'G' Men

"G-Men" is one of the best of Warner Brothers gangster films. It casts James Cagney, known at that time for his gangster roles, on the right side of the law for a change.

Lawyer "Brick" Davis (Cagney) is a well educated lawyer with no clients. He is visited one day by an old friend Eddie Buchanan (Regis Toomey) who encourages Brick to join the Department of Justice Bureau of Investigation (soon to be named the Federal Bureau of Investigation).

When Eddie is murdered by gangster Collins (Barton MacLane), Brick decides to apply to the Department of Justice. It should be noted that in the FBI's early days they could only engage lawyers and accountants and were not permitted to carry firearms. Brick is assigned to tough laconic Jeff McCord (Robert Armstrong) who is of the opinion that Brick will never make an effective agent.

McCord and Bureau Director Bruce Gregory (Addison Richards) both believe that to be effective, the bureau needs to have national jurisdiction, be allowed to carry weapons and hire law enforcers and not lawyers.

As it turns out Brick was rescued from the street by gangster Mac McKay (William Harrigan) who took him in and provided him with his education. Brick soon demonstrates his capabilities and quickly gains the confidence of his superiors. Along the way he meets McCord's sister Kay (Margaret Lindsay) and the two fall in love. Bad girl Jean Morgan (Ann Dvorak) also has this thing for Brick.

When Collins' gang disappears, Jean is brought in for questioning and we learn that she has married Collins after Mac closed his night club. She gives Brick the lead he needs and the Bureau takes action. Collins escapes the Bureau's attack on his gang and.....................

Director William Keighley gives us one of the classic gangster movies. It changes the focus on the hero from a gangster to a law enforcement officer, but at the same time offers one of the best shoot outs of the genre.

Cagney loses nothing in his switch from the wrong to the right side of the law. He remains his usual cocky fast talking self. Armstrong in a role that usually was played by Pat O'Brien, is effective as McCord. Of the female leads, Dvorak has the best role. Lindsay is merely around as Cagney's good girl love interest. MacLane, Warners resident gangster, turns in his usual good performance as the brutish Collins.

Others in the cast include Lloyd Nolan in an early role as Brick's fellow agent, and Edward Pawley, Noel Madison, Harold Huber and Raymond Hatton as assorted gangsters.

In 1949, the film was re-released to help mark the FBI's 25th anniversary. A prologue featuring David Brian showing the film to a group of new recruits was added.

A word about the DVD commentary by film historian Richard Jewell. For someone who should know better, he makes two glaring errors regarding the cast. He identifies David Brian as Brian David and Margaret Lindsay as Margaret Livingston. I wouldn't have been surprised to have heard him call Cagney, James Pygmy or MacLane, Barton Fink. A little more thorough research Mr. Jewell.

In 1935 people paid to watch the physical, strutting, smart-mouthed James Cagney, and even in this film about FBI agents in the production code era of the 1930's Cagney gives them that. This time, though, Cagney is one of the guys trying to apprehend gangsters like Tom Powers of "The Public Enemy", rather than playing one.

Cagney is Brick Davis, a guy who came up from the slums of New York, a man whose personal benefactor is in the rackets himself, but he never wanted anything for or from Brick other than for him to make good. The opening scene shows Cagney giving a legal summation - something about a poor man fighting the big corporations. As the camera pans back we see that there is no jury, and in fact Brick is getting nowhere with his law practice.

An old friend, now a G-Man himself, visits Brick and suggests he join the FBI. After that old friend is shot in the line of duty by a gangster, Brick does just that. This film is pretty much a conventional, paint-by-numbers cops and robbers picture made exceptional by exceptional performers. Robert Armstrong, who comes across as more of a mug than Cagney, is supervising agent Jeff McCord who doesn't like Cagney from the start for really no good reason that I could surmise. Ann Dvorak is the "tarnished angel" - a chorus girl without a chorus who does what she has to do to survive but also wants to do the right thing and seems to harbor a bit of a thing for Cagney's character. Margaret Lindsay is Jeff's sister, a nurse no less, who doesn't like Brick either - at first. Then there are a host of bad guys the worst of which is Barton McLane in the kind of "so mean he's terrific" role at which he excelled in the 1930's and beyond.

For people who love Cagney in action with lots of shoot outs and fighting an uphill battle to get the girl of his dreams, this one fits the bill.

One thing that you may find puzzling if you watch the DVD release of this film, which is actually from a 1949 re-release, is the presence of a prologue. That prologue has Warner Brothers contract player David Brian playing an FBI instructor talking to a class of FBI men about the history of the agency and how it was before the agents could even carry guns. Apparently, the FBI offered no cooperation in the making of "G Men" in 1935, but by 1949 the agency really liked this picture and so this prologue was tacked on. Just don't get too confused about the time warp.

Here's an old-time (about 75 years old!) gangster movie that is fast-moving as all James Cagney crime films tend to be. In here, Cagney is the good guy, a "government man" out to get crooks, one of whom turns out to be his old pal. All the characters in here are pretty interesting, particularly Cagney's boss played by Robert Armstrong.

Watching this film, one discovers an interesting fact: government agents weren't allowed to use guns in the early days. That didn't change until things got totally out of control with too many defenseless lawmen getting killed.

Margaret Lindsay also stars in this movie, and that's a good thing. The more I see of her, the more I like her. It would have been interesting to see what roles she'd play if she was a young actress in today's films.

Finally, the action scenes in this film reminded me of the old television series, "The Untouchables" with the machine guns blazing out of those big, boxy 1930 automobiles.

Can't find a flaw or an objection to "G-Men", a depression-era gangster picture which hits all the right notes. The screenplay, acting, direction and photography are all outstanding. The picture centers around James Cagney, a lawyer-turned G-man who rises quickly through the ranks to become a hero, much to the grudging admiration of Robert Armstrong, Chief of the Department, as he captures or exterminates several dangerous gangsters.

It sounds like a lot of similar 'shoot-em-ups', but Director Keighley does it with style here, and with the help of a first-rate cast. Besides Cagney and Armstrong are such stalwart supporters as Lloyd Nolan, Ann Dvorak and Barton McLane. He keeps the action moving so that there is very little down time or prolonged stretches of dull dialogue - come to think of it, there are no breaks in the action as it is nearly continuous and helps to make "G-Men" one of the best of its genre regardless of the era.

This is definitely Jimmy Cagney's film all the way. He is superb in it and his acting actually makes the rest of the cast better in support. Cagney was such a great actor he would always help elevate others performances in his films and he does so very much in this one. This film is well done for it's time though it looks a little flawed with age now.

The story is actually based upon a real FBI case in the early 30's. It stretches the truth after a while in order to fit the task. The gun fight sequence towards the end is amazingly violent yet most of the what seems to be thousands of shots fired seem to miss everything.

This is one of many films that established Warner Brothers as :Gangster Films Inc" during the 30's & 40's. It is a strong entry which was well produced for a 1935 (early) film. It treats it's subject pretty well. If you like Cagney, this is a film you must see to understand how far he had already developed his acting skills in 1935.