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The Gilded Lily

  • 1935
  • Approved
  • 1h 20min
CALIFICACIÓN DE IMDb
6.7/10
959
TU CALIFICACIÓN
Claudette Colbert, Ray Milland, and Fred MacMurray in The Gilded Lily (1935)
ComedyRomance

Agrega una trama en tu idiomaA stenographer becomes a famed entertainer and is courted by an English nobleman and an informal American reporter.A stenographer becomes a famed entertainer and is courted by an English nobleman and an informal American reporter.A stenographer becomes a famed entertainer and is courted by an English nobleman and an informal American reporter.

  • Dirección
    • Wesley Ruggles
  • Guionistas
    • Claude Binyon
    • Jack Kirkland
    • Melville Baker
  • Elenco
    • Claudette Colbert
    • Fred MacMurray
    • Ray Milland
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.7/10
    959
    TU CALIFICACIÓN
    • Dirección
      • Wesley Ruggles
    • Guionistas
      • Claude Binyon
      • Jack Kirkland
      • Melville Baker
    • Elenco
      • Claudette Colbert
      • Fred MacMurray
      • Ray Milland
    • 24Opiniones de los usuarios
    • 10Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado en total

    Fotos63

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    Elenco principal82

    Editar
    Claudette Colbert
    Claudette Colbert
    • Marilyn David
    Fred MacMurray
    Fred MacMurray
    • Peter Dawes
    Ray Milland
    Ray Milland
    • Charles Gray - Lord Granton
    C. Aubrey Smith
    C. Aubrey Smith
    • Lloyd Granton - Duke of Loamshire
    Luis Alberni
    Luis Alberni
    • Nate Porcopolis
    Eddie Craven
    • Eddie - Photographer
    Donald Meek
    Donald Meek
    • Hankerson
    Charles Irwin
    Charles Irwin
    • Oscar - Orchestra Leader
    Forrester Harvey
    Forrester Harvey
    • Hugo…
    Grace Bradley
    Grace Bradley
    • Daisy
    Claude King
    Claude King
    • Boat Captain
    Charles C. Wilson
    Charles C. Wilson
    • Managing Editor
    Edward Gargan
    Edward Gargan
    • Subway Guard
    Pat Somerset
    Pat Somerset
    • Man in London Club
    Georgie Billings
    • Guard's Son
    • (as George Billings)
    Tom Dugan
    Tom Dugan
    • Bum on Park Bench
    Warren Hymer
    Warren Hymer
    • Taxi Driver
    Eddie Borden
    Eddie Borden
    • Photographer
    • Dirección
      • Wesley Ruggles
    • Guionistas
      • Claude Binyon
      • Jack Kirkland
      • Melville Baker
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios24

    6.7959
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    Opiniones destacadas

    71930s_Time_Machine

    Take off your shoes and kiss me

    However down you might be feeling, this will cheer you up. Its warm and uplifting mood will give you a big hug and put a big smile on your face. It's sentimental without being soppy making this a perfect little rom-com.

    This might not be a classic but Claudette Colbert is as classic as ever. Besides being the most beautiful woman ever (as we, the enlightened ones realise!), she had that natural ability to make even the silliest role seem completely believable and real. In this, following a romance with one of those hundreds of sons of English Lords in disguise who, according to Hollywood seemed to populate America in the thirties, celebrity is foisted unexpectedly upon her. She copes with this just like any of us would - with incredulity followed by self effacement then reluctant acceptance. Her performance is so natural and so endearing.

    Also, I must commend Fred MacMurray! You'd never guess that this was his first lead role - he and the divine Claudette show real chemistry. He was just one of those naturally natural actors.

    The story is far from original, the humour's ok though not side-splitting but the intoxicating charm of the three leads makes this something special. The romance is cheesy and corny but it never ventures into the nauseatingly sentimental which a lot of films did back then. No, this has a healthy streak of cynicism flowing through it which adds to its realism.
    6blanche-2

    beautiful Claudette

    Claudette Colbert is Marilyn, "The Gilded Lily" in this 1935 film also starring Ray Milland and Fred MacMurray. Colbert plays a young woman who hangs out with a reporter friend, Peter, (MacMurray) as she waits to be swept off her feet. Enter Milland as Charles, a duke visiting the U.S. incognito. They fall in love, and he decides that he wants to marry her instead of his fiancée back in England. His father (C. Aubrey Smith) talks him into breaking up with the fiancé the honorable way: return to England, see her face to face, and then return to the states. Peter, who has no idea that Charles is Marilyn's dream man, gets wind of the royalty and blows their identity in the paper. Marilyn thinks Charles lied to her about his feelings and is simply returning to England to get married. When Peter realizes Marilyn fell for Charles, his paper does a scandal sheet-type job on Marilyn. Before she knows it, she's the '30s version of a Tiger Woods' girlfriend and launched into a singing career.

    It's all very odd -- MacMurray acts like a total jerk, and Charles apparently assumes she's been sleeping with Peter and invites her for a weekend at an inn when she's in England doing her act. She really should have dumped both of them, but she chooses one instead.

    Colbert is very beautiful, and this was a breakthrough role for MacMurray. Milland is very charming - he came up through the ranks slowly and can be seen uncredited in "The Man who Played God" in 1931.

    Dated but pleasant, basically thanks to Colbert.
    9bkoganbing

    What It Takes To Be A Celebrity

    Claudette Colbert was given two of Paramount's up and coming leading men in The Gilded Lily which holds up very well today because it talks about the cult of celebrity. Ray Milland and Fred MacMurray co-starred with her and in MacMurray's fifth film he became a star.

