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7.1/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaJames Cagney helped jump-start the gangster genre as The Public Enemy. Outcries against movies that glorified underworld criminals put Cagney on the side of the law in 'G' Men.James Cagney helped jump-start the gangster genre as The Public Enemy. Outcries against movies that glorified underworld criminals put Cagney on the side of the law in 'G' Men.James Cagney helped jump-start the gangster genre as The Public Enemy. Outcries against movies that glorified underworld criminals put Cagney on the side of the law in 'G' Men.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 2 premios ganados y 1 nominación en total
Marie Astaire
- Gerard's Moll
- (sin créditos)
Brooks Benedict
- Man
- (sin créditos)
Stanley Blystone
- Cop
- (sin créditos)
Opiniones destacadas
"G-Men" is one of the best of Warner Brothers gangster films. It casts James Cagney, known at that time for his gangster roles, on the right side of the law for a change.
Lawyer "Brick" Davis (Cagney) is a well educated lawyer with no clients. He is visited one day by an old friend Eddie Buchanan (Regis Toomey) who encourages Brick to join the Department of Justice Bureau of Investigation (soon to be named the Federal Bureau of Investigation).
When Eddie is murdered by gangster Collins (Barton MacLane), Brick decides to apply to the Department of Justice. It should be noted that in the FBI's early days they could only engage lawyers and accountants and were not permitted to carry firearms. Brick is assigned to tough laconic Jeff McCord (Robert Armstrong) who is of the opinion that Brick will never make an effective agent.
McCord and Bureau Director Bruce Gregory (Addison Richards) both believe that to be effective, the bureau needs to have national jurisdiction, be allowed to carry weapons and hire law enforcers and not lawyers.
As it turns out Brick was rescued from the street by gangster Mac McKay (William Harrigan) who took him in and provided him with his education. Brick soon demonstrates his capabilities and quickly gains the confidence of his superiors. Along the way he meets McCord's sister Kay (Margaret Lindsay) and the two fall in love. Bad girl Jean Morgan (Ann Dvorak) also has this thing for Brick.
When Collins' gang disappears, Jean is brought in for questioning and we learn that she has married Collins after Mac closed his night club. She gives Brick the lead he needs and the Bureau takes action. Collins escapes the Bureau's attack on his gang and.....................
Director William Keighley gives us one of the classic gangster movies. It changes the focus on the hero from a gangster to a law enforcement officer, but at the same time offers one of the best shoot outs of the genre.
Cagney loses nothing in his switch from the wrong to the right side of the law. He remains his usual cocky fast talking self. Armstrong in a role that usually was played by Pat O'Brien, is effective as McCord. Of the female leads, Dvorak has the best role. Lindsay is merely around as Cagney's good girl love interest. MacLane, Warners resident gangster, turns in his usual good performance as the brutish Collins.
Others in the cast include Lloyd Nolan in an early role as Brick's fellow agent, and Edward Pawley, Noel Madison, Harold Huber and Raymond Hatton as assorted gangsters.
In 1949, the film was re-released to help mark the FBI's 25th anniversary. A prologue featuring David Brian showing the film to a group of new recruits was added.
A word about the DVD commentary by film historian Richard Jewell. For someone who should know better, he makes two glaring errors regarding the cast. He identifies David Brian as Brian David and Margaret Lindsay as Margaret Livingston. I wouldn't have been surprised to have heard him call Cagney, James Pygmy or MacLane, Barton Fink. A little more thorough research Mr. Jewell.
Lawyer "Brick" Davis (Cagney) is a well educated lawyer with no clients. He is visited one day by an old friend Eddie Buchanan (Regis Toomey) who encourages Brick to join the Department of Justice Bureau of Investigation (soon to be named the Federal Bureau of Investigation).
When Eddie is murdered by gangster Collins (Barton MacLane), Brick decides to apply to the Department of Justice. It should be noted that in the FBI's early days they could only engage lawyers and accountants and were not permitted to carry firearms. Brick is assigned to tough laconic Jeff McCord (Robert Armstrong) who is of the opinion that Brick will never make an effective agent.
McCord and Bureau Director Bruce Gregory (Addison Richards) both believe that to be effective, the bureau needs to have national jurisdiction, be allowed to carry weapons and hire law enforcers and not lawyers.
