Una actriz abandonada convertida en manicurista afecta la vida de las personas en un pequeño pueblo estadounidense.Una actriz abandonada convertida en manicurista afecta la vida de las personas en un pequeño pueblo estadounidense.Una actriz abandonada convertida en manicurista afecta la vida de las personas en un pequeño pueblo estadounidense.
- Dirección
- Guionistas
- Elenco
Richard 'Skeets' Gallagher
- Jack Hayden
- (as 'Skeets' Gallagher)
John Carradine
- Stranded Actor
- (sin créditos)
Wallis Clark
- Mr. Bowen - Barbershop Customer
- (sin créditos)
Barney Furey
- Undetermined Role
- (sin créditos)
Frank Hagney
- Angry Truck Driver
- (sin créditos)
Ben Hendricks Jr.
- Detective
- (sin créditos)
Harry Holman
- Brookville's Mayor
- (sin créditos)
Arthur Hoyt
- Undetermined Role
- (sin créditos)
John Hyams
- George Spelvin
- (sin créditos)
DeWitt Jennings
- Police Chief
- (sin créditos)
Lew Kelly
- Man with Poster in Barbershop
- (sin créditos)
Kenner G. Kemp
- Pool Hall Player
- (sin créditos)
Opiniones destacadas
Chris Peterson (El Brendel) is an unsuccessful barber in a small town. His fiancée of ten years is Tillie Prescott (Zasu Pitts), a hardworking woman who just can't wait to get married. Chris wants to prove he is successful by obtaining a second chair in his barber shop before tying the knot, but Tillie is impatient. She is constantly taken advantage of by Chris and she feels she is the real brain behind the couple. This proves to be false when she falls prey to a business scam. Meanwhile Chris's business starts booming when an actress (Pert Kelton) takes up shop as a manicurist to make some extra money. Her wiggling hips make the shop a hot spot for the local men.
A fun movie with a cast of unknowns, The Meanest Gal in Town is not likely to show up outside of film conventions and collector's homes, but it is an enjoyable film. Brendel makes use of his simpleton Swedish character and provides much of the comedy. Some people hate him; I love him. He is sweet and rather funny, illustrated by scenes like the opener where he strums a ukulele and sings with the accompaniment of a howling dog. Pitts is more likable here than in some of her other movies. In spite of Brendel's sweetness, it is difficult not to root for Pitts too, especially when Chris treats Tillie badly.
A fun movie with a cast of unknowns, The Meanest Gal in Town is not likely to show up outside of film conventions and collector's homes, but it is an enjoyable film. Brendel makes use of his simpleton Swedish character and provides much of the comedy. Some people hate him; I love him. He is sweet and rather funny, illustrated by scenes like the opener where he strums a ukulele and sings with the accompaniment of a howling dog. Pitts is more likable here than in some of her other movies. In spite of Brendel's sweetness, it is difficult not to root for Pitts too, especially when Chris treats Tillie badly.
This movie is hilarious!! Especially Pert Kelton and James Gleason--those two are a hoot to watch in this movie!!
Considering this is back in the 1930's--the risque talk is that more astonishing!!
A very good little comedy.
Considering this is back in the 1930's--the risque talk is that more astonishing!!
A very good little comedy.
This little film has a lot going for it. There's James Gleason, funny and sympathetic as a sort of "tough guy" barber who wants to win the girl. There's Pert Kelton playing the cute and sexy actress turned manicurist. There's El Brendel (I had never seen him before), playing the naive Scandinavian barber named Chris Peterson. He is a lot more canny than he appears. Finally there is ZaSu Pitts, wonderful as the long-suffering owner of a dress shop. She is actually much more naive about business than Peterson is. My only complaint is that I wish Pitts had gotten a better role. She is playing a weak character who is more pathetic than funny. But, she did what she could with the part.
I was surprised to see in the full cast list that John Carradine is in this film. I didn't notice him, and must have walked out of the room during his scene.
