Chained

Joan Crawford is "Chained" in this 1934 film, but alas, it's not to Clark Gable, but to Otto Kruger. Crawford and Gable were a wonderful team, and this is one of the eight films they made together.

Crawford plays a young woman, Diana Lovering, whose married boyfriend Richard (Kruger) is unable to get a divorce from his wife. She goes on a long cruise to South America and on the boat meets Mike (Gable), who has a horse ranch in Argentina.

And guess what. She feels that she needs to return to tell Richard that she's fallen in love with Mike. When she returns home, however, she finds out that Richard has gotten a divorce from his wife and had to give up seeing his children in order to do so. She then believes she's obligated to marry him and writes a Dear Mike letter. However, she and Mike cross paths again a year later.

There isn't anything special about this film, directed by Clarence Brown, except for the chemistry of the two stars. They made better films together - "Possessed" (the '30s one) and "Strange Cargo" being two off the top of my head. But I have to admit that I always love seeing them, and Crawford was so striking in those days, it's worth a look.

Beautiful secretary Joan Crawford (as Diane Lovering) enjoys both working and sleeping with the boss, Otto Kruger (as Richard I. Field). Mr. Kruger wants to marry his willing mistress, but the wife refuses to grant him a divorce. To console a disappointed Ms. Crawford, Kruger sends her on a luxury cruise. On the ship, Crawford spurns "hot and bothered" Stuart Erwin (as John "Johnnie" L. Smith) at the bar, intending to be faithful. Then, she meets sexy rancher businessman Clark Gable (as Michael "Mike" Bradley)...

Will Crawford stay "Chained" to Kruger, or fall in love with Gable?

This is an MGM box office star power production, with Crawford and Gable doing what they do best. "When she's in his arms, it's the grandest thrill the screen can give!" Not quite, but director Clarence Brown and cameraman George Folsey handle the performers very well; the combination showed Crawford in her best light. Highlights include a fast stroll aboard ship, and a shimmering swimming pool sequence. The later includes young Mickey Rooney and pal Delmar Watson cavorting with Gable and Crawford.

****** Chained (8/31/34) Clarence Brown ~ Joan Crawford, Clark Gable, Otto Kruger, Stuart Erwin

Chained was the fourth film that paired Clark Gable and Joan Crawford, the fourth of eight. It's basically a piece of romantic fluff with no great strain on either star. Clark Gable was the leading man Joan did the most films and vice versa.

Crawford is the well kept mistress of Otto Kruger who would like to marry her, but his wife Marjorie Gateson won't let him go without breaking him in alimony and child support. After making that abundantly clear to Crawford and Kruger, Joan goes off on a South American cruise where she runs into rancher Clark Gable who has a nice size spread on the Pampas.

Nothing terribly original in Chained, it's your basic romantic triangle film. What got me about it after seeing is how terribly terribly civilized everyone is behaving, even Gateson after a fashion. There are few enough Hollywood films where Kruger's character would invite Gable to have breakfast with him and Joan knowing full well he's there to take her away.

Anyone who's familiar with Hollywood romances in the days of the big studios knows full well how this is going to turn out. Chained is a pleasant enough romance to satisfy the fans of Gable and Crawford.

The love triangle was and is a popular movie theme, so when Clark Gable and Joan Crawford are part of it, you can expect some good entertainment. They have very good chemistry together, perhaps because they were reportedly lovers offscreen. The third leg of the triangle is suave Otto Kruger, who never gives a bad performance, and there is also Gable's best friend, Stuart Erwin, who is there mostly for comic relief. I enjoyed the shipboard romance, which was neatly combined with some comedy, and included scenes with a young Mickey Rooney before his Andy Hardy days. I was surprised at the ending, which seemed to go against the Code.

Like both Joan Crawford, at her best in melodrama, and Clark Gable, at his best in romantic comedies and comedy (also equally as strong in drama) as actors. They both gave a lot of fine performances and starred in a fair share of good and more films on their own. 'Chained' is their fifth pairing together and shows how they worked so well together, maybe not one of the all-time great partnerships in film but their chemistry always shone.

Is 'Chained' one of their best films, individually and together? Not to me. Does it boast one of Crawford's best performances? No, but it was great to see a different side to her. Does it see the best of Gable? No, but he is in the sort of role that he always played very well and suited him perfectly. Is 'Chained' worth watching? Absolutely, and primarily for those two and their chemistry. It may not be a great film, but to me it was a good one and deserves to be better known.

'Chained' may be predictable in story and again story-wise there is not an awful lot to it. One may not buy that the characters seem so polite and almost too over-civil, considering the type of story it was it would have benefitted from more character depth and more tension.

There is one not so good performance. That comes from Stuart Erwin, who for my tastes was annoying, his material overdone and didn't gel particularly well with the rest of the film.

Visually though, 'Chained' looks absolutely great. Loved the lavish sets and Crawford's knockout costumes really do stop the show. All enhanced by the photography, which was almost dream-like. The music avoids being too syrupy, while Clarence Brown directs with always engaging style while accomodating the cast just as beautifully. The dialogue is smart, witty and sophisticated as one hopes. Did not expect the ending, which doesn't end as patly as feared and didn't feel as forced upon as it could have been.

Both Crawford and Gable are delightful here. It was great to see Crawford more toned down, for somebody who often starred in intense melodramas, and bringing a lighter touch to her acting, and the role suits her very well. Gable is dashing and charismatic with smart comic timing. Their chemistry scintillates. Suave Otto Kruger also gives a fine performance and even steals his scenes.

Overall, while not a must see it is worth tracking seen and deserves to be seen more. 7/10