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Front Page Woman

  • 1935
  • Approved
  • 1h 22min
CALIFICACIÓN DE IMDb
6.5/10
1.8 k
TU CALIFICACIÓN
Bette Davis and George Brent in Front Page Woman (1935)
A woman reporter tries to prove she's just as good as any man, but runs into trouble along the way.
Reproducir trailer3:31
1 video
89 fotos
ComedyRomance

Una reportera intenta probar que es tan buena como cualquier hombre, pero varios problemas se interponen en su camino.Una reportera intenta probar que es tan buena como cualquier hombre, pero varios problemas se interponen en su camino.Una reportera intenta probar que es tan buena como cualquier hombre, pero varios problemas se interponen en su camino.

  • Dirección
    • Michael Curtiz
  • Guionistas
    • Laird Doyle
    • Lillie Hayward
    • Roy Chanslor
  • Elenco
    • Bette Davis
    • George Brent
    • Roscoe Karns
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.5/10
    1.8 k
    TU CALIFICACIÓN
    • Dirección
      • Michael Curtiz
    • Guionistas
      • Laird Doyle
      • Lillie Hayward
      • Roy Chanslor
    • Elenco
      • Bette Davis
      • George Brent
      • Roscoe Karns
    • 20Opiniones de los usuarios
    • 12Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Videos1

    Trailer
    Trailer 3:31
    Trailer

    Fotos89

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    + 82
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    Elenco principal70

    Editar
    Bette Davis
    Bette Davis
    • Ellen Garfield
    George Brent
    George Brent
    • Curt Devlin
    Roscoe Karns
    Roscoe Karns
    • Toots O'Grady
    Wini Shaw
    Wini Shaw
    • Inez Cardoza
    • (as Winifred Shaw)
    Walter Walker
    • Judge Rickard
    J. Carrol Naish
    J. Carrol Naish
    • Robert Cardoza
    • (as J. Carroll Naish)
    Gordon Westcott
    Gordon Westcott
    • Maitland Coulter
    Dorothy Dare
    Dorothy Dare
    • Mae LaRue
    June Martel
    June Martel
    • Olive Wilson
    Joseph Crehan
    Joseph Crehan
    • Spike Kiley
    J. Farrell MacDonald
    J. Farrell MacDonald
    • Hallohan
    Addison Richards
    Addison Richards
    • District Attorney
    Joe King
    Joe King
    • Hartnett
    • (as Joseph King)
    Selmer Jackson
    Selmer Jackson
    • Joe Davis
    • (as Selmar Jackson)
    Miki Morita
    • Fuji
    • (as Mike Morita)
    Huntley Gordon
    Huntley Gordon
    • Marvin Q. Stone
    Georges Renavent
    Georges Renavent
    • Robert Chinard
    Ernie Alexander
    • Elevator Operator
    • (sin créditos)
    • Dirección
      • Michael Curtiz
    • Guionistas
      • Laird Doyle
      • Lillie Hayward
      • Roy Chanslor
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios20

    6.51.8K
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    Opiniones destacadas

    7SnoopyStyle

    stay together

    Ellen Garfield (Bette Davis) and Curt Devlin (George Brent) are combative reporters at rival newspapers who are in a relationship. She faints during an execution and he tries to cover for her. She gets into trouble after he files the same story to both papers. They continue their back and forth banter while she refuses to marry him. They start following the same story of a Broadway murder mystery.

    The first notable aspect is that she's not a good reporter for the first part of the movie. I'm surprised that a woman wouldn't be fired or at least demoted to wedding announcements after fainting. Nevertheless, the dialogue is snappy. The leads especially with Davis are fun. It's light except for the murder. My only complaint is that this movie needs more time with the leads together. They should be investigating as a team but trying to scoop each other in print.
    7AlsExGal

    Fun breezy 30s newspaper caper film

    In this film, Bette plays Ellen Garfield, the sole female reporter for The Daily Star. Bette's character is engaged to Curt Devlin, portrayed by the ever reliable George Brent. Brent's character is also a reporter at the rival newspaper. Brent keeps pressuring Davis to marry him, but she won't until he admits that she is as good a "newsman" as he is. It seems that Brent, along with all the other men in this film, feel that Davis couldn't possibly be a good reporter, because she's a woman. As per usual in these types of films, Davis sets out to "scoop" her fiance and not only prove to him that she's a good newsman, but also prove to her employer and herself.

