Murder on the Blackboard

MURDER ON THE BLACKBOARD is good old-fashioned fun with Edna May Oliver, my favorite character actress of the '30s, sleuthing in Nancy Drew manner with James Gleason at her side as a crusty detective.

This time the amateur sleuth helps solve a case involving a murdered music teacher and gets herself into deep trouble with the killer who means business when he tries to throw an axe at her in a dark basement cellar. Edna May's brisk, no nonsense manner fits the character of Hildegarde Withers to perfection and she's never at a loss for a quick retort when Gleason becomes a bit overbearing. Their game of one-up-man-ship is what keeps the story moving briskly to a satisfying conclusion.

The fact that it's terribly dated in dialogue and situations is what gives this little mystery a quaint sort of charm. One of the better in a series of Hildegarde Withers murder mysteries.

If anybody thinks that teachers' lives are dull, you need to watch this film. Louise Halloran, the school's young music teacher, is found bludgeoned to death, by Miss Hildegarde Withers (Edna Mae Oliver), at the school. She has a student call Detective Oscar Piper (James Gleason), with whom she worked on the Pengun Pool Murder. First the body disappears, and Piper thinks Hildegarde crazy - that there never was a murder. But then the murderer makes some mistakes - digging a grave in the cellar, hitting another policeman over the head, trying to dispose of Louise's body in the school incinerator and not quite beating the police to it, and then escaping out of the school emergency exit chute. So now Oscar knows the crime is real - as Louise may have died from the blow to the head, but she would have died anyways since the medical examiner determines that she was dying from pernicious anemia of the bones at the time of her death, which could have been induced by slow poisoning. Could there have been two different killers, each one unaware of the other's plot? Hildegarde pretty much solves this crime herself. Being a Renaissance woman who notices everything and has a variety of hairpins to help with tricky locks helps her along.

And she'll need her powers of observation. Because everybody has a motive. Louise's roommate, fellow teacher Jane Davis, has won the Irish Sweepstakes with Louise and her death allows Jane to keep all of the money. Then there was a romance between Louise and teacher Addison Stevens the previous summer that Stevens broke up so he could take up with Jane. Then there is principal McFarland who tried to take up with Louise also, wrote her love letters, and Louise would not let him have them back. McFarland is married, but that hasn't put a damper on him going after the younger female schoolteachers. Finally there is the school janitor who has tunneled his way into a warehouse of booze and has been taking some and selling it to the schoolteachers. Louise refused to pay him right before her death, claiming if she outed him he'd be fired.

Basically it boils down to Oscar controlling the cops and Hildegarde controlling the investigation. After they succeed at solving the crime they are having breakfast at a diner, and let's just say that Oscar has the last laugh as Hildegarde's sensibilities are shocked about how long it takes to grieve the loss of a loved one before replacing that loved one with another.

I'd say this didn't seem quite as good as Penguin Pool Murder, because the first one was such a welcome surprise, but it was certainly a worthwhile entry.

An aside - At the conclusion of Penguin Pool Murder it was insinuated that Oscar and Hildegarde were on their way to get married after a very rushed pretty much mutual marriage proposal. Here they are just friends. Being a married couple would have painted the humor into a corner, and it works better with them being allied, maybe even being a little bit romantically interested, but never really doing anything about it. Recommended.

Murder on the Blackboard is the second of three Hildegarde Withers stories that Edna May Oliver and James Gleason were teamed for. Today the charm of these two people, two of the best character actors that movies ever saw carry this rather dated and melodramatic story.

One of the teachers at Edna's school, Barbara Fritchie, winds up very dead and she's quite the lively corpse as the perpetrator keeps moving the body in an effort to be rid of it. In fact the only way the crime is discovered is because that day Edna kept young Jackie Searle after school.

Unlike the Thin Man movies where you could have as many as ten suspects or more in a room as Nick and Nora reveal all, this is not MGM with their lavish productions. This is RKO and this studio had a limited budget for their films. We only have four suspects so your chances of guessing who did it increase quite a bit.

Edgar Kennedy as the dumb cop who gets clunked on the head and develops amnesia is his usual funny self. In fact he's the foil used to catch the murderer in the end. As for the end, I found it a bit melodramatic for my taste and let it go at that.

But for fans of the wonderful Edna May Oliver and the dependable James Gleason this film is a must.

There were many, many B-detective series films through the 1930s and 40s--ranging from Sherlock Holmes to Ellery Queen to Charlie Chan to The Falcon--and many, many more. Despite the wide variety, these film are quite similar and the plots are rather interchangeable. However, I always look forward to a Hildegarde Withers film starring Edna May Oliver, as her films, regardless of the plot, have a lot more going for them than the rest of the pack. That's because Ms. Oliver was simply a delight to watch--as her detective was given the snappiest and most sarcastic dialog and her delivery was always wonderful. While she appeared at first much like a Jessica Fletcher-style character, you soon discovered she wasn't so cuddly or sweet and was more of a "dame" in the best sense of the word.

This particular film is about a dead body that is discovered but then disappears at a school. Later, the body is found in the most grisly fashion and it's up to Miss Withers and her sidekick, the Inspector (James Gleason) to solve the crime. The film isn't quite as good as their previous film, THE PENGUIN POOL MURDER and interestingly enough they actually refer back to that case--something you don't often see in these films. Watch it--it's exciting, funny and different.

Sadly, despite the higher than usual quality of these films, Ms. Oliver only made three and the studio tried replacing her with Helen Broderick and Zasu Pitts--pale imitations of the original.

Decidedly dated, early mystery starring Edna May Oliver as the irrepressible sleuth Hildergard Withers, Murder on the Blackboard is all fun. Oliver excels as the wise-cracking "Lady" teacher sleuth who finds that a young, pretty music teacher has been killed in her school - as both have stayed late working. Oliver enlists the help of detective James Gleason(an always reliable character actor) and the one-liners between the two begin to ensue as the track down the murderer. The writing in this film is witty, sharp, and rapid-fire and both Gleason and Oliver do more than justice to their respective roles. The list of suspects is limited(really only four people) but amongst them are Bruce Cabot and Tully Marshall. Because it was made in 1934 it is somewhat stagy and creaky, but the film is elevated by the two acting leads. Oliver on screen is pure magic as she is able to look oh so dour and be oh so sarcastic at every turn. A crackling whodunit in the old-fashioned sense of the word.