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IMDbPro

The House of Rothschild

  • 1934
  • Passed
  • 1h 28min
CALIFICACIÓN DE IMDb
6.5/10
1.5 k
TU CALIFICACIÓN
The House of Rothschild (1934)
BiografíaDramaGuerraHistoria

Agrega una trama en tu idiomaThe wealthy Rothschild family undergoes prejudice from the anti-Semitic society they live within.The wealthy Rothschild family undergoes prejudice from the anti-Semitic society they live within.The wealthy Rothschild family undergoes prejudice from the anti-Semitic society they live within.

  • Dirección
    • Alfred L. Werker
    • Sidney Lanfield
  • Guionistas
    • Nunnally Johnson
    • George Hembert Westley
    • George Arliss
  • Elenco
    • George Arliss
    • Boris Karloff
    • Loretta Young
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.5/10
    1.5 k
    TU CALIFICACIÓN
    • Dirección
      • Alfred L. Werker
      • Sidney Lanfield
    • Guionistas
      • Nunnally Johnson
      • George Hembert Westley
      • George Arliss
    • Elenco
      • George Arliss
      • Boris Karloff
      • Loretta Young
    • 37Opiniones de los usuarios
    • 18Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Nominado a 1 premio Óscar
      • 2 premios ganados y 1 nominación en total

    Fotos29

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    Elenco principal75

    Editar
    George Arliss
    George Arliss
    • Mayer Rothschild…
    Boris Karloff
    Boris Karloff
    • Count Ledrantz
    Loretta Young
    Loretta Young
    • Julie Rothschild
    Robert Young
    Robert Young
    • Capt. Fitzroy
    C. Aubrey Smith
    C. Aubrey Smith
    • Duke of Wellington
    Arthur Byron
    Arthur Byron
    • Baring
    Helen Westley
    Helen Westley
    • Gudula Rothschild
    Reginald Owen
    Reginald Owen
    • Herries
    Florence Arliss
    Florence Arliss
    • Hannah Rothschild
    Alan Mowbray
    Alan Mowbray
    • Prince Metternich
    Holmes Herbert
    Holmes Herbert
    • Rowerth
    Paul Harvey
    Paul Harvey
    • Solomon Rothschild
    Ivan F. Simpson
    Ivan F. Simpson
    • Amschel Rothschild
    • (as Ivan Simpson)
    Noel Madison
    Noel Madison
    • Carl Rothschild
    Murray Kinnell
    Murray Kinnell
    • James Rothschild
    Georges Renavent
    Georges Renavent
    • Count Talleyrand
    Oscar Apfel
    Oscar Apfel
    • Prussian Officer
    Lumsden Hare
    Lumsden Hare
    • Prince Regent
    • Dirección
      • Alfred L. Werker
      • Sidney Lanfield
    • Guionistas
      • Nunnally Johnson
      • George Hembert Westley
      • George Arliss
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios37

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    Opiniones destacadas

    8howdymax

    Money, money, money

    A dramatic, inter-generational history of the House of Rothchild. Most people have a vague notion of the Rothchild banking dynasty, but like me, probably didn't know the history and pain that went with it. This story covers the origin and evolution of that dynasty and an explanation of it's motivation. The story centers around the elder brother, Nathan, played by George Arliss and his four brothers. I have to admit that I never saw the George Arliss magic until I saw this picture. He really was a major talent, although he was quite old when he did this. We see the family breaking out of "Jew Street" in Frankfurt, and establishing banks throughout Europe while struggling to overcome anti-semitic attitudes and actual pogroms. There are some personal vignettes involving Loretta Young as Nathan's daughter and her goy suitor played by Robert Young that tend to humanize the family but really don't amount to much. The real story is the family drive to help stabilize a war ravaged Europe and through it, command the respect of a deeply anti-semitic aristocratic European society. The picture paints a rather pastel version of what was probably a grueling battle for acceptance, but it managed to convey a feeling of warmth and respect for the underdog. There are some very nice touches. The family members all touch the mezuzah each time the enter or leave the house. Everybody kisses Mama, and George Arliss shows what appears to be a real tenderness whenever he interacts with Loretta Young. The brothers never appear to be avaricious, but rather an integrated force of will, determined to succeed, yet determined to play by the rules. All in all, an enjoyable and informative docu-drama. Well worth the 90 minutes.
    7bkoganbing