As it turns out Brick was rescued from the street by gangster Mac McKay (William Harrigan) who took him in and provided him with his education. Brick soon demonstrates his capabilities and quickly gains the confidence of his superiors. Along the way he meets McCord's sister Kay (Margaret Lindsay) and the two fall in love. Bad girl Jean Morgan (Ann Dvorak) also has this thing for Brick.
When Collins' gang disappears, Jean is brought in for questioning and we learn that she has married Collins after Mac closed his night club. She gives Brick the lead he needs and the Bureau takes action. Collins escapes the Bureau's attack on his gang and.....................
Director William Keighley gives us one of the classic gangster movies. It changes the focus on the hero from a gangster to a law enforcement officer, but at the same time offers one of the best shoot outs of the genre.
Cagney loses nothing in his switch from the wrong to the right side of the law. He remains his usual cocky fast talking self. Armstrong in a role that usually was played by Pat O'Brien, is effective as McCord. Of the female leads, Dvorak has the best role. Lindsay is merely around as Cagney's good girl love interest. MacLane, Warners resident gangster, turns in his usual good performance as the brutish Collins.
Others in the cast include Lloyd Nolan in an early role as Brick's fellow agent, and Edward Pawley, Noel Madison, Harold Huber and Raymond Hatton as assorted gangsters.
In 1949, the film was re-released to help mark the FBI's 25th anniversary. A prologue featuring David Brian showing the film to a group of new recruits was added.
A word about the DVD commentary by film historian Richard Jewell. For someone who should know better, he makes two glaring errors regarding the cast. He identifies David Brian as Brian David and Margaret Lindsay as Margaret Livingston. I wouldn't have been surprised to have heard him call Cagney, James Pygmy or MacLane, Barton Fink. A little more thorough research Mr. Jewell.
"G" Men (1935)
*** (out of 4)
Raised by a gangster as a child, James Cagney grows up to be a lawyer but after a friend's murdered by the mob he decides to join the FBI. This film is a tad bit overrated in my opinion because we've seen this type of thing from Warner quite a few times but there are a few nice elements that make it worth watching at least once. Cagney turns in another wonderful performance but to be fair, he rarely turns in anything but. The supporting cast are pretty good but there's no doubt this is Cagney's picture all the way. There are several wonderful shoot outs, which are a lot of fun and the ending is also very nice.
*** (out of 4)
Raised by a gangster as a child, James Cagney grows up to be a lawyer but after a friend's murdered by the mob he decides to join the FBI. This film is a tad bit overrated in my opinion because we've seen this type of thing from Warner quite a few times but there are a few nice elements that make it worth watching at least once. Cagney turns in another wonderful performance but to be fair, he rarely turns in anything but. The supporting cast are pretty good but there's no doubt this is Cagney's picture all the way. There are several wonderful shoot outs, which are a lot of fun and the ending is also very nice.
In the 1930s Warner Bros was the unrivaled home of the gangster picture. These films were so much fun, filled with action and drama with a heaping dose of social commentary on the side. Despite the criminals usually dying in the end of these movies, WB was accused by some of glorifying hoodlums. So, in answer to that, they made this little gem that was designed to glorify the "good guys" instead. How did they do that? They took their main tough guy star, James Cagney, and made him a fed (or G-Man). In this movie, Cagney plays a lawyer who joins the Department of Justice after his federal agent friend is killed.
This is a first-rate gangster picture, directed by William Keighley and written by Seton I. Miller. No matter which side of the law he's on, Cagney is his usual charismatic self, not too far removed from his other gangster roles. He's still the tough runt who would sooner break your jaw or plug you with his gat before he would place you under arrest, but he's got a badge this time and he does follow the rules...for the most part. Fantastic cast backing Cagney up. William Harrigan is a scene stealer as the soft-hearted gangster who helps Jimmy out and pays for it in the end. Perennial heavy Barton MacLane gets plenty of scenery to chew as the main villain. Robert Armstrong is the agent that rides Cagney hard but eventually decides he's a good egg. Margaret Lindsay is Armstrong's sister and one of two dames that fall for Jimmy in this picture. The other being the lovely Ann Dvorak, who shines as she almost always did. She is really one of the more underrated actresses of her time. Despite her appealing performance, though, her first scene is a bit cringeworthy as she's badly lip-syncing and awkwardly dancing around like a wounded chicken. She was a fine dramatic actress but not a great singer or dancer. Others rounding out the cast include Lloyd Nolan, Regis Toomey, Harold Huber, Jonathan Hale, and Edward Pawley as a vicious hood named Leggett.
