The Rise of Catherine the Great

The alternative title "The Rise of Catherine the Great" is much more accurate since the picture ends with her getting the throne.

The costumes and sets are Grade A Hollywood (compliment).

Flora Robson (Empress Elisabeth) has the best lines and delivers them impressively. Elisabeth Bergner (Catherine) does well in her scenes with the Empress. Douglas Fairbanks Jr. (Grand Duke Peter) seems out of his depth.

Alexander Korda took the audience back to 18th century Russia to offer his account of a timorous, quaking German teenager, who rose to become one of the most powerful, consequential monarchs in world history. He did this a mere 14 years after American women gained their suffrage with passage of the 19th Amendment. Elizabeth Bergner does a fine job in the title role of someone raised since childhood to marry Grand Duke Peter (Douglas Fairbanks Jr.), as directed by his childless aunt, Empress Elizabeth (Flora Robson). The sets and costumes are impressive as is the brisk 94 minute account, which may inspire further research.

The story of Catherine the Great's rise to power in 18th Century Russia. Von Sternberg covered much of the same ground as Paul Czinner's British biopic, but he had Marlene Dietrich whereas Czinner had only Elisabeth Bergner, who has little of Dietrich's magnetism but at least manages to keep Catherine sympathetic. Douglas Fairbanks Jr gives the film's stand-out performance as the psychologically frail heir apparent (a far different interpretation to Sam Jaffe's in Von Sternberg's picture), although a young Flora Robson is a hoot as his feisty Aunt. A satisfying movie with an unexpectedly downbeat ending which sews the seeds of Catherine's unseen downfall.

Alexander Korda produced this lavish film, "The Rise of Catherine the Great," starring Elizabeth Bergner, Flora Robson, and Douglas Fairbanks, Jr. It's the story, not wholly accurate but still interesting, of, as the title suggests, Catherine the Great's (Bergner)ascension to the throne as it was wrested from her crazy husband Peter (Fairbanks). Though in the film this all seems to happen somewhat quickly, Catherine and Peter were married for 17 years and had children before the Empress Elizabeth dies and Peter becomes tsar.

In the film, Peter cheats on Catherine on their wedding night, and she pretends to take many lovers. This makes him jealous, and the two reconcile. However, after the Empress Elizabeth dies, the decisions that he makes as tsar on behalf of Mother Russia are outrageous, and Catherine is encouraged to go along with a coup.

Wide-eyed, girlish Bergner is Catherine. Bergner was a noted stage actress in Europe who unfortunately never caught on in Hollywood; nevertheless, she worked in Europe until she was 87 years old. Supposedly an incident in her life was the inspiration for "All About Eve." Tiny, she nevertheless had authority as an actress, with line readings that were at times reminiscent of Garbo. She is a good Catherine. The showier roles were those of the Empress Elizabeth and Grand Duke Peter. Flora Robson is a wonderful Empress Elizabeth, and Fairbanks, always an underrated actor, is brilliant as the volatile, mad Duke.

Worth seeing for the performances.

Yet more intrigue from the court of imperial Russia, which (at least according to movie history) must have functioned entirely on plots, counter-plots, rumors, gossip and scandal. Produced in England by the celebrated Alexander Korda, this handsome spectacle stars Douglas Fairbanks Jr. (less dynamic but a better actor than his father) as the petulant heir to the royal throne who marries the petite German princess Catherine more or less against his will. Favored by the Queen Mother and beloved by her subjects, the sensible and modest Catherine has only one flaw in her character: an unquenchable love for her power-mad, playboy husband. Their bittersweet love/hate rivalry must have seemed quite sophisticated to a 1934 audience, and seen today the film still possesses a freshness rarely seen in early sound productions, thanks in large part to a quality script and some lively, natural performances.