Blue Steel

If you like John Wayne as I do then he must watch blue steel also known as stolen goods on tubi. Its a short but effective film 8n the early days of John Wayne

Almost all the Lone Star John Wayne movies have one or two quite unusual and memorable scenes. Here, it is the bizarre opening scene and the beautiful last shot. The opening is actually quite a mess. It takes place in a hotel room on a rainy night and it is hard to tell what is going on for most of the scene. There is also the only risqué double-entendre that I've seen in a Lone Star film when a newlywed husband comes back downstairs from his bridal suite and announces "I can't find it." The ending shot is Wayne riding off into the mountains with his girl and it is just lovely.

The confusing and messy hotel sequence in the beginning is atoned for at the end with one of the best final chase sequences in the series. As mentions by other users, the stunt work is excellent and the scene of Wayne picking her his fallen lady from the ground while riding a team of galloping horses is still sweet, if not quite breath-taking.

As the ten minute final chase scene is a big element in all the Lone Star Westerns, I would have to rate this highly, although the other 40 minutes does drag a bit.

Edward Peil Sr. plays a great villain as he did in "Man from Utah". He was in some 375 films in his 40 year career.

Yakima Canutt, as usual, is effective as a bad guy too. With a little luck, he would have been as big a star as Wayne.

Not the best Lone Star, but it is effective.

A fairly involving 'Lone Star' film (even though it lacks enough dialog to provide any character) because of: 1) The opening sequence, with great silences, where we are caught up in John Wayne's mysterious and sudden presence in a hotel during a rain storm,

2) the registering 'bride' and 'bridegroom' at the hotel, shy and secretly excited; later the bridegroom, George Nash in his last film, comes back from the bridal suite saying 'I can't find it.'

3) Yakima Canutt's amazing stunt work-- pulling up a fallen Eleanor Hunt thru the coach horse team, and then helping her onto John Wayne's horse,

4) the extensive final chase sequence, excitingly paced and edited as the bad guys (at least 9 of them) chase our heroes across the vast prairies -- whew!

This time, without any preamble of romantic intentions anywhere else in the film, John Wayne and the girl do ride off into the sunset holding hands!

This western was the second significant film in the development of George "Gabby" Hayes' cantankerous character who emerged as the old whiskered comedy sidekick in the Hopalong Cassidy films. Gabby plays it straight here as a sheriff who even shoots a baddie. The only "funny" things about him are the hole filled hat he wears, his big walrus mustache, & his typical slurred speech. The acting is good all around, except for Eleanor Hunt, who has that cute Clara Bow look, but she's brought that old silent film style to this movie. I love the old B westerns, & aside from my favorite, Hopalong Cassidy, to me the early John Wayne series is the next best. This is not one of Wayne's best, but it's a must-see for Gabby Hayes fans. I rate it 6/10.

What a wacky opening scene. The thunderstorm's got to be the loudest on record-- and why is Wayne sneaking into the hotel lobby. I guess he doesn't want to pay for a room. Then there are the newly-weds right out of the aw' shucks school of acting. And most curiously of all-- how did they get the groom's"I couldn't find it" snippet past the public watchdogs. This amounts to an astonishing innuendo, and no doubt one for the boys-- in the movie, that is. Probably there are more than a few audience 10-year old's still puzzling over that one. In all likelihood, it was someone's private joke that made it to the screen on a bet.

Lone Star popped for some great location photography. The boys get to ride around the Alabama Hills with the scenic Southern Sierras in the background. The story doesn't make a lot of sense, but who cares, especially when the canyon explodes in a really great effect worthy of an A production. Also, some good crowd scenes of ordinary looking people. When they talk about getting forced off their homesteads, I expect more than a few folks in 1934 wished they had a Wayne on their side.

As others point out, this looks like an early stage in the evolution of Hayes' unforgettable "Gabby" character. He's not called that, still the crusty old coot is definitely coming out. How delightful the Gabby-Wayne pairing proved over the years, especially in their masterpiece Tall in the Saddle. Wayne always seems genuinely amused by the ornery Gabby. Watch some of his reactions here. Those broad grins are not acting.

Great final shot that still brings a tear to the eye.