Curly Top

"Curly Top" is an enjoyable film--as are most of Shirley Temple's films. And, while I do recommend it, the film cannot be counted among her very best even if it did feature one of her most famous songs, "Animal Crackers".

The film begins with Shirley living in a stuffy orphanage. Her precocious ways are NOT appreciated by the head mistress, but the chairman of the board of directors, Edward Morgan (John Boles,) is instantly captivated with her charms (as was most of America at the time!). His wanting to adopt her was not at all surprising--but his insistence that he was acting as an agent for a rich benefactor never really made sense*. As for Shirley, she wants to be adopted but declines, as she doesn't want to be separated from her sister (Rochelle Hudson) who works doing menial work at the orphanage. When Morgan hears of this, he agrees to take both (though the sister is about 19--which makes it all a bit odd!) and takes them to his home--but still not divulging that HE was their new benefactor. Later, when Morgan falls in love with the older sister, things get complicated!

Throughout most of the film, Shirley is simply adorable--perhaps too adorable. I have a VERY high tolerance for her sweetness, but here she seemed a bit less of a person and more of a performing machine. This is because she sings a few too many songs (one of which is HEAVILY scripted and choreographed) and too often she seemed to mug for the camera--definitely NOT typical of most of her vehicles. Simply put her saying "Oh my goodness" all the time eventually wore thin--though she was still, without question, quite adorable.

Overall, I did like the film--even with the way they used Shirley's character. But, the film (even apart from Shirley), had too much singing (Hudson's number was very weak and Boles' voice was too thin by today's standards), the plot was thin and made little sense as well as the idea of a man taking that much interest in Shirley did, by today's standards, seem a bit creepy. But, as I said, it was good overall due to Shirley's charm.

*This film is a re-working of the old novel "Daddy Long Legs" (which was also a play and Mary Pickford vehicle). While the plot worked fine around the turn of the century, by 1935 it was quite dated.

CURLY TOP is indebted to SHIRLEY TEMPLE for whatever charm it has as a vehicle for the talented tot--and she gets to strut her stuff often enough to keep an audience happy. It's the kind of Temple film where you start getting restless when the spotlight goes to the romantic leads (John Boles and Rochelle Hudson), bland and poorly scripted as the leads usually are in a Temple film.

But with the spotlight on Temple--as when Shirley does her tap dancing atop a white piano or sings "Animal Crackers in my Soup" with cheerful confidence and a bit of mugging at an orphanage, you can see why she was America's box-office sweetheart during a four-year period.

Clearly ranks among the best early Temple vehicles with all of her charisma and dimpled charm on full display. Nice to see her sharing some good scenes with Arthur Treacher.

Shirley was cute, but if you are a woman, and honest, you will admit to yourself that while you are enjoying Shirley as the little orphan charmer, that it is John Boles and Rochelle Hudson who keep your interest perked in this film. John Boles was drop dead gorgeous, probably THE best looking leading man EVER to come out of Hollywood. I have to admit that he is the reason I enjoy watching this film over and over again. They don't make leading men like him anymore in Hollywood. Men who looked like real men, distinguished, wearing real suits and ties: not models, porn stars, hippies, or gay stereotypes.

Being an extremely rebellious teenage girl and a huge Shirley Temple fanatic seemed really odd to everyone who knew me. Not only did I love the strange alternate universe she existed in where little orphan girls can triumph over any tragedy, and sing and dance all the while, but I easily recognized the young actress's remarkable talent and charisma. I can't think of any child star, now or then, who could carry an entire film the way she did every year in the 1930's. She is completely unrivaled. In "Curly Top" she plays Elizabeth Blair, a sweetly precocious orphan who, along with her older sister Mary, is adopted by a kind-hearted wealthy businessman. The musical numbers are absolutely classic, and include the famous "Animal Crackers In My Soup" in which she leads her fellow orphans in a dining room singalong. Then there's the ultra-adorable song n' dance (and jump-rope) number "When I Grow Up", where we get to see little Shirley dress up in various costumes that include a wedding gown and an old lady getup, gray hair and all. Last but not least, Shirley does one of her most famous tapdance numbers on top of a white grand piano in the aptly-titled song "Curly Top". The seasoned supporting cast definitely shines as well. John Boles is extremely charming as the handsome bachelor Edward Morgan, although his piano-accompanied operatic singing can seem a little tedious, especially to younger viewers. One of my favorite actors, Arthur Treacher, expertly plays the quietly sarcastic butler whose stiff exterior quickly melts after befriending young Elizabeth. Treacher is better known for his role in the later Shirley Temple film, The Little Princess, in which he plays the cruel schoolmaster's flamboyant brother, Mr Birdy. Filled with interesting characters and situations, "Curly Top" is such a delightful movie. It's got musical numbers, romance, drama, and comedy, all wrapped up in a cute little package. It's a must-have for Shirley Temple fans, and classic movie fans in general.

~Darlene

John Bowles plays the too good to be true Edward Morgan who sees our curly top Shirley Temple at an orphanage and falls instantly in love, taking both her and her older sister Mary home for the summer to spoil them rotten under the disguise of a mystery benefactor.

This is a wonderful vehicle for Shirley Temple and allowed for some wonderful musical numbers including the adorable "Animal Crackers in my Soup".

Aunt Genevieve, played exceptionally by Esther Dale, plays a pivotal role when the lovely Mary has a competitor for her affections in the shape of a young wealthy pilot named Jimmy (played by the handsome Maurice Murphy).

Super sweet and a must see if you are a Shirley Temple fan.