It's a beautiful-looking picture, courtesy of cinematographer Sol Polito. The big shootout between the feds and the gangsters is one of the film's highlights. The scene where Cagney gets a jujitsu lesson is also a real treat. There's an amusing FBI 'crime does not pay' type of prologue that was tacked on for the 1949 re-release that is present on most prints today. Definitely a must-see for fans of Cagney and WB gangster movies. If you aren't one of those already, you should be.
This is a first-rate gangster picture, directed by William Keighley and written by Seton I. Miller. No matter which side of the law he's on, Cagney is his usual charismatic self, not too far removed from his other gangster roles. He's still the tough runt who would sooner break your jaw or plug you with his gat before he would place you under arrest, but he's got a badge this time and he does follow the rules...for the most part. Fantastic cast backing Cagney up. William Harrigan is a scene stealer as the soft-hearted gangster who helps Jimmy out and pays for it in the end. Perennial heavy Barton MacLane gets plenty of scenery to chew as the main villain. Robert Armstrong is the agent that rides Cagney hard but eventually decides he's a good egg. Margaret Lindsay is Armstrong's sister and one of two dames that fall for Jimmy in this picture. The other being the lovely Ann Dvorak, who shines as she almost always did. She is really one of the more underrated actresses of her time. Despite her appealing performance, though, her first scene is a bit cringeworthy as she's badly lip-syncing and awkwardly dancing around like a wounded chicken. She was a fine dramatic actress but not a great singer or dancer. Others rounding out the cast include Lloyd Nolan, Regis Toomey, Harold Huber, Jonathan Hale, and Edward Pawley as a vicious hood named Leggett.
It's a beautiful-looking picture, courtesy of cinematographer Sol Polito. The big shootout between the feds and the gangsters is one of the film's highlights. The scene where Cagney gets a jujitsu lesson is also a real treat. There's an amusing FBI 'crime does not pay' type of prologue that was tacked on for the 1949 re-release that is present on most prints today. Definitely a must-see for fans of Cagney and WB gangster movies. If you aren't one of those already, you should be.
In 1935 people paid to watch the physical, strutting, smart-mouthed James Cagney, and even in this film about FBI agents in the production code era of the 1930's Cagney gives them that. This time, though, Cagney is one of the guys trying to apprehend gangsters like Tom Powers of "The Public Enemy", rather than playing one.
Cagney is Brick Davis, a guy who came up from the slums of New York, a man whose personal benefactor is in the rackets himself, but he never wanted anything for or from Brick other than for him to make good. The opening scene shows Cagney giving a legal summation - something about a poor man fighting the big corporations. As the camera pans back we see that there is no jury, and in fact Brick is getting nowhere with his law practice.
An old friend, now a G-Man himself, visits Brick and suggests he join the FBI. After that old friend is shot in the line of duty by a gangster, Brick does just that. This film is pretty much a conventional, paint-by-numbers cops and robbers picture made exceptional by exceptional performers. Robert Armstrong, who comes across as more of a mug than Cagney, is supervising agent Jeff McCord who doesn't like Cagney from the start for really no good reason that I could surmise. Ann Dvorak is the "tarnished angel" - a chorus girl without a chorus who does what she has to do to survive but also wants to do the right thing and seems to harbor a bit of a thing for Cagney's character. Margaret Lindsay is Jeff's sister, a nurse no less, who doesn't like Brick either - at first. Then there are a host of bad guys the worst of which is Barton McLane in the kind of "so mean he's terrific" role at which he excelled in the 1930's and beyond.
For people who love Cagney in action with lots of shoot outs and fighting an uphill battle to get the girl of his dreams, this one fits the bill.
One thing that you may find puzzling if you watch the DVD release of this film, which is actually from a 1949 re-release, is the presence of a prologue. That prologue has Warner Brothers contract player David Brian playing an FBI instructor talking to a class of FBI men about the history of the agency and how it was before the agents could even carry guns. Apparently, the FBI offered no cooperation in the making of "G Men" in 1935, but by 1949 the agency really liked this picture and so this prologue was tacked on. Just don't get too confused about the time warp.