    Fred's a reporter and Claudette's a secretary and they have a regular Thursday date on a bench near the main public library in Bryant Park in New York. They talk about the state of the human condition while munching on popcorn. But one fine day Claudette runs into Ray Milland who is traveling incognito in the USA, he's a titled English Earl whose got a playboy reputation and a fiancé back across the pond.

    MacMurray as it were happens to spot Milland and his father C. Aubrey Smith as they're boarding the boat back for the United Kingdom. His reporter instinct takes over and he breaks the story of Milland and Colbert and overnight he creates a celebrity, 'the No Girl.'

    What to do, but try and exploit this all around and Claudette working class secretary one day becomes a celebrity like Zsa Zsa Gabor, Pia Zadora, or Jessica Hahn. The cult of celebrity was just beginning back in the day and The Gilded Lily is one of the first films to deal with that phenomenon.

    Though MacMurray got his big break in this film after four other films which he didn't make much of an impact, the film really does belong to Claudette Colbert. She's got some great comic moments here, getting drunk and passing out under a nightclub table while MacMurray and owner Luis Alberni are discussing putting her in his club.

    Of course Claudette doesn't sing or dance or do card tricks, so what will she do once she gets there. Another great moment is Claudette taking singing lessons from an exasperated Leonid Kinskey. This might have been the inspiration for the scene where Fortunio Bonanova tries to resign from giving singing lessons to Dorothy Comingore in Citizen Kane. Of course this one is played strictly for laughs as poor Colbert tries to croak out a song.

    Claudette Colbert doesn't sing or dance or do card tricks, but give her her due as one of the best screen comediennes films had back in the Thirties. She's at her very best in The Gilded Lily and what the film says about celebrities and what it takes to be one is probably more true today than back in 1935. Don't miss this one if broadcast
    8col-klink

    A typical warm pearl of the 30's

    In this very sweet and charming picture, Claudette Colbert is Marilyn David, a girl divided between two men. One is an English nobleman traveling unknown (Lord Granton/Charles Gray, played by Ray Milland) and the other a friend reporter (Peter Daws, played by Fred MacMurray, in his good old American style). Colbert has a strong friendship bond with MacMurray - they meet each other every Thursday to sit on a bench, take off the shoes and eat popcorn while the world is passing by - while Milland is just that kind of guy women fall for. It is a lovely picture, with a predictable ending, but representing very well a reasonable woman exercising her selection privileges during the good old times, when marriage was meaningful and fidelity and trust where more valuable then gold. There is no use in putting here a good word for Colbert. After all, as everybody knows, she is just fantastic.
    7mukava991

    plenty of fun, wit & beauty

    THE GILDED LILY packs a lot of good-natured fun into a standard Paramount assembly line product. Claudette Colbert, perhaps never more perfectly photographed and framed, plays an office worker torn between two handsome young suitors: a brash newspaper reporter (Fred MacMurray) and a cultivated Englishman (Ray Milland, who, unbeknownst to Colbert, is actually a duke traveling in the States under an assumed name to avoid the press). The plot picks up when Colbert discovers Milland's true identity (via MacMurray who by chance is assigned to do a story on him), whereupon emotions take over, spin out of control and create a whole new world of developments, including Colbert's overnight rise to celebrity-by- association, which relocates her from workaday surroundings to nightclub dressing rooms and luxury hotels, from simple lace collars to glittery evening gowns. There is no logical explanation for how she could become so closely involved with Milland, yet know nothing about him other than the fact that he is English and has no job. But we must suspend disbelief so that the plot can develop.

    The first half is the best, beginning charmingly as Colbert and MacMurray's friendly- flirtatious relationship is established on a bench outside the main branch of the New York Public Library where they meet each Thursday to eat popcorn, chat and watch the world go by. Their dialogue provides all the exposition we will need: he is in love with her, plain and simple; she isn't in love with him, because her vision of love is based on an ideal fantasy which no reality has ever matched. From this introduction we are taken on a lively ride as she is soon swept off her feet by Milland in the surging chaos of a packed subway station. Following is a series of beautifully written scenes, expertly played by Colbert, charting the giddiness of falling madly in love through the descent into despair when that love suddenly appears to be a cruel illusion. The peak occurs when Colbert exquisitely botches a nightclub song-and-dance act intended to launch her as a marketable celebrity.

    Thereafter the story sags and gets mechanical, contracting into the old "which suitor shall I choose" routine, but momentum resumes toward the end. Even at its lowest points, however, just the beauty of the three main faces in close up is enough to hold interest. It is impossible to judge which of Colbert's many light comedy performances is the finest, but this one would have to be in the top five. MacMurray and Milland are perfectly cast as the opposite love interests. They resemble each other in build, height and hair color, so that even accounting for Milland's accent and slightly more reserved demeanor we can see why it's so difficult for Colbert to choose between them. The resemblance is most pronounced when the men appear together in formal attire.

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    Argumento

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    • Trivia
      First of seven movies that paired Claudette Colbert and Fred MacMurray.
    • Errores
      Characters played by Ray Milland and C. Aubrey Smith are clearly identified in plot as "Charles Gray, Lord Granton" and the "Duke of Loamshire" respectively, but in the closing credits they are listed as "Charles Gray [Granville]" and "Lloyd Granville."
    • Citas

      Marilyn David: I want a glass. About this big. Mmm, no, maybe about THIS big. And I don't care what you put in it--whiskey, hair tonic, rat poison--but whatever it is, when I finish drinking it, I want to be curled up in a little heap, right HERE.

    • Conexiones
      Featured in The Fashion Side of Hollywood (1935)
    • Bandas sonoras
      Something About Romance
      Lyrics by Sam Coslow

      Music by Arthur Johnston

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 25 de enero de 1935 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Den gyllene liljan
    • Locaciones de filmación
      • Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Ángeles, California, Estados Unidos(Studio)
    • Productora
      • Paramount Pictures
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 20 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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