see once.
¿Sabías que…?
- TriviaA contemporary article in Daily Variety noted that Joan Blondell and Aline MacMahon were considered for the role that went to Zasu Pitts.
- Citas
Harley Marsh: You know what I like about you, Augie?
Augie: Huh?
Harley Marsh: You're a man of a very few million words.
Augie: Uh-huh, I generally hit the -
[realizes what Harley said and gets annoyed]
- Bandas sonorasOne in a Million
(1935) (uncredited)
Music by Louis Alter
Lyrics by Jack Scholl (as John Scholl)
Played during the opening credits
Performed by Ross Alexander and Edward Everett Horton
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Crashing Society
- Locaciones de filmación
- Waldorf-Astoria Hotel - 301 Park Avenue, Manhattan, Nueva York, Nueva York, Estados Unidos(exterior establishing shot)
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 7 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
By what name was Going Highbrow (1935) officially released in India in English?
Responda