The Fixer Uppers

Fixer-Uppers, The (1935)

*** (out of 4)

Laurel and Hardy are card salesmen who meet a woman who feels neglected by her husband. In order to make her husband jealous Hardy agrees to play the part of her lover but when the husband catches them he challenges Hardy to a duel. Several hysterical scenes are here including the kiss between the woman and Laurel and another wonderful segment involving a drunk who makes matters even worse.

Bohemian Girl, The (1936)

*** (out of 4)

Laurel and Hardy end up taking care of a six year old girl not knowing she's really a princess. This isn't the best L&H feature out there but there's enough smiles and laughs to make it worth viewing once. I doubt I'd ever watch this one again but the potato scene with Laurel is hilarious as is the wine drinking scene. The film really picks up towards the end. Thelma Todd's final film.

THE FIXER UPPERS

Aspect ratio: 1.37:1

Sound format: Mono

(Black and white - Short film)

Stan 'n' Ollie are hired to 'seduce' a desperate housewife (Mae Busch) who wants to inspire a jealous reaction from her uncaring husband (Charles Middleton). However, the plan backfires when Middleton determines to take deadly revenge against these 'home-wreckers'...

Lively stuff from L&H's glory days, a reworking of their silent short SLIPPING WIVES (1927), played to the hilt by a note-perfect cast, and constructed with just the right amount of tact and discretion by director Charles Rogers. A formidable presence in so many films of the era, Middleton - later to star as 'Emperor Ming' in the "Flash Gordon" serials - plays the villain with deadly seriousness (complete with silent movie mannerisms and exaggerated indignation), which renders proceedings all the more amusing, while L&H blunder their way into trouble at every turn. Watch out for the memorable diner sequence, which includes Stan's famous response to a ringing telephone.

Laurel and Hardy are selling greeting cards door to door. When they enter Mae Busch's flat, they find her in tears. She feels her husband, Charles Middleton, is neglecting her. She offers to pay Ollie $50 to make love to her to make Middleton jealous and reawaken his feelings. The plan is successful. Middleton feels it necessary to challenge Hardy to a duel.

It's a very late short for the Boys, filled with nonsense and sight gags, and Arthur Housman doing his drunk act. It's also the last short that longtime Roach stalwart, Noah Young would appear in with Stan and Ollie.

Laurel and Hardy are door to door greeting card salesmen. They happen across a wife who believes her husband no longer loves her. The duo come up with the suggestion that one of them pretend to make love to her when the husband is due home – if he acts jealous then she will know he loves her. However when the man comes home to find Hardy kissing his wife he, the best shot in the land, challenges Hardy to a duel that is harder to get out of than Hardy expects.

An enjoyable short that allows Laurel and Hardy to do good physical work as well as their verbal banter. The card sales pitches they do are simply `wacky' and display a nice touch of the absurd (the 4-in-1 card that covers all seasons!). I was a bit taken a back by hearing Laurel offer to `make love' to the woman – but it is a different time and meant kiss etc. The build up to the duel is more verbal humour than physical and is funnier for it.

Laurel's confused story telling is good value and Hardy's reactions are pure gold. The support cast are all pretty good – whether it be the comedy drunk, the upset wife or the vengeful husband, they all play their part and enable Laurel and Hardy to bounce off them with ease.

Overall this is a very enjoyable short that allows the duo to play down the pratfalls and play up the verbal and performance comedy.

MAE BUSCH is having domestic problems with her husband, CHARLES MIDDLETON, and comes up with a scheme to get him back by making him jealous. She uses Christmas card salesman OLIVER HARDY as the man but things go wrong when Middleton not only becomes jealous but threatens to kill Hardy in a shooting duel.

STAN LAUREL steals the show in his usual bumbling way and ARTHUR HOUSMAN comes close to doing some scene-stealing of his own as a drunken neighbor.

It's foolish stuff, of course, typical of the sort of scrapes Laurel and Hardy were famous for, their Christmas card greetings written by Stan being both dismal and daffy.

Middleton is excellent as the villain of the piece, playing his part without a trace of humor in order to make him the fearsome character he is as Busch's jealous hubby.

Good for a few laughs, but definitely not one of the duo's best.