The Lawless Frontier

So what can you say about a film that has the villain hamming it up with a lousy Mexican accent, an opening that has an atrocious editing job(mixing day and night footage in the same scene)and a dumb sheriff who wants to arrest the wrong man and botches his handcuffing of the real villain? For all its faults, it's actually not too bad. The chase scenes actually are quite good, with realistic falls from horseback by the girl and the villain in separate sequences. In real life, galloping over rough terrain, often with people shooting at one another, would cause those spills frequently. Once you get past the horrendous opening, Archie Stout's photography is pretty good for a B movie. I especially liked the desert foot-chase scene, with the towering basalt cliffs of Red Rock Canyon in the background. All told, the action sequences and sometimes stunning photography kept this and other John Wayne potboilers from being dull and gave depression-era audiences their money's worth, which was what made B westerns so popular in the first place. Just like audiences back then did, I sat back and enjoyed the ride, bumpy though it may be at times. Dale Roloff

"The Lawless Frontier" is another of John Wayne's Lone Star westerns released in the 1933-35 period. As in many of the other entries in the series, this one was written and directed by Robert N. Bradbury (who was Bob Steele's father by the way.) Again the cast is made up mostly from the "Lone Star Stock Company" of players.

The plot has young John Tobin (Wayne) arriving at his father's ranch just after he has been killed by a gang of rustlers headed by bandit Pandro Zanti (Earl Dwire) and his gang. Zanti, who for what it is worth, is half Apache, half white, is posing as a Mexican outlaw complete with accent.

Zanti comes upon the small ranch of Dusty (George Hayes) and his comely young grand daughter Ruby (Sheila Terry), and decides to take the girl unto himself. Arriving just as Zanti is about to murder Dusty and carry off Ruby, Tobin arrives and joins forces with Dusty to bring the bandits to justice. Tobin has an eye for the lovely Ruby as well. Into the mix rides Sheriff Luke Williams (Jack Rockwell) who is also in pursuit of the bandits. In true "B" western fashion, the good guys win out over the baddies and guess who gets the girl.

As in most of Wayne's Lone Star Westerns, the level is raised somewhat by the expert stunt work of the legendary stuntman Yakima Canutt. He jumps a horse over a cliff and performs several horse falls and riding stunts in this one, as well as playing the part of Dwire's henchman Joe.

In the world of poverty row quickies, re-takes almost never happened. This film is no exception. Watch the scene where Wayne chases and takes down Dwire. As they get up out of the dust, Wayne's gun and holster suddenly switch from his right side to his left and back to the right again as he mounts his horse.

George Hayes was still a couple of years away from his grizzled old sidekick of "Windy/Gabby". In this film though he looks like Gabby and sounds like Gabby but plays it straight. Hayes played a variety of character roles in this series and didn't settle into his sidekick role until he joined the Hopalong Cassidy series in 1935. The "Gabby" character didn't come along until he moved to Republic around 1938 to ride with Roy Rogers. John Wayne was still learning his trade at this point but if you watch closely you can catch glimpses of his future on-screen persona emerging.

Average "B" western lifted a notch or two by the excellent stunt work.

One of the other reviewers was right--this film was horribly edited--as if by a blind guy on crack! I assume this was NOT how the film was originally released--as even for a low-budget B-movie it was pretty shabby. In addition, some knuckle-heads at Fox-Lorber decided to 'improve' this public domain film by adding a new musical track--a musical track that was just god-awful. The instruments are new and very electronic, the music was used indiscriminately (and often inappropriately) and it was the exact same track used in many John Wayne B-westerns--exactly the same! It was just dreadful but you can't blame the people at Lone Star Pictures who made the film.

"The Lawless Frontier" was a below average Wayne outing--mostly due to the terribly dumb Sheriff--no one can be that dumb or incompetent! An outlaw named Zanti is posing as a Mexican--why, I have no idea. The main problem with catching him is that the local Sheriff is an idiot and seems to have no desire to do anything. Naturally, Wayne will save the day.

The only pluses for this film are the wonderful stunts--even better than you'd normally see in these Wayne B-films. A few of the stunts were just stunning and you have to see them to believe them. But, a dumb villain and Sheriff, a stabbing that somehow leaves Gabby feeling a-o.k. and some choppy elements to the film make this very tough to watch. If you do want to see it, download it from IMDb for free--it's much better than seeing the yecchy version by Fox-Lorber shown on the Encore Channel.

Secret passages, dynamite explosions, lots of hard riding, and the great team of Hayes and Wayne, so what else can a front-row kid turned old geezer ask for. Nothing. The movie's got it all. Okay, the plot's got more crazy twists than a corkscrew and Earl Dwire's Mexican accent is the worst until Larry Storch's Gunfever (1958), but who cares. It's Wayne at his likable peak and Hayes's Gabby is about three-quarters complete. Some great stunts, as expected from a cast that includes maestro Yakima Canutt, along with a leading lady who really can ride (one bad trip-wire stunt, my only complaint). Watch for the unexpected and humorous twist when Wayne takes a short-cut to nail Dwire. Sometimes these programmers can surprise you. I guess kids don't play cowboy anymore. Computers have taken away imaginary play. Too bad. Now, if I were just x years younger, I'd strap on my cap pistol, get my stick horse and join up with the posse. But first I got to get me one of those really big, big hats.

John Wayne and Gabby Hayes team up to take on bandit and (for some unexplained reason) fake Mexican, Pandro Zanti. What a name. Anyway, Wayne is out for revenge because Zanti killed his parents in the film's opening scene. Gabby Hayes also has a pretty daughter, played by Sheila Terry. Zanti's eyes bulge out when he first sees her so you can assume what that means. Hayes and Terry live in a ramshackle old place yet they manage to have a secret passageway behind a cabinet. There's also a deeply stupid sheriff to complicate things for our hero. Pretty corny stuff, for the most part. As with most of the B westerns Wayne did for Lone Star around this time, the highlight is the stuntwork of Yakima Canutt. Animal lovers prepare yourselves there's some rough-looking stunts for the horses in this one.