Agrega una trama en tu idiomaHoneymooning couples of various animal species take a rocket ship excursion to the moon. Spectacular lunar scenery.Honeymooning couples of various animal species take a rocket ship excursion to the moon. Spectacular lunar scenery.Honeymooning couples of various animal species take a rocket ship excursion to the moon. Spectacular lunar scenery.
Pinto Colvig
- Various
- (voz)
- (sin créditos)
Margie Hines
- Various
- (voz)
- (sin créditos)
Jack Mercer
- Various
- (voz)
- (sin créditos)
Mae Questel
- Various
- (voz)
- (sin créditos)
Opiniones destacadas
5tavm
Just watched this Max Fleischer Color Classics cartoon on the Classic Cartoons blog. Like many of Fleischer's Technicolor cartoons of this era, this one has backgrounds of models done on a tabletop that achieves that 3-D effect of an animated character appearing in live-action. Here, those backgrounds are of moon craters. Various newlywed animal couples are singing the title song as well as, well, dancing on the moon (obviously, this was way before the historic moon landing of 1969 since everyone here is breathing healthy in space). Actually, a feline groom is missing his bride since she narrowly missed her ride. That's all I'll say except that while the musical number is pretty entertaining and there are some amusing gags, the final punchline isn't funny and in fact may be a bit too cruel for the young 'uns. If you're a Fleischer completist, however, I do recommend Dancing on the Moon for one look.
Strange little animated fantasy about newlywed animals who take a rocketship to go "dancing on the moon", using all the Fleischer special effects. Doubtless the symbolism renders this full of Hidden Sexual Meaning, but that symbolism lifts it well above the level of typical, puerile animation of the era between Betty Boop and Pepe Le Pew.
This must have looked pretty spectacular to audiences at the theater in 1935. The color animation is pretty good and it just has a lavish appearance to it and, as far as I know, most material on screen was in black-and-white, including cartoons.
We begin by spotting a big heart-shaped sign which advertises "Honeymoon Express To The Moon." It is next to a big rocket ship, which looked, by the way, very cool. This was the era of Flash Gordon, wasn't it? It reminded me of his old ship.
Hey, you can't beat the price for the trip: $1 to go dancing on the moon. Such a deal!
Cows, elephants, insects, giraffes, etc., are all on the ship, ready for a night of dancing. They are still in the wedding gowns and tuxes. The male giraffe tells his bride that this is a good place for necking and then she, with her longer neck, gives her Mae West impression with "Come up and see me some time." Other than that, there wasn't a lot of humor in here. One of the brides - a cat - was left at the gate, so to speak, so the husband pines away on the moon.
The music, which plays a large part of this, is right out of the early '30s Busby Berkeley musicals, except we had about eight couples dancing instead of hundreds.
In all, a curiosity piece but not funny and only mildly entertaining. The ending was awful and unsatisfying.
We begin by spotting a big heart-shaped sign which advertises "Honeymoon Express To The Moon." It is next to a big rocket ship, which looked, by the way, very cool. This was the era of Flash Gordon, wasn't it? It reminded me of his old ship.
Hey, you can't beat the price for the trip: $1 to go dancing on the moon. Such a deal!
Cows, elephants, insects, giraffes, etc., are all on the ship, ready for a night of dancing. They are still in the wedding gowns and tuxes. The male giraffe tells his bride that this is a good place for necking and then she, with her longer neck, gives her Mae West impression with "Come up and see me some time." Other than that, there wasn't a lot of humor in here. One of the brides - a cat - was left at the gate, so to speak, so the husband pines away on the moon.
The music, which plays a large part of this, is right out of the early '30s Busby Berkeley musicals, except we had about eight couples dancing instead of hundreds.
In all, a curiosity piece but not funny and only mildly entertaining. The ending was awful and unsatisfying.
Not one of Fleischer's masterpieces, but it's one of his most imaginative and towards the top end of his output. There's no fault to be had with the animation, which with the spectacular lunar landscapes and the lavish colours are a treat for the eyes and perhaps the most notable asset with Dancing on the Moon. It's also technically innovative, with the animated characters amidst the live backgrounds, it's evident that the model work for the landscapes was extensive and the rocketship is very cool indeed.
The music is very 30s, which certainly was not a problem because I adore 30s music. The score is whimsical and energetic while the title song is catchy(every time when viewing Dancing on the Moon, the song is in my head for days after) and plain irresistible. The choreography is highly imaginative and agreed somewhat reminiscent of Busby Berkeley but smaller in scale. Dancing on the Moon is never laugh-out-loud hilarious, but the gags are still entertaining and the visuals in the gags are quite witty. The story is cute, if less sentimental than a lot of other Fleischer cartoons, and charming and the animal characters have endearing personalities, always did feel a little sorry for the feline groom. The voice acting is good. In fact, Dancing on the Moon's only caveat(personal opinion, but it is also an opinion that is shared by others) is the ending, it is rather cruel and doesn't fit really with the tone of the rest of the cartoon.
All in all, not one of the best Fleischer efforts but highly imaginative(especially the visuals) and it is certainly one trip to the moon worth taking. 8/10 Bethany Cox
The music is very 30s, which certainly was not a problem because I adore 30s music. The score is whimsical and energetic while the title song is catchy(every time when viewing Dancing on the Moon, the song is in my head for days after) and plain irresistible. The choreography is highly imaginative and agreed somewhat reminiscent of Busby Berkeley but smaller in scale. Dancing on the Moon is never laugh-out-loud hilarious, but the gags are still entertaining and the visuals in the gags are quite witty. The story is cute, if less sentimental than a lot of other Fleischer cartoons, and charming and the animal characters have endearing personalities, always did feel a little sorry for the feline groom. The voice acting is good. In fact, Dancing on the Moon's only caveat(personal opinion, but it is also an opinion that is shared by others) is the ending, it is rather cruel and doesn't fit really with the tone of the rest of the cartoon.
All in all, not one of the best Fleischer efforts but highly imaginative(especially the visuals) and it is certainly one trip to the moon worth taking. 8/10 Bethany Cox
I saw this cartoon before work many years ago on a classic movie channel. The music and lyrics stayed in my head for years as I desperately searched for it. I didn't know what it was or who Max Fleischer was. I now own his whole collection. For early cartoon buffs, this is a delight! What an artist Fleischer was! I would recommend the entire collection to anyone who enjoys this cartoon. So much better than the technologically advanced but flat, boring cartoons of today! These do indeed take you to "Dreamland." On a warm night, when the moon is full, you can still see the little rocket taking off, for a night of fun and frolic way up there. Go ahead... buy your ticket.
¿Sabías que…?
- TriviaRather than making animated backgrounds using drawings the Fleischers pioneered the idea of using either models or cutouts mounted on a turntable. The table was slowly spun and photographed. The foreground animation was then placed in front of the photographed backgrounds. This not only saved hundred of hours of drawing but also lent a 3D effect to the background. It was used here and in numerous "Popeye" cartoons.
- ConexionesEdited into Betty Boop Confidential (1995)
- Bandas sonorasDancing on the Moon
Music by Murray Mencher
Lyrics by Charles Tobias
Played during the opening credits, at the beginning and often throughout the picture
Sung by various characters
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Detalles
- Tiempo de ejecución8 minutos
- Relación de aspecto
- 1.37 : 1
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