Murder on the Blackboard

This is a quintessential 'Late Show' movie, a low-key murder mystery with charming character actors in service to a mild plot. Edna May Oliver is the keystone of the picture, an elementary school teacher with a taste for adventure in murder mysteries. "Murder On The Blackboard" is a sequel to another Edna May Oliver-James Gleason picture so the characters are already well established. The pacing is brisk and the plot is well assembled, making for an enjoyable film.

One problem for viewers might be the C&C Movietime version of this film. That version has the first half-hour cut out, which saves time but butchers the narrative. Those who pick up the thread with Oliver's character searching for the body are missing about thirty minutes of important exposition.

Regardless of the editing, this is an amusing comic murder mystery deserving of your attention.

This was the second of 3 films Edna May Oliver made at RKO starring as that indomitable school teacher/sleuth, Miss Hildegarde Withers. As always, Miss Oliver steals the show, sticks it in her handbag and walks off with it.

This time she attempts to track down a murderer right in her own New York City school. With her gimlet eye & no-nonsense manner, the killer never really stands a chance.

Miss Oliver, as always, is a joy to watch. James Gleason returns as the harried police detective Oscar Piper, now Hildegarde's boyfriend. Also on hand are Edgar Kennedy, Bruce Cabot & Tully Marshall. But, as in the other Withers films, Edna May is the real reason to watch.

MURDER ON THE BLACKBOARD is good old-fashioned fun with Edna May Oliver, my favorite character actress of the '30s, sleuthing in Nancy Drew manner with James Gleason at her side as a crusty detective.

This time the amateur sleuth helps solve a case involving a murdered music teacher and gets herself into deep trouble with the killer who means business when he tries to throw an axe at her in a dark basement cellar. Edna May's brisk, no nonsense manner fits the character of Hildegarde Withers to perfection and she's never at a loss for a quick retort when Gleason becomes a bit overbearing. Their game of one-up-man-ship is what keeps the story moving briskly to a satisfying conclusion.

The fact that it's terribly dated in dialogue and situations is what gives this little mystery a quaint sort of charm. One of the better in a series of Hildegarde Withers murder mysteries.

Murder on the Blackboard (1934)

*** (out of 4)

The second of six films in RKO's Hildegarde Withers (Edna May Oliver) series has the wannabe detective working at a school when a music teacher is shot dead. Inspector Oscar Piper (James Gleason) is soon helping on the case, which features the usual suspects including one played by Bruce Cabot. I've got the first film in the series, Penguin Pool Murder, recorded but haven't watched it yet so this is the first film from the series that I've actually watched. There's nothing overly special about this film but it does stand apart from the countless other mystery films of the decade. For one, Edna May Oliver plays her role pretty well and while it's somewhat over the top she never goes way past that line to where the character becomes obnoxious. She manages to bring a few laughs to the film and keeps the film going throughout. The actual mystery is also done pretty well with some nice atmosphere trapped in the small school.

When talkies happened, there was a mad rush to make films of mysteries because they were enormously popular in the pulp trade. Series of published stories became movie serials as if by accident and it took nearly a whole decade for the movie industry to figure out a basic cinematic vocabulary apart from books.

So when you see something that worked during that transition, its worth figuring why. Almost always it was not because of anything in the film itself, rather the stage presence and usually humor of one or two characters.

This formula started in 1932 as one of the early talkies. It depended on the character of the nosey biddy and whatever humor could be milked from it. A cartoon cop was the foil, and a pretty effective one too.

In this, the second, his cartoonishness becomes self-referential. There are at least three major jokes in the thing where he talks about what he would do if he were a movie detective. One time, the schoolmarm treats him like he is irrelevant and he says: "What am I here, the costume designer?"

This was the same year that "The Thin Man" hit on a better, more dialog-driven comic formula that would lead to screwball. So this series flagged a bit, dragging on with different twists.

Ted's Evaluation -- 2 of 3: Has some interesting elements.