    "Money, the only weapon we have"

    Before Paul Muni was doing biographical films at Warner Brothers, George Arliss was doing them before. Arliss a veteran of the British theater was one of the first to recognize the importance of film in preserving the actor's art. He did even more silent films than sound which took advantage of his magnificent speaking voice and perfect English diction. His acting today is considered hammy by many, but for me I like the idea of being able to understand every enunciated word.

    In The House Of Rothschild Arliss plays the dual role of patriarch Meyer Rothschild and later Nathan, one of the five sons whom he dispatched to various European capitals to establish the family banking business. This was in the 1780s-90s. By 1814 the House is well established throughout Europe and even when countries are at war, The House Of Rothschild acts as a unit. Though the Paris branch has to be a bit discreet with Napoleon Bonaparte making war on all the rest of the places the brothers have set up shop.

    The money lender is never a popular figure. It's the reason why when Jews were forbidden to own land and frozen out of certain businesses and trades, they were allowed to be bankers. That way it was a double whammy in unpopularity for them.

    The House Of Rothschild even with Napoleon making entreaties to the Jewish people backs the Allied cause to the hilt. It wins the gratitude of someone no less than the Duke of Wellington played by Sir C. Aubrey Smith. But Prussian banker Ledranz played by Boris Karloff makes no secret of his anti-Semitism. Quite a daring piece for 1934 as Hitler was starting his war on the Jews and few were speaking out.

    Florence Arliss the real life wife of George Arliss plays his wife Hannah in his Nathan persona. But Helen Westley is mother Rothschild and she gives a lively performance. It is she whom you will remember best from this film after George Arliss.

    Robert Young and Loretta Young play a Wellington aide and a Rothschild daughter who fall in love and are the secondary romantic plot in this film. But it's Arliss's portrayal of the shrewd and intrepid Nathan Rothschild and the story of the fortune that is the heart of the film. And it is a big heart in every sense of the word.
    7Andy-296

    Interesting biopic; shows the protagonist in a surprising negative light

    This interesting early talkie from 1934 is a biopic of Nathan Rothschild, the British-German-Jewish banker from the times of Napoleon that is considered one of the founders of international finance. Rothschild is famous among many things from making a fortune in the London Stock exchange by speculating successfully on Wellington's victory over Napoleon at Waterloo (this is in this film, though apparently according to recent historians it probably never happened).

    Rothschild, as portrayed in the film by George Arliss, is not a very likable person: unabashedly ethnocentric (he is adamant that his daughter must not marry a gentile suitor), he is always ready to take offense, views almost every non-Jew as anti-Semitic, is willing to use money to exercise power, etc. Probably because of this, the Nazi propaganda minister Joseph Goebbels was an unlikely fan of this film, releasing an edited version in Germany (that emphasized the most negative aspects of the protagonist) and in 1940 he used an unauthorized clip from this film in the infamous anti-Semitic documentary "The Eternal Jew" and also had his own German remake, "The Rothschild's shares in Waterloo". The German film, by the way, despite its obvious propaganda intentions, is well made and has a literate, intelligent script. In a way, Rothschild is a more sympathetic character in the German film than in the Hollywood version! The Hollywood film is also notable for the last scene (in which Rothschild is knighted by the King) being shot in an early Technicolor process.
    dbdumonteil

    Waterloo sunset

    The movie tells the story of the beginnings of the Rotschild empire ,at a time (1934) when the Jews were about to suffer as never.The pogroms were a sinister omen of the Crystal Night which would happen in Germany and in Austria in 1938.And the worst was to follow as everybody knows.

