La relación entre una mujer y sus dos amigos varones de la infancia se pone a prueba cuando acepta la propuesta de matrimonio de uno de ellos, mientras que la floreciente Primera Guerra Mund... Leer todoLa relación entre una mujer y sus dos amigos varones de la infancia se pone a prueba cuando acepta la propuesta de matrimonio de uno de ellos, mientras que la floreciente Primera Guerra Mundial amenaza con cambiar sus vidas para siempre.La relación entre una mujer y sus dos amigos varones de la infancia se pone a prueba cuando acepta la propuesta de matrimonio de uno de ellos, mientras que la floreciente Primera Guerra Mundial amenaza con cambiar sus vidas para siempre.
- Dirección
- Guionistas
- Elenco
- Ganó 1 premio Óscar
- 5 premios ganados y 2 nominaciones en total
Fay Chaldecott
- Betty Gallop
- (as Fay Chaldicott)
George P. Breakston
- Joe Gallop
- (as George Breakston)
Andrew Arbuckle
- Mr. Gallop
- (sin créditos)
Louise Bates
- Hunt Guest
- (sin créditos)
James C. Baxter
- Alan as a Child
- (sin créditos)
Jimmy Butler
- Gerald as a Child
- (sin créditos)
Helena Byrne-Grant
- Hannah
- (sin créditos)
Colin Campbell
- Vicar
- (sin créditos)
Robert Carleton
- Man in Dormitory
- (sin créditos)
Opiniones destacadas
Handsomely photographed and nicely scored romantic drama from Samuel Goldwyn about a childhood friendship between three people that develops into an intense romantic triangle.
MERLE OBERON, FREDRIC MARCH and HERBERT MARSHALL have the pivotal roles as star-crossed lovers during the World War I period. Unfortunately, the three leads are lifelong friends destined to have their lives shattered by the war. Love, guilt and fate play a part in their lives when March is blinded but keeps away from Oberon, unable to tell her the truth and letting her think he's died. As for the rest of the plot, with a screenplay by Lillian Hellman, you have to watch the film.
Nobody stumbles in any of the roles and, in fact, MERLE OBERON won her only Best Actress nomination as Kitty, warm and appealing as the romantic interest of both men. The tearful final reunion scene will remind you of the final touching scene from RANDOM HARVEST where Smitty and his lost love find each other again.
Modern viewers beware. You'll probably find some of the tear-jerking moments a bit too mawkish but remember, this was the 1930s.
Trivia note: Oberon was photographed much more flatteringly in another film she appeared in that year, THE SCARLET PIMPERNELL. What a difference a more flattering hairdo and period costumes make!!
MERLE OBERON, FREDRIC MARCH and HERBERT MARSHALL have the pivotal roles as star-crossed lovers during the World War I period. Unfortunately, the three leads are lifelong friends destined to have their lives shattered by the war. Love, guilt and fate play a part in their lives when March is blinded but keeps away from Oberon, unable to tell her the truth and letting her think he's died. As for the rest of the plot, with a screenplay by Lillian Hellman, you have to watch the film.
Nobody stumbles in any of the roles and, in fact, MERLE OBERON won her only Best Actress nomination as Kitty, warm and appealing as the romantic interest of both men. The tearful final reunion scene will remind you of the final touching scene from RANDOM HARVEST where Smitty and his lost love find each other again.
Modern viewers beware. You'll probably find some of the tear-jerking moments a bit too mawkish but remember, this was the 1930s.
Trivia note: Oberon was photographed much more flatteringly in another film she appeared in that year, THE SCARLET PIMPERNELL. What a difference a more flattering hairdo and period costumes make!!
Frederic March, Merle Oberon, and Herbert Marshall comprise a love triangle in "The Dark Angel," set in the grimness of World War I. Kitty (Oberon) has grown up with both Alan (March) and Gerald (Marshall) and knows the day will come when she must choose between them. She chooses Alan, but before they can be married, he's called back into service. With just a few hours left, she accompanies him to the meeting point for his troop and stays with him at the hotel. When Gerald, in the same troop, finds out that Alan was at the hotel with a woman, he turns against him, believing that he cheated on Kitty. He refuses him leave and sends him into treacherous battle.
Merle Oberon gives a touching performance as Kitty. She's very beautiful and has a lovely presence. Both March and Marshall are very good, March having the more histrionic role.
