Happiness Ahead

"Happiness Ahead" is a title that might lure a citizen into a movie theater during the depression. Dick Powell and Josephine Hutchinson are the couple paired to provide the happiness in this story about an heiress (natch!) who falls for a working stiff.

The story is very basic. Fortunately, Powell (as Bob Lane) has a nifty singing voice, so the script can allow him to vocalize at regular intervals. The happy couple base their relationship on the misunderstanding that Hutchinson (as Joan Bradford)is also a member of the working class--a misunderstanding that she promotes, and that drives the tension of this story, though things are not that tense. Lightheartedness is the order of the day.

Frank McHugh plays Bob's sidekick, whose antics are like a tame version of Curly Howard's--typical for his work. John Halliday plays the aristocratic father of Joan with a light touch that is appealing.

You can guess what happens to the two lovebirds in the end. The film is a pleasant diversion.

HAPPINESS AHEAD (First National, 1934), directed by Mervyn LeRoy, is one of the many 1930s Hollywood comedies dealing with "rich girl falling in love with common man" theme, a cliché' made famous with Columbia's Academy Award winning, IT HAPPENED ONE NIGHT featuring Clark Gable and Claudette Colbert. In this instance, "It Happened New Year's Eve" being the basic theme.

The setting: New York. Time: New Year's Eve. The plot: Joan Bradford (Josephine Hutchinson, the central character to the story) is a lonely rich girl who prefers to mingle with the common people instead of her parent's rich but boring socialites. Granted permission by her understanding father (John Halliday), she walks about the city streets surrounded by happy-go-lucky people waiting for that big stroke of midnight. She comes into a Chinese night club where she sits alone. In the table next to her is Bob Lane (Dick Powell), a window washer, accompanied by his friends (Frank McHugh, Dorothy Dare and others). When the lights go out at the stroke of midnight, the lights come back on and Bob is seen mistakenly kissing Joan. Feeling sorry for the girl because she is alone, Bob invites her to his table. This becomes the beginning of a beautiful friendship, but Joan hides the fact of who she really is, pretending to be an unemployed girl living in a tenement apartment under the surname of Smith.

Also featured in the cast are Allen Jenkins and Ruth Donnelly as the Bradford chauffeur and maid; Marjorie Gateson as Joan's mother; Gavin Gordon as Joan's stuffy suitor; and Jane Darwell as the nosy landlady. HAPPINESS AHEAD relies more on plot than songs, but there's enough to go around, including the title tune sung by Powell prior to the opening credits as he's presented transposed through the clouds; "Pop Goes Your Heart," "All on Account of Strawberry Sundae" (sung by Dorothy Dare and Powell); "Beauty Must Be Loved" and "Massaging Window Panes" (sung by Powell and McHugh as they wash windows)

In 1938, Powell starred in another "rich girl/common man" story for Warner Brothers titled HARD TO GET with Olivia De Havilland as the heiress and Powell as a gas station attendant. Hutchinson's performance from this earlier film is more refined while the refine DeHavilland herself in HARD TO GET is more madcap and spoiled, making that story more amusing and fun. Both films, similar in theme, are quite enjoyable in spite their lack of production numbers famous in Warners musicals during that time.

HAPPINESS AHEAD would be reworked again by Warner Brothers as HERE COMES HAPPINESS (1941), a "B" comedy featuring Edward Norris and Mildred Coles (including the "Happiness Ahead" theme song), and as LOVE AND LEARN (1947) with Jack Carson and Martha Vickers. All three versions can be seen from time to time on cable TV's Turner Classic Movies. As Powell would say throughout the movie, "Well, that's taken care of." It certainly is. (***)

Cute little movie with Dick Powell, Frank Mchugh. Any movie Dick Powell sings in is alright with me.

"Happiness Ahead" is a romance with some comedy and music that is set, as most such films were during the Great Depression, in New York City. This is another working stiff meets wealthy person, the latter who is anonymous. This one has a different twist that makes it a little more fun.

Dick Powell stars as the working man and Josephine Hutchinson is the millionairess in Cognito. This was her first film since one appearance as a child in a 1917 silent film. Hutchinson would go on to have a long career in films and then television to the mid-1970s. But it would be in supporting roles, not as a leading lady for which the First National and Warner Brothers tried to present her in the buildup for this film.

Some other familiar faces of supporting actors people this film - all of which gives it some familiarity and enjoyment. The musical aspect consists of one dance performance in a Chinese nightclub and Dick Powell singing a couple of numbers.

During the 1930s, Dick Powell played a lot of similar roles--the fresh-faced young man who sings some very high-pitched but pleasant songs. The public adored it...and Powell hated it and wanted meatier, tougher roles. In my opinion, he was right and his tough- guy roles are my favorites. As for the guy he plays in "Happiness Ahead", it's pretty much the typical 30s Powell film.

Joan (Josephine Hutchinson) is a rich, pampered society girl. However, she's vaguely dissatisfied about this and longs for fun in her life...something sorely lacking at her boring high-brow parties. So, she decides to slum it and goes on on New Years Eve to see how the normal folks live and celebrate. There she meets nice-guy, Bob (Powell) and they soon start dating. She's very happy but he has no idea she's loaded.

This plot is awfully familiar in the 1930s. You would have thought that films would have avoided the whole bored rich girl angle--after all, it WAS the Depression and many folks were just happy to get enough to eat! But despite this, films like "Five and Ten" and "Poor Little Rich Girl" and this one were pretty common. This isn't necessarily a complaint but does mean that the film isn't exactly original.

So is it any good? Well, most of the songs were pretty forgettable but I liked the one Powell and Frank McHugh sang as they washed windows as well as the weird number in the bizarre Chinese restaurant/night club near the beginning of the picture. I personally just hoped they'd end soon so they could get back to the romance--which was rather cute and enjoyable. Deep? No way...but cute.