    I did not like the very beginning of the movie,which shows the Jews with the traditional spate of clichés.But further acquaintance with the old man shows this: he has realized that only money can bring him power and dignity and thus help his people.There is something biblical (Old Testament) when the patriarch sends his five sons to set up banks all over Europa (the score over the cast and credits includes snatches of "La Marseillaise" "Das Lied Der Deutschen" and "God save the king" ). George Arliss outclasses all the other actors ,even Boris Karloff ,in his portrayal of Nathan Rotschild,a noble gent ,probably too good and too generous to be true.Napoleon works behind the scenes ,although he plays a prominent part in the screenplay.The two Young (Robert and Loretta) supply the love interest in the Romeo (Christian or gentile) and Juliet (Jew) mold.

    Dazzling finale in color ,which is quite a surprise for a 1934 movie!
    7blanche-2

    fascinating film about the international banking family

    Darryl F. Zanuck covered Napoleon's sweep across Europe in two early films: "Lloyds of London," in which Tyrone Power plays a fictional character who continues insuring the British fleet so that his childhood friend, Horatio Nelson, can win the war; and "The House of Rothschild" in which Nathan Rothschild and his banker brothers provide the financing to beat Napoleon. Both are excellent films.

    There are a few historical liberties in "The House of Rothschild," but the film is based on fact. George Arliss has a dual role as Mayer Rothschild and his son, Nathan.

    When the film begins, the family is living in a Prussian Jewish ghetto where Mayer is doing well but doesn't want the tax collectors to know. On his deathbed, he instructs his sons to establish banking houses throughout Europe as so much money is stolen when it is being carried by messengers.

    The plot then focuses on Nathan and goes into the rampant anti-Semitism which forces Nathan out of an important loan. It also shows his brilliance for business as he fights Count Ledrantz (Boris Karloff) who spreads propaganda and incites pogroms.

    The climax of the film takes place when it appears Napoleon is winning and Nathan starts buying up everything on the stock market, which is bottoming out, in order to keep the deal he made for the war effort.

    Though not much is made of it, the Rothschilds had informants everywhere, which enabled them to get information before anyone else. He is able to announce before it is made public that Napoleon has been defeated at Waterloo.

    "House of Rothschild" stars one of the great actors, George Arliss. Other actors from the stage entering films often used tremulous voices and melodramatic gestures but Arliss had a tremendous speaking voice and a grand acting style that made a powerful impression on the screen and infused the characters he played with a believability as well.

    A blond, beautiful Loretta Young is on hand as his daughter, who is in love with a Gentile named Fitzroy (Robert Young) - and though one would expect the love story to be fiction, it isn't.

    This film has an interesting history of its own: Excerpts from it, taken out of context, were used in the anti-semitic Nazi films Der ewige Jude and Die Rothschilds.

    Despite persecution, the Rothschilds remain an extremely powerful family in the present - the original name of the family was Bauer; Rothschild is actually German for "red shield," which is in the center of the family coat of arms.

    Today, they're in a variety of occupations besides banking - actress Helena Bonham Carter is a Rothschild due to a marriage on her mother's side.

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    Argumento

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    • Trivia
      The brief closing scene was shot in the newly developed three-strip Technicolor process; filmed in 1933, this was the first feature film to include such a sequence.
    • Errores
      The gathering of all of the five sons of Mayer Rothschild on his deathbed never happened; the scene was a dramatic license taken by the writers. In reality, only two of his sons were present while the others were living in different European nations.
    • Citas

      Nathan Rothschild: I lost the bid on a technicality.

      Hannah Rothschild: A technicality?

      Nathan Rothschild: Because I'm a Jew.

    • Versiones alternativas
      Older television prints of "House of Rothschild" were totally in black-and-white, and did not show the final scene in its original Technicolor form. Most current TV prints have now restored the Technicolor finale.
    • Conexiones
      Featured in Der ewige Jude (1940)
    • Bandas sonoras
      La Marseillaise
      (1792) (uncredited)

      Written by Claude Joseph Rouget de Lisle

      Arranged by Alfred Newman

      Played often in the score

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    Preguntas Frecuentes16

    • How long is The House of Rothschild?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 7 de abril de 1934 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Rothschild
    • Productora
      • 20th Century Pictures
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 28min(88 min)
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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