"The Dark Angel" comes off as dated and there's very much a "stiff upper lip, old chap" feeling about it. It's frustrating to see the Alan character behave as he does, but this of course keeps the viewer interested, and Oberon and the supporting characters infuse the atmosphere with warmth.
Worth it to see these classic stars. "The Dark Angel" is an old chestnut but a worthy one.
Merle Oberon gives a touching performance as Kitty. She's very beautiful and has a lovely presence. Both March and Marshall are very good, March having the more histrionic role.
"The Dark Angel" comes off as dated and there's very much a "stiff upper lip, old chap" feeling about it. It's frustrating to see the Alan character behave as he does, but this of course keeps the viewer interested, and Oberon and the supporting characters infuse the atmosphere with warmth.
Worth it to see these classic stars. "The Dark Angel" is an old chestnut but a worthy one.
In classic Enchantment, Four Feathers, and Casablanca glory, The Dark Angel is a wartime romance that pins Fredric March and Herbert Marshall against each other for the hand of Merle Oberon. As children, the three grew up as close friends, with young Merle desperately in love with Freddie. Once they grow up, of course, hormones kick in and both men fall in love with their younger playmate. Then, with WWI breaking out, Merle makes the choice to follow her heart, but with unforeseen consequences. . .
My mom always roots for Herbert Marshall's character when she watches this movie, but I think it's just because she's partial to him in other movies. There's nothing wrong with Fredric March's character, and it really does feel like he loves Merle just as much as Bart. But, just in case you prefer Bart, you'll be in good company.
Personally, I like Enchantment and the 1978 version of Four Feathers better, but there are some cute moments. It gets a little far fetched towards the end, but isn't that what old movies are for? A little tears, a little romance, and a little melodrama over a wartime setting. If you agree, check out this classic.
My mom always roots for Herbert Marshall's character when she watches this movie, but I think it's just because she's partial to him in other movies. There's nothing wrong with Fredric March's character, and it really does feel like he loves Merle just as much as Bart. But, just in case you prefer Bart, you'll be in good company.
Personally, I like Enchantment and the 1978 version of Four Feathers better, but there are some cute moments. It gets a little far fetched towards the end, but isn't that what old movies are for? A little tears, a little romance, and a little melodrama over a wartime setting. If you agree, check out this classic.
This 1935 film was well produced and directed and had a great cast of dramatic Classic Actors, who were all super stars during the 20's, 30's and into the 40's. Merle Oberon, (Kitty Vane),"Interval",'73, plays a young woman who is really in love with two men in her life, which creates a sort of triangle situation and causes her great mental suffering. Fredric March,(Alan Trent),"The Iceman Cometh",'72 plays a boyhood friend to Kitty Vane and comes home with a great disability which he does not want Kitty to know about. Herbert Marshall,(Gerald Shannon),"Midnight Lace",'60 is also in love with Kitty and the possibility of their getting married is becoming quite certain. This film will keep you interested if you like old time actors and films made in 1935. Enjoy
An early soaper from 1935 dealing w/a love triangle circa after the first Word War. Starring Fredric March, Merle Oberon & Herbert Marshall, we find March & Oberon, childhood sweethearts & now adults declaring their love for each other & getting wed right while the Great War is ravaging Europe. March & Marshall go off to war & inevitably as things go in films like this, March is blinded but is believed dead by Marshall who returns home to Oberon where they console each other but March feeling he doesn't want to be a burden to his friends & loved ones, decides to return to his home town (miles from where he used to live) & becomes a sensation as a children's book writer content in his solitude & assured of his justified sacrifice but when paths are crossed (didn't see that coming!), March must face his old life & see if old wounds can be mended. A good story (a remake is not out of the question if someone is up to the task) which is constantly hampered by the stilted approach to the story (the tools of the trade had not been properly honed yet) but to see the genesis of this kind of love story is still an education.
¿Sabías que…?
- TriviaHerbert Marshall, who plays a British army officer in World War I, actually served in that war and lost a leg in combat.
- ErroresAlthough the bulk of the story takes place during World War I and the time immediately thereafter, all of the women's clothes and hairstyles, particularly those of Merle Oberon, Janet Beecher, and Frieda Inescort, are strictly in the 1935 mode.
- ConexionesReferenced in The Epic That Never Was (1965)
- Bandas sonorasIt's a Long, Long Way to Tipperary
(1912) (uncredited)
Written by Jack Judge and Harry Williams
A few bars played in the score
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- How long is The Dark Angel?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 1,000,000 (estimado)
- Tiempo de ejecución1 hora 46 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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