Search for Beauty

What a great idea for a movie! 'Search for Beauty' assembles some dazzling young specimens of physical perfection (both female and male) and places them in a smart-aleck comedy that's downright hilarious! Real-life Olympic swimming champion Buster Crabbe plays an Olympic swimming champion (but gets almost no swimming footage), and Ida Lupino plays an Olympic high-diving champion ... who emerges from the pool with her lipstick intact. I'm pleased to see Crabbe exhibiting real acting ability in a role that doesn't involve rayguns or loincloths.

This movie parodies the career of Bernarr MacFadden, a crackpot who made a fortune publishing 'health' magazines that were full of fad diets, copper bracelets and plenty of photographs of scantily-clad women and men.

Robert Armstrong plays a confidence trickster, partnered by Gertrude Michael as his Jean Dixon-ish wise-cracking moll. By the way, I really dislike the movie cliché of the female companion who is constantly insulting her male partner. If she really has so little respect for him, why does she stick with him? James Gleason is on hand here too, as another swindler. Surprisingly, Gleason's character is completely subordinate to Armstrong's. Gleason nearly always played the brains of the outfit, but here his character is largely Armstrong's yes-man. Still, Gleason gets off some splendid wise-cracking dialogue, including the word 'gazype' ... whatever that means.

There's an excellent montage sequence featuring actual footage from the 1932 Olympics in Los Angeles, and there are a couple of production numbers with lissome female athletes clambering on top of beefcake specimens. The comely Gwenllian Gill shows great appeal in her brief role. Silent-film comedian Leo White does one very funny slapstick bit, and Gleason's performance is more physical than usual. For one long sequence, we see the runty Gleason stripped down to a pair of gym trunks. Gleason gets the last gag in the picture, a cheeky joke that seems more typical of Lou Costello. 'Search for Beauty' is hilarious from start to finish (except for Toby Wing), and this film is definitely a pleasure to look at. I'll rate it a perfect 10 out of 10.

I have to weigh in on this deliciously fun, kitschy movie. Perhaps one needs a historical perspective to appreciate the fun and absurdity of this very game film. The detracting comments have missed the boat. The appreciative comments have laid out the story and gimmicks well. I'd like to add that the big production number, which looks like the concoction of marching band instructor from a military background who saw a Busby Berkeley movie while stoned, has to be seen to be believed. And, yes, the nudity and sexual innuendo seems risqué enough for the time to be very entertaining. Though short on talent, Buster Crabbe is fun to watch, as is a young Ida Lupino who certainly made good from this unpromising start. For me, James Gleason is the treat. Though not nearly as sharp as later performances -- particularly his great drunk scene in MEET JOHN DOE -- it's interesting to see a pro finding his sea-legs on film in 1934. A diamond in the rough!

Well, what can I say other than YIPPEE! Slipped through just before the may 1934 deadline of the Hayes Code this is almost the superlative risqué extravaganza for sex and nudity in a 1930s movie. One astonishing scene in a mens locker room even has full male nudity! Unheard of outside Nazi beauty films of the later era and certainly an eye-full of sassy rudeness both in picture and dialog. Other posts here will tell you the story but since this film features two of the most beautiful actors ever on screen BUSTER CRABBE and IDA LUPINO (in blonde 'do) and then peppers the screen with gorgeous women and men parading and exercising and grabbing each other...! THE SEARCH FOR BEAUTY is everything you might hope for in a pre-code sex comedy and wow does it deliver! Hilarious rude and deliciously nude rude and funny. And cheer breathtaking Toby Wing dancing on a table in a negligee!

Goofy film about two Olympic athletes (Ida Lupino and Buster Crabbe) who are hired to bring some respectability to a fitness magazine that is using sex as its major selling point.

People who want to see an example of some pre-Code raciness will find much to like about this movie. Its overt treatment of sex as something people actually like instead of something covert that must never be mentioned is by itself enough to make this movie stand apart from the more sanitized films of the succeeding decade. But beyond that, it revels in images of the barely dressed human body, male and female, and includes a shot of bare butts in a men's locker room, and a jaw dropper of a production number in which all of the women are wearing sheer athletic tops with their breasts and nipples clearly visible.

Funny enough, for all of its reputation now as being representative of a certain kind of moral looseness in early 30s films, the movie's attitude about sex is as pure as freshly fallen snow.

Grade: B

Part of the recent Paramount box set of pre-Code films, this is a fascinating film that's about the sexiest film I can remember seeing. The whole film is about sex disguised as a health and exercise magazine that hucksters Robert Armstrong and Gertrude Michael put over by duping Olympic athletes Buster Crabbe and Ida Lupino into lending their names to it.

Amazingly frank attitude toward sex actually shows several naked men (butts) in a locker room, women showing their crotches (in underwear and bathing suits), etc. Dozens of men and women run around in skimpy, tight bathing suits throughout the film, including a massive production number. There are many scenes of men ogling the scantily clad women, and a jaw-dropping scene where Gertrude Michael zeroes in with binoculars no less on Crabbe's crotch while he's competing in the Olympics.

Crabbe is surprisingly good here; 20-year-old Lupino, in her American film debut, is totally unrecognizable with curly blonde hair and Dietrich eyebrows. Armstrong and Michael (always underrated) are solid. We also get James Gleason, Toby Wing (in her best film role, dancing in skivvies on a tabletop), Bradley Page, Nora Cecil, Bert Roach, etc. Ann Sheridan and Lynn Bari are among the beauties, who include Gladys Willar from Worcester, Massachusetts.

There's a hilarious sequence where they decide to build the perfect woman for advertising (think *Page Miss Glory*) by gathering models who are famed for their specific parts.... one for lips, one for hair, etc... and then there's Fanny....