    Davis and Brent both arrive at the scene of a fire to get the story for their respective newspapers. Davis' story ends up being a fluffy writing piece about the fire. Brent's story on the other hand, involves a missing persons case that results from the fire. Of course, Davis' employer is furious that her story is nothing and Brent found an angle that no other newspaper found. Davis is close to being fired, but she promises her employer that she'll come back with a new story, something really great and exclusive.

    The remainder of the story involves Davis and Brent both investigating the same missing person case and trying to "out-scoop" each other at every turn. Davis has to continually deal with chauvinistic comments from her fiance and colleagues which only fuels her desire to prove them all wrong.

    I thought this was a really fun film and enjoyed how the story and mystery progressed. While Brent is never exciting, I thought he was fine in this film and was a good foil for Davis. I can see why she made so many films with him--he was never going to outshine her. Perhaps this is why she didn't get along with male co-stars like Errol Flynn.
    7boblipton

    Davis & Brent Reunited

    Bette Davis and George Brent are sort of engaged. They are also reporters on competing newspapers who keep swiping each others' stories in this fast-paced Warner Brothers movie, with the full stock company on display, in this engaging effort.

    Warner Brothers worked these two actors hard in 1935. Brent made seven movies in 1935, Miss Davis five. Director Michael Curtiz also worked the script hard. He seems to pack two hours of dialogue into 82 minutes, mostly by having the actors start talking the instant the previous speaker has finished. There's tremendous chemistry between the two leads; they worked together in eleven movies. It's that chemistry that carries the movie, given a standard script; RKO seems to have made essentially the same movie twenty times to less effect.
    6blanche-2

    the one about the male and female competing reporters

    Bette Davis and George Brent star in "Front Page Woman," a 1935 film from Warner Brothers.

    Davis and Brent, of course, were often paired, and they make a cute couple here. Davis is reporter Ellen Garfield, and Brent is ace reporter Curt Devlin. They're in love, but competitive at the same time, Ellen determined to prove herself.

    Given the time period, Curt pooh-poohs Ellen's abilities, because of course as a married woman, she isn't going to be working. But she's not marrying him until she proves herself, and as far as working after marriage -- well, we'll see.

    The two compete getting the story on a murder case, even listening at the keyhole during jury deliberation and both reporting opposite verdicts - and both making headlines. It's a game of oneupmanship all the way through.

    Surprisingly feminist in its tone at the end, "Front Page Woman" is a fun film, with a hilarious performance by Roscoe Karns as a photographer thrown in. Always great to see Davis at any age. Here, young, blond, and vivacious, she's adorable.
    5bkoganbing

    To Scoop Or Not To Scoop

    With Bette Davis doing a role that Glenda Farrell or Joan Blondell was used to doing and George Brent standing in for James Cagney or Pat O'Brien, Front Page Woman is about a sob sister columnist wanting to prove she's as good at investigative reporting as the man she loves. Brent's a good guy all right, but he certainly believes that woman's place is in the home or writing a woman's column about same.

    The chance comes when both are sent by their rival papers to cover a fire. The fire it turns out was only a ruse to cover the stabbing of a bigshot played by Huntley Gordon. As the investigation, arrest, and trial proceed, Davis and Brent go on scooping spree to show the other up who is the better reporter.

    That kind of fun can certainly put a strain on a relationship and the two of them, Brent more so, play fast and loose with the criminal justice system to get that scoop over the other. In the end the crime revolves around a love triangle with Gordon, mystery lady Wini Shaw, and polo player Gordon Westcott.

    Contrary to rumor Bette Davis could play comedy though it was not her strong suit. Her material is slight, but she does her best to rise above a role she's miscast in. Her devoted fans will certainly not turn away from Front Page Woman.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      One of eleven films Bette Davis starred in with George Brent.
    • Errores
      When Robert closes the French doors of the brightly lit and gated elevator at the 48 Kingston building, you could see the silhouette of the gates being shut and also as the elevator begins its ascent. But as the elevator is shown passing each floor, the gates are no longer seen. Additionally, when the elevator stops, the doors open immediately and Robert quickly exists the elevator without any signs of him pulling the elevator gates open nor are the gates even seen.
    • Citas

      Ellen Garfield: You make me so mad I could... well, I could spit!

    • Conexiones
      Featured in AFI Life Achievement Award: A Tribute to Bette Davis (1977)

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 20 de julio de 1935 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Women Are Born Newspapermen
    • Locaciones de filmación
      • Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, Estados Unidos(Studio)
    • Productora
      • Warner Bros.
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 22 minutos
    • Color
      • Black and White
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.37 : 1

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