The Lucky Texan

John Wayne and Gabby Hayes strike it rich with a gold mine. Inevitably some villains want to take it from them. This is one of the most interesting of the many B westerns Duke made in the '30s. For one thing, there are surprisingly few gunshots fired in this one. Everyone seems to settle their problems by fisticuffs or by chasing one another. There's a lot of chasing in this one. This leads to some good Yakima Canutt stunts, though.

Also, I'm not sure what era this was supposed to take place in. Lone Star wasn't known for caring about historical accuracy in these cheap B westerns. There were usually shots of telephone poles and the like in the background. In this one we not only have the usual background stuff but we have a Keystone Kops-style climax that features Gabby Hayes driving a car after the bad guys! This western, like the other B's made in the '30s, will seem pretty much like kids stuff today. But there is some fun to be had with it.

"Lucky Texan" is one of a series of Lone Star westerns made by Wayne between 1933-35. This one is a cut above the average. The plot involves Wayne and his partner (George Hayes) finding gold and the efforts of baddies Lloyd Whitlock and Yakima Canutt to cheat them out of it.

This film contains a couple of oddities for a series western. Firstly, while pursuing one of the bad guys on horseback, Wayne actually misses tackling him off of his horse and lands at the bottom of a ravine. But fear not. A large downward sloping sluce just happens to be nearby and the Duke grabs a tree branch, mounts it and slides down the sluce in time to leap up a tree and jump the fleeing villain. Secondly, the final chase sequence is also interesting in that the baddies are escaping in an old railway utility car and are pursued by Hayes in a vintage auto which criss crosses the tracks Keystone Cops style with the villains, and of course by Wayne on horseback.

It is also noteworthy that Hayes, who played many different characters in this series, plays Jake Benson very close to his eventual "Gabby" character, which he had not fully developed at this time. The series also benefited from the stunt work of Yakima Canutt who can be clearly seen doubling for Wayne and others in this entry.

My title is meant to emphasize the silent era-like features of this and many other early sound westerns. If you are used to silent films, this shouldn't bother you that much. The villains often have the exaggerated look of many silent film counterparts. The brawls, horse chases and stunts also often have the exaggerated and amateurish look of many silent films. The filming technique also often looks relatively crude, like the cheaper silent films. People apparently shot dead often conveniently resurrect later with just a head graze(The 2 apparent murders in this film turn out this way). All those highly unlikely coincidences that make the story turn out right have a silent era feel to them. Thus, some of the scenes could almost be pulled from a silent era film. This includes Wayne's(actually stunt man Yakima Canutt's) long skid sitting on a convenient tree limb, through a long large sluice tunnel. This tunnel just happened to begin where he tumbled down a long hill after missing on an attempted rider tackle, and just happened to end up where he could make another tackle attempt from a tree. We can imagine Charlie Chhaplin or Buster Keaton doing the same thing in a slightly different context. Another comedic scene was the chase via Model T and horse of the badies escaping on a motorized rail utility car. The model T and railcar finally collide after a passed up opportunity.. In the finale, the frustrated photographer stalks off, stepping high in Charlie Chaplin style. The courtroom scene with George Hayes disguised as a female relative, followed by the villains smashing through the window, could almost have been pulled off in a silent western, with a few quote cards.

Aside from the comedic and stunt aspects, this film features a fairly complicated, if predictable, plot, with the operators of the mineral assay office running a general crime operation(somewhat like Soapy Smith), including rustling, claim and property swindling, gold weighing shaving and murder. They try to swindle Hayes out of his ranch and gold mine claims and put him 6 feet under. The sheriff's son is an independent badman. Both Wayne and Hayes spend a short time in jail as the chief suspect in murders. Each figures out how to get the other out legitimately and catch the real badmen. Barbara Sheldon, a curvaceous young blond, just happens to move in with grandpa Hayes shortly after Wayne does. She immediately takes to the Duke and he doesn't make any attempt to resist. All in all, its a better than average entertaining early sound western, and I'm glad I saw it.

Gabby Hayes irascible sidekick performance and Yakima Canutt's excellent stunt work make this one quite watchable. Gabby is delightful, especially when he puts on a dress to testify at his own trial. The horse transfer stunt that doesn't work is really special. Yakima (doubling for Wayne) jumps on a fleeing horse from his own galloping horse, he misses and ends up rolling down a hill. One gasps and hopes he wasn't hurt.

With likable characters and a plot that keeps moving, this one is quite professional and on a par with a good Lone Ranger episode two decades later.

Unlike with most major film stars, John Wayne spent such a long apprenticeship in B westerns that you can't really put his pre-Stagecoach work with Stagecoach and beyond. It's like two different players altogether.

Bearing in mind that you can't apply the same standards of Lucky Texan with that of The Searchers, Lucky Texan was good Saturday afternoon matinée fair for the kiddies of 1934.

John Wayne and Gabby Hayes are partners in a blacksmith shop and they discover gold. Panning for it turns out to be quite profitable and they follow the advice of Walter Huston in Treasure of the Sierra Madre about not filing any claims. At least not too soon.

But the bad guys want to get their hands on the gold source and they dry gulch Gabby and they think they've killed him.

Unbeknownst to them, Gabby back in the day was an actor and did a turn in Charley's Aunt. Wayne and Gabby devise a plan to expose the villains and save the day.

Bear in mind that it was the lead in Charley's Aunt that Gabby played and you'll understand what Gabby does.

That bit put Lucky Texan a cut above the usual stuff John Wayne was doing before Stagecoach. It's still pretty amusing.