Treasure Island

... based on Robert Louis Stevenson's book, from MGM and director Victor Fleming. Jackie Cooper stars as Jim Hawkins, a boy working in his mother's seaside inn. One night a crusty old sea dog named Billy Bones (Lionel Barrymore) arrives with a large chest which he zealously guards. When circumstances lead to it being opened, a treasure map is inside, which inspires Squire Trelawney (Nigel Bruce) to sponsor a sea voyage to look for the hidden booty. Jim goes along for the journey, and befriends a one-legged sea veteran named Long John Silver (Wallace Beery) who may turn out to be more than just a ship's cook.

I read Stevenson's book as a kid, but I never watched any of the many film adaptations until fairly recently, when I watched the 1990 TV movie version starring a young Christian Bale as Jim and Charlton Heston as Long John Silver. This MGM version manages to do more in less time, and I liked Beery in the Silver role much more than Heston. Cooper, on the other hand, gives an awful "movie-kid" performance that pulled me out of the story with almost every line he uttered. I tend to be overly harsh on kids in movies (I'm not a fan), so letting that slide, this is an enjoyable adventure tale with excellent costumes and settings. This was a big hit for MGM, and helped spur a boom in nautical films and other period adventure movies, such as the following year's Captain Blood and Mutiny on the Bounty.

Every generation sees a new adaption of Robert Louis Stevenson's eternal classic Treasure Island. It's a timeless adventure story that will always appeal to the young and young at heart. And it has one of the great acting roles of all time, one you can really eat a whole living room set with and still be in bounds.

For a scene stealing actor like Wallace Beery playing Long John Silver is no stretch at all. He dominates this version over the entire cast and as he's in most of the scenes after Lionel Barrymore as Captain Billy Bones dies and leaves his map to that intrepid band of treasure hunters. Barrymore gets his innings in as well as the bloodthirsty pirate captain who double-crossed his crew and had the presence of mind to die in Dorothy Peterson and Jackie Cooper's inn.

It's a real toss up between who is loudest, biggest eyerolling, larger than life Silver, be it Wallace Beery or Robert Newton in the later version done by Walt Disney. Both these men were remarkably similar in acting styles. But Beery was a cheap soul who had few friends in Hollywood and Newton was the life of that alcoholic party that was his life. I wouldn't want to choose which was better.

Beery and Cooper had their act down pat from The Champ. It's always a source of amazement to me how Cooper couldn't stand Beery and Beery among his dislikes was children in general. Yet you'd never know it seeing them together as Jim Hawkins and Long John Silver.

Otto Kruger as Dr. Livesey, Nigel Bruce as Squire Trelawney, and Lewis Stone as Captain Smollett are perfectly cast in their roles. But they really have trouble keeping up with Beery.

MGM gave the film the usual high gloss production values and Treasure Island is one of those films that always seems to be so right for screen that few variations are ever made on the book. A great tribute to the visual quality of Stevenson's writing.

And you can enjoy this and the Disney version for generations to come.

I noticed, like some of the other reviewers, that few in the film had the necessary British accents needed to play these characters well. However, despite this, the movie is an excellent version of the Stevenson novel--mostly due to good acting, great sets and the nice MGM polish you'd expect from one of their top productions.

As far as the film goes, it's one of the earliest of the Wallace Beery films that teamed him with a cute kid--a formula that was repeated again and again up until Beery's death in 1949. Considering that according to his co-star, Jackie Cooper, Beery hated children and did little to hide it off camera--so I am sure in some ways Beery probably wished this and "The Champ" hadn't been so successful!!

As for the story, it's the often told story of "Treasure Island" by Robert Louis Stevenson. It's reasonably faithful to the story and is better than other versions I have seen. However, I have NOT seen the very famous Robert Newton version (by many seen as the best), so I cannot say the 1934 version was the best--though many of the newer versions tended to be a bit more dull. Like it or not, the Beery-Cooper schmaltz was entertaining--and I can see why audiences fell for it by the millions!

By the way, like so many releases from Turner Entertainment, this film includes many wonderful extras from the same studio (MGM) from the same year as this feature's release. Turner also does this with many of their classic Warner Brothers releases as well--making them excellent values for customers.

It is easy to spot great acting in this movie. Wallace Beary is great cast as Long John Silver. Jackie Cooper gives another fine child performance. As a matter of fact, the entire cast does very well.

What might be over looked often is that part of the reason this is so so good is that it is well based on the Robert Lewis Stevenson novel. The rest goes to the most often overlooked Direction of Victor Fleming.

Fleming proves in this early film that his work in the films Wizard of Oz & Gone With The Wind is no accident (some critics have called him an erratic Director for hire). He does a great job directing this cast & this story. Some of the sequences show how good a director Fleming really is.

After seeing this film recently, I am now convinced that Victor is a much better director than his detractors give him credit for. While this film does not have all the whiz bang special effects that newer pirate films have created, the great acting & directing more than makes up for that.

Add to that the amazing fact that this film brings in so much good stuff that it only needs 101 minutes to cover a major novel is enough to make you wonder if some of the new longer films about pirates just aren't very efficient in telling their tales.

The most famous pirate in English literature sets sail across the High Seas of Adventure - bound for TREASURE ISLAND.

Robert Louis Stevenson's wonderful 1883 tale of devious deeds, derring-do & hidden doubloons is given a first rate production by MGM in this swaggering, boisterous film. Although many of the lead actors are American and make no pretense of hiding their Yankee accents, this in no way hinders the enjoyment or appreciation of the film's many qualities. The story has been necessarily streamlined a bit, but the excisions are judicious and the robust flavour of the original novel remains.

Bulbous & bulgy, with a gimlet eye & a baby's grin, Wallace Beery makes a unique Long John Silver. As willful as an infant and as ruthless as a Mafia don, he completely manages to steal every scene he's in. Acting as innocent as any cherub, he gleefully commits murderous mayhem at every turn, while hobbling about on his crutch in feverish pursuit of Flint's buried treasure. Beery had the rare - and enviable - ability to take a wretched sinner like Silver and transform him into a lovable old rogue. He makes this role his own and is unforgettable in it.

OUR GANG star Jackie Cooper makes a sturdy Jim Hawkins. His screen chemistry with Beery, so important to the plot, is still as good as it was previously in THE CHAMP (1931). Cooper was a talented child actor and could easily go from excited high jinks to blubbery tears with ease. Here, he gets to personify every lad's dreams of fabulous exploits & personal glory.

A trio of accomplished performers portray young Cooper's three friends: Otto Kruger as noble Doctor Livesey; Nigel Bruce as blustery, big-hearted Squire Trelawney; and Lewis Stone as sternly courageous Captain Smollett. All three acquit themselves very well.

Consummate character actor Lionel Barrymore adds another portrait to his gallery - that of the bullying, rumsoaked Billy Bones, whose possession of the treasure map is the instigation of the film's problems. Although the role is really quite brief, Barrymore makes the most of it, slashing wildly about with his cutlass and singing ‘Fifteen Men On A Dead Man's Chest' with passionate fury. It is a shame the plot gave him no scenes with Beery - they would have been memorable together.

Stevenson's story creates a few small, choice cameo roles which are here delightfully delineated - Charles McNaughton as the scurvy Black Dog; William V. Mong as the fearsome Blind Pew; and a terrific Charles ‘Chic' Sale as canny old Ben Gunn, all jerks and fidgets and ridden with fleas. Dorothy Peterson, a fine actress, plays Mrs. Hawkins.

The seafaring scenes on board the Hispaniola, filmed along the coast of California, are particularly well produced.