Boys Will Be Boys

During his career, Will Hay played a bunch of roles where he starred as an incompetent professor at a boys' school. Well, for you trivia folks, "Boys Will Be Boys" is his film film in which he plays this sort of role.

When the film begins, you see that Dr. Alec Smart (Hay) is teaching at a prison and daydreams about teaching at a boys school where the kids love and respect him. The problem is that the governor (we'd call him a 'warden' here in the States) thinks Dr. Smart is an incompetent and doesn't want to inflict him on the boys! But the letter from the governor is intercepted by one of the inmates and he then forges a much more favorable letter and sends it. Soon, Smart's been chosen for the job.

As soon as Smart arrives, he naturally screws up since he's a bit of an idiot and has a penchant for gambling. Naturally, there's a real rules-oriented guy at the school who takes a fast dislike of Smart and vows to get him fired. In the midst of all this, Smart's lady benefactor has her valuable necklace stolen and it becomes an integral part of the big rugby match.

In many ways, Hay is grabbing onto the big trend in American comedies of the early to mid-1930s--the big football game. But, since this is a British comedy, it's rugby. And, as far as Hays later films go, this one is very comparable though his character is a bit less stupid in this one. Still funny...but not quite the bumbler, as you'll see by the end of the film. Worth seeing...particularly if you like Hay films, though sadly I am in the minority here in the USA because most folks simply haven't heard of this fine comic.

Dr. Alexander Smart (Smart Alec to the boys) gets himself headmastership at a boys' school when he and another man forge a letter of recommendation from his previous boss (throwing out the original letter that says quite the opposite!) While there, he ends up tangled in an elaborate jewel robbery, and is caught between a rock and a hard place when the thief lets him know that he still has the original letter, which he will show to the heads if Alex should mess up their plans.

It was in this film that Will Hay brought to the screen the sketch that he had been touring the halls for years,the seedy master.He effectively played this in all of his subsequent films,with variations.He thus became a film star in the U.K..I am especially fond of this film as I first saw it at a film society at school 55 years ago.Not many of my classmates thought it funny but I did and still do. With regard to the rhyming slang you should bear in mind that one of the censors for the BBFC was a retired Colonel,and another a spinster,as they used to call elderly unmarried women,so I don't think that they would have had any idea of the real meaning of the words

If you're not a fan of the great Mr Hay, have never seen one of his films but are wondering what all the fuss was about don't watch this one first. Eventually you love this but only after you've become a fan. To do that watch OH MR PORTER first, then you'll be desperate to voraciously devour this and the rest of them.

This film basically showcased the music hall act Will Hay had been touring with since the 1920s, his performance is therefore honed to perfection. To some extent this is like the pilot episode of what was to follow - it's nearly there but even so however many times you watch it, it never gets stale or fails to make you laugh. His character and his story is extraordinarily silly but by setting it within an insular and isolated environment, without contextual reference to the outside world, such silliness seems fine. English public school system in the 1930s was hardly the exam-focussed institutions of today. They had improved since the bad old days when they were there to make money and in theory develop boys' character rather than educate him with the philosophy exemplified by the famous quotation of Thucydides: The strong do what they can and the weak suffer as they must but a lot of them were still atrocious places with completely unqualified teachers so Narkover School is probably a lot more representative of reality than you'd imagine. This is hardly a brutal and cutting satire of that system but nevertheless like Monty Python did years later (who'd also had first-hand experience of public schools) it laughs at the stupidity and incompetence of such institutions.

Will Hay was born for cinema. Although he had been a massive comedy star on the stage since starting off as 'the English W C Fields' in the 20s, because so much of his humour is derived from his facial expressions and his incoherent mumblings - things which couldn't be picked up on a stage fifty metres away, moving and talking pictures were the perfect medium for bringing his anarchic yet safe humour to the world. His first few films at BIP can be ignored but having moved studios to Gaumont-British, this was his first 'proper' picture. Some might say that all his subsequent ones at G-B were just remakes of this, indeed Will Hay himself thought that towards the end of his contract there but if it's such a good formula, why not repeat it! As time progressed his pictures got much better both funnier and better produced but this one, the original is the comedy equivalent to the source of the Amazon - perhaps not as wild and torrential as further downstream but pure and full of life.

Way Hay had been performing his "Fourth Form at St. Michaels" routines for a quarter of a century when he made this movie, the first of his "Schoolmaster" films. Most of the fun for a contemporary audience would have been too see it in the cinema, instead of over the radio or (rarely) on the stage.

Hay hits most of his character's notes right off the bat: he's venal, not as well-educated as he would let on, and a bit dithery. It's not the best of his movies, nor even of the Schoolmaster efforts. That would not happen until he had picked up his best stooge, Moore Marriott as a student so dimwitted he has grown old in the school -- a role originally played on the stage by Hay's wife.

Although not the best, there are plenty of laughs in this one, provided mostly by "Mayhem in the Classroom" routines and Hay's interaction with Gordon Harker, as Hay's forger, valet and blackmailer. The cinema-goer is offered a view of the public school boy and the graduates of Narkover School as venal, stupid, outright criminal and barely outwitted by Hay -- an image that surely appealed to the often lower-class film audiences.