Overall, this is a good movie that is worth seeing for the pre-Hays Code innuendos and some sparkling comic performances.
I was surprised to see in the full cast list that John Carradine is in this film. I didn't notice him, and must have walked out of the room during his scene.
Overall, this is a good movie that is worth seeing for the pre-Hays Code innuendos and some sparkling comic performances.
Pert Kelton bowled me over with her very sexy portrayal which allowed her to manipulate the male characters. The very wry Zazu Pitt and the apparently naive but winning El Brendel along with the wise cracking James Gleasen and the traveling salesman character all were very funny and cleverly written. The script had many very pointed comments on the indomitable spirt and frailty of the human character. I have watched the movie many times and always see some different bit that I hadn't noticed before. Obviously, this was a low budget programmer in its day, but a far better movie than most megabudget movies of today.
A small town barber hires a flirtatious out of work actress as his new manicurist - much to the chagrin of his longtime girlfriend.
Undeservedly obscure, THE MEANEST GAL IN TOWN boasts plenty of pre-Production Code sauciness and several funny performances. It is a good example of a very competent little comedy which fell through the cracks into movie limbo.
At the heart of the film, ZaSu Pitts & El Brendel make unlikely, but completely compatible, comedic companions. Fluttery fingered & vague, Miss Pitts brings her considerable experience into playing a businesswoman who is very tired of waiting ten years for her beau to propose marriage. Gentle, good-natured dialect comedian Brendel - the Swedish accent was fake - enlivened a handful of early 1930's films with his genial humor. He was always enjoyable to watch and his performance here is no exception, as he portrays a fellow whose greatest ambition is to have enough clients to enable him to add a second barber chair to his shop.
James Gleason scores as the local ladies' man, always ready with the sly innuendo. Pert Kelton practically steals the show as the flirty tart who knows how to get exactly what she wants from most men. Skeets Gallagher is perfect as the brash salesman who almost trumps her ace.
Movie mavens will recognize John Carradine as a stranded actor, Robert McKenzie as a hotel manager, Harry Holmes as the mayor & Vera Lewis as a lady at the Chamber of Commerce luncheon - all uncredited.
Undeservedly obscure, THE MEANEST GAL IN TOWN boasts plenty of pre-Production Code sauciness and several funny performances. It is a good example of a very competent little comedy which fell through the cracks into movie limbo.
At the heart of the film, ZaSu Pitts & El Brendel make unlikely, but completely compatible, comedic companions. Fluttery fingered & vague, Miss Pitts brings her considerable experience into playing a businesswoman who is very tired of waiting ten years for her beau to propose marriage. Gentle, good-natured dialect comedian Brendel - the Swedish accent was fake - enlivened a handful of early 1930's films with his genial humor. He was always enjoyable to watch and his performance here is no exception, as he portrays a fellow whose greatest ambition is to have enough clients to enable him to add a second barber chair to his shop.
James Gleason scores as the local ladies' man, always ready with the sly innuendo. Pert Kelton practically steals the show as the flirty tart who knows how to get exactly what she wants from most men. Skeets Gallagher is perfect as the brash salesman who almost trumps her ace.
Movie mavens will recognize John Carradine as a stranded actor, Robert McKenzie as a hotel manager, Harry Holmes as the mayor & Vera Lewis as a lady at the Chamber of Commerce luncheon - all uncredited.
¿Sabías que…?
- TriviaThe $2.36 bill at the restaurant for griddle cakes and coffee equates to about $56.50 in 2025.
- Citas
Tillie Prescott: [upon hearing there is no show that night] Well, um, what are we going to do?
Box Office Clerk: Well, you might go up to the Bijou, they're playing 'Little Women'.
Tillie Prescott: Oh, I never did like midgets.
[the clerk groans]
- ConexionesReferenced in Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood (2008)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Once Over Lightly
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 2min(62 min)
- Color
- Relación de aspecto
- 1.37 : 1
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