Había una vez dos héroes

I have read some of the other comments about this movie and it seems some think it is a childish movie and doesn't do justice to Stan and Ollie. If you ever saw this movie as a youngster, you would not think so. I remember it in black and white back in the sixties and the first time I saw it, it was scary to see the bogeymen and Barnaby's twisted demeanor. I still watch it and I am fifty years old. It almost takes me back to those younger days when life was more simpler and there weren't so many worries. For a little over an hour it is a welcome escape and as far as I am concerned, it is as much a part of Thankgiving as turkey dinner. I can really relate to the toymaker's attitude after years of working and surely we have ALL met enough real life Barnabys and that is what makes the movie still very entertaining and amusing. So I urge you all that while that turkey is cooking to kick back and be a kid again for just a little while.

I know this movie better as "March of The Wooden Soldiers," but it really is one of, if not the, best of Laurel and Hardy. Somehow cast as a Christmas movie (there is an arbitrary reference to Christmas in this movie, and a Santa Claus toy order is messed up), the movie shines as all of the characters in the Mother Goose tales come to life, as do the goblin-like bogey-men, but the movie's best parts shine on Laurel and Hardy's scenes. Beautiful Charlotte Henry ( fittingly enough,a former Alice in Wonderland )and Felix Knight share the rest of the movie charmingly without taking away from the duo. The songs aren't that bad either, but a special note should go to Henry Kleinbach (nee Brandon) in his portrayal as Barnaby. Plucked off the stage while doing a nearly identical role, this young actor at the time creates a more despicable role than Ray Bolger in the Disney version. In fact, Brandon lived much of his career trying to forget this role in which he was almost typecast. This is one movie that should be seen every Christmas.

There are many films based on Victor Herbert's famous operetta, Babes in Toyland. There's the 1961 Disney film with Ray Bolger, there's the 1997 animated film, there's the 1980s TV film with Drew Barrymore, but the one I'm going to look at today is the 1934 Hal Roach Studios film starring the legendary comedy duo, Laurel and Hardy. I've I had to spill the truth, I'd say that this is my third favorite film of all time. It's up there with The Wizard of Oz and in my opinion, it should get a lot more recognition. For 1934, it's a wonder what they were able to accomplish with the hour and a half long film, not just with the special and practical effects, but with the pure spectacle and enchantment. This is a magical film, a film that grabs me and sucks me into it's realm every time I set eyes to it. It's got spectacular songs, brilliant set designs, a monkey in a Mickey Mouse costume and wondrous stop motion effects that rival that of King Kong. If I were to recommend it, I'd say see it in color, which is usually the version that airs on television anyway. The color, in my opinion, makes everything pop more and makes the fantasy land of Toyland seem more enchanted, more storybook like. It's like you are right there, experiencing the film's events with Stannie Dumb and Ollie Dee and routing for the Wooden Soldiers as they kick Bogeyman rump.

Laurel and Hardy are at their finest in this film and it's obvious this dim witted duo were one of the many inspirations for Star Wars' R2-D2 and C-3P0. They're always getting into trouble, getting dunked in a pool of water and getting fired from their job after a wooden soldier reigns havoc in the toy factory. Felix Knight, who portrays Tom-Tom Piper is a fantastic singer and Henry Brandon, who was just 21 years old at the time pulls off a menacing and wicked Silas Barnaby. And those Bogeyman, hoggish and haggard monstrosities are the most terrifying adversaries ever put to film. When I was a kid, these ghoulish, grotesque abominations were one of the elements of this film that made my jaw drop to the floor. I ran to the closet and grabbed my plush stuffed bunny rabbit and hoped the Bogeymen would go away.

Luckily, the Wooden Soldiers arrive to take out the villainous creatures and Barnaby as well. The Wooden Soldier March makes me feel brave and triumphant, like I can take on any peril and come out on top. These soldiers kick the living tar out of the Bogeymen and in one scene, a wooden soldier looses his head as he chases a Bogeyman into a house. In the very end, Barnaby and the Bogeymen are banished, everybody cheers and Ollie Dee gets a butt full of sharp darts launched from a cannon. What a rather macabre ending to an otherwise marvelous and magical motion picture. This is the pinnacle Thanksgiving movie for me and while there are many versions of the operetta in existence, this will always be the definitive version for me. Laurel and Hardy are grand, the look of the film is grand and this film just screams childhood. It takes me back to the carefree, innocent days of youth.

Bring on the Wooden Soldiers!

I know many people will not watch this for many reasons. The excuses range from "I Hate Black and White Movies", "I Do Not Like Old Movies" ,"I herd this was stupid", "I never Herd of this", and so many others.

Well this film is "Dated" but its also part of its charm. This film stars "Laurel and Hardy" and it is a delightful surprise. Think of this film as the inspiration for the "Shrek" films.

In this film A woman is about to lose her home. Stannie Dumb (Stan Laurel) and Ollie Dee (Oliver Hardy), live in a shoe (as in the nursery rhyme There Was An Old Woman Who Lived In A Shoe), along with Mother Peep (the Old Woman), Bo Peep (Charlotte Henry), a mouse resembling Mickey Mouse (and actually played by a live monkey in a costume), and many other children. The mortgage on the shoe is owned by the villainous Silas Barnaby (Henry Brandon), who is looking to marry Bo Peep. Knowing the Widow Peep is having a difficult time paying the mortgage, Barnaby offers the old woman an ultimatum – unless Bo Peep agrees to marry him he will foreclose on the shoe. Widow Peep refuses, but is worried about where she'll get the money to pay the mortgage. Ollie offers her all the money he has stored away in his savings can, only to learn that Stannie has taken it to buy peewees (a favored toy consisting of a wooden peg with tapered ends that rises in the air when struck with a stick near one end and is then caused to fly through the air by being struck again with the stick). He and Stannie set out to get the money for the mortgage from their boss, the Toymaker (William Burress). But Stannie has mixed up an order from Santa Claus (building 100 wooden soldiers at six feet tall, instead of 600 soldiers at one foot tall) and one of the soldiers, when activated, wrecks the toy shop. Stannie and Ollie are fired without getting the money.

I don't want to tell too much more but truest me the film is fast paced and its never boring.

Give it a try!

...from MGM and directors Gus Meins and Charles Rogers. In the fantastical world of Toyland, many fairy tale and nursery rhyme characters live together in a weird community. Widow Peep (Florence Roberts), aka The Old Woman Who Lives in a Shoe, takes care of her many children, including eldest daughter Little Bo-Peep (Charlotte Henry). She also rents a room to toymakers Stannie Dum (Stan Laurel) and Ollie Dee (Oliver Hardy). Bo-Peep is in love with Tom-Tom (Felix Knight), but the dastardly landlord Barnaby (Henry Brandon) wants Bo-Peep for himself, and threatens to evict Widow Peep if Bo-Peep won't marry him. Stannie and Ollie vow to help the Peeps, but they cause even more trouble.

Storybook sets and stylized costumes add to the head-trip visuals of this whacked-out yet entertaining kids flick. I was particularly fond of the weird dwarf-in-a-costume mouse who moves around in an unsettling way, usually running from the equally off-kilter Cat with a Fiddle.

The large scale finale, featuring scores of extras as evil "bogeymen" versus man-sized wooden soldiers, is impressively chaotic and occasionally disturbingly violent.