Cagney is Brick Davis, a guy who came up from the slums of New York, a man whose personal benefactor is in the rackets himself, but he never wanted anything for or from Brick other than for him to make good. The opening scene shows Cagney giving a legal summation - something about a poor man fighting the big corporations. As the camera pans back we see that there is no jury, and in fact Brick is getting nowhere with his law practice.
An old friend, now a G-Man himself, visits Brick and suggests he join the FBI. After that old friend is shot in the line of duty by a gangster, Brick does just that. This film is pretty much a conventional, paint-by-numbers cops and robbers picture made exceptional by exceptional performers. Robert Armstrong, who comes across as more of a mug than Cagney, is supervising agent Jeff McCord who doesn't like Cagney from the start for really no good reason that I could surmise. Ann Dvorak is the "tarnished angel" - a chorus girl without a chorus who does what she has to do to survive but also wants to do the right thing and seems to harbor a bit of a thing for Cagney's character. Margaret Lindsay is Jeff's sister, a nurse no less, who doesn't like Brick either - at first. Then there are a host of bad guys the worst of which is Barton McLane in the kind of "so mean he's terrific" role at which he excelled in the 1930's and beyond.
For people who love Cagney in action with lots of shoot outs and fighting an uphill battle to get the girl of his dreams, this one fits the bill.
One thing that you may find puzzling if you watch the DVD release of this film, which is actually from a 1949 re-release, is the presence of a prologue. That prologue has Warner Brothers contract player David Brian playing an FBI instructor talking to a class of FBI men about the history of the agency and how it was before the agents could even carry guns. Apparently, the FBI offered no cooperation in the making of "G Men" in 1935, but by 1949 the agency really liked this picture and so this prologue was tacked on. Just don't get too confused about the time warp.
Here's an old-time (about 75 years old!) gangster movie that is fast-moving as all James Cagney crime films tend to be. In here, Cagney is the good guy, a "government man" out to get crooks, one of whom turns out to be his old pal. All the characters in here are pretty interesting, particularly Cagney's boss played by Robert Armstrong.
Watching this film, one discovers an interesting fact: government agents weren't allowed to use guns in the early days. That didn't change until things got totally out of control with too many defenseless lawmen getting killed.
Margaret Lindsay also stars in this movie, and that's a good thing. The more I see of her, the more I like her. It would have been interesting to see what roles she'd play if she was a young actress in today's films.
Finally, the action scenes in this film reminded me of the old television series, "The Untouchables" with the machine guns blazing out of those big, boxy 1930 automobiles.
Watching this film, one discovers an interesting fact: government agents weren't allowed to use guns in the early days. That didn't change until things got totally out of control with too many defenseless lawmen getting killed.
Margaret Lindsay also stars in this movie, and that's a good thing. The more I see of her, the more I like her. It would have been interesting to see what roles she'd play if she was a young actress in today's films.
Finally, the action scenes in this film reminded me of the old television series, "The Untouchables" with the machine guns blazing out of those big, boxy 1930 automobiles.
¿Sabías que…?
- TriviaWhen Warner Brothers re-released this movie to theaters in 1948, a new opening scene was added to explain that the 1935 movie did not reflect the FBI of the late 1940s. David Brian plays an FBI official addressing a group of new agent-recruits (among them Douglas Kennedy), for whom the old movie will be a history lesson.
- ErroresA crashing automobile knocks over a street lamp just before it runs into a building. The lamp falls away from the camera, so that its bottom is exposed. Clearly the lamp is a prop with no electrical wiring.
- Citas
Jeff McCord: They're in that circle somewhere.
James 'Brick' Davis: Only six states. We've got them cornered.
- Versiones alternativasFor the movie's 1949 re-release, a new scene was shot and stuck at the beginning of the movie. That scene is still in the picture every time it's shown on TV; it's also on the home video release, etc. In this added-14-years-later, pre-credits sequence, David Brian plays The Chief, and Douglas Kennedy plays an Agent.
- ConexionesFeatured in Dirty Harry's Way (1971)
- Bandas sonorasGo Into Your Dance
(1935) (uncredited)
Music by Harry Warren
Danced by the dance troupe at the nightclub
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Detalles
Taquilla
- Presupuesto
- USD 450,000 (estimado)
- Tiempo de ejecución
- 1h 25min(85 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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