The Fixer Uppers

MAE BUSCH is having domestic problems with her husband, CHARLES MIDDLETON, and comes up with a scheme to get him back by making him jealous. She uses Christmas card salesman OLIVER HARDY as the man but things go wrong when Middleton not only becomes jealous but threatens to kill Hardy in a shooting duel.

STAN LAUREL steals the show in his usual bumbling way and ARTHUR HOUSMAN comes close to doing some scene-stealing of his own as a drunken neighbor.

It's foolish stuff, of course, typical of the sort of scrapes Laurel and Hardy were famous for, their Christmas card greetings written by Stan being both dismal and daffy.

Middleton is excellent as the villain of the piece, playing his part without a trace of humor in order to make him the fearsome character he is as Busch's jealous hubby.

Good for a few laughs, but definitely not one of the duo's best.

Laurel and Hardy are door to door greeting card salesmen. They happen across a wife who believes her husband no longer loves her. The duo come up with the suggestion that one of them pretend to make love to her when the husband is due home – if he acts jealous then she will know he loves her. However when the man comes home to find Hardy kissing his wife he, the best shot in the land, challenges Hardy to a duel that is harder to get out of than Hardy expects.

An enjoyable short that allows Laurel and Hardy to do good physical work as well as their verbal banter. The card sales pitches they do are simply `wacky' and display a nice touch of the absurd (the 4-in-1 card that covers all seasons!). I was a bit taken a back by hearing Laurel offer to `make love' to the woman – but it is a different time and meant kiss etc. The build up to the duel is more verbal humour than physical and is funnier for it.

Laurel's confused story telling is good value and Hardy's reactions are pure gold. The support cast are all pretty good – whether it be the comedy drunk, the upset wife or the vengeful husband, they all play their part and enable Laurel and Hardy to bounce off them with ease.

Overall this is a very enjoyable short that allows the duo to play down the pratfalls and play up the verbal and performance comedy.

This one takes the basic idea of a neglected wife pretending to have a lover to make her husband jealous from Slipping Wives, a 1927 silent short that Laurel & Hardy both appeared in, although not as a comedy team, but it quickly departs at a tangent. The neglected wife here is Mae Busch, in a more sympathetic role than usual as the neglected wife in question. Her husband is Charles Middleton, a frequent foe of the boys who, rather than brimming with gratitude to Ollie for showing him how neglectful he had been, challenges him to a pistol duel.

The story is a bit daft, and it's true that this isn't one of Stan & Ollie's stronger shorts, but those two only have to appear on screen to make us smile. They sell greeting cards in this one, and Stan is the writer of such gems as 'A Merry Christmas, husband, a happy New Years nigh, I wish you Easter Greetings, hooray for the fourth of July.' 'We call that our four-in-one,' Ollie advises the unhappy wife.

Laurel and Hardy are selling greeting cards door to door. When they enter Mae Busch's flat, they find her in tears. She feels her husband, Charles Middleton, is neglecting her. She offers to pay Ollie $50 to make love to her to make Middleton jealous and reawaken his feelings. The plan is successful. Middleton feels it necessary to challenge Hardy to a duel.

It's a very late short for the Boys, filled with nonsense and sight gags, and Arthur Housman doing his drunk act. It's also the last short that longtime Roach stalwart, Noah Young would appear in with Stan and Ollie.

Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.

Didn't find 'The Fixer Uppers' one of the duo's best, one of their lesser ones actually from this period from personal opinion. In a filmography that was mostly solid to classic (only '45 Minutes from Hollywood' misfired for me but that was very early on when their partnership and style hadn't formed or evolved and when Hardy especially was not being used well), nonetheless it is still good and has much of what makes Laurel and Hardy's work as appealing as it is.

'The Fixer Uppers' story is threadbare and more problematic is how daftly credibility-straining and heavy in coincidence it is.

Also found it a bit of a slow-starter with a draggy first third where there is a little too much talk for my liking.

However, 'The Fixer Uppers' is nonetheless very funny, especially the boys' reactions (notably Hardy's). It is rarely dull, going at a snappy pace, and there is energy in the slapstick and sly wit, silly and typical of the duo but in an endearing and entertaining way. The second half is much better, livelier in pace and chockfull of beautifully timed gags and wit.

Both Laurel and Hardy are on top form, especially Laurel. They are equally funny with impeccable comic timing physically and verbally, this is not a case of one being funnier and having more screen time than the other (in their early efforts Laurel tended to be funnier and better used). Their chemistry is legendary for a reason and it is obvious here. The supporting cast are up to their level, as scene stealing as Arthur Houseman is as a drunk and amusing Mae Busch is it is fearsome Charles Middleton who comes off the best. 'The Fixer Uppers' visually looks good and the direction is never too busy or static.

In summary, good but not great. 7/10 Bethany Cox