Voltaire

Reading Candide by Voltaire when I was a teenager was life-changing for me; in one go it opened up many new vistas to me back then and remains a piece of all too human knockabout inconsequentiality I delve into regularly decades later. I went through the best of the rest of his work: Zadig, Micromegas, Princess of Babylon etc but never knew much of the finer details of the man himself. After watching this I still don't, but I feel at least I'd know something if Disraeli had played an episode in his life. George Arliss was a great actor who ended up playing many great men on stage and screen, this time Francoise Arouet for Warners with big production values and an earnest populist screenplay getting over the essence of Voltaire to the cinema masses. Were they trying to "teach the People to think" too?

In 1762 at 68 years old Voltaire takes up the case of a man who is apparently executed for nothing - how very true of religion! He chivvies away at the King via Mme de Pompadour to posthumously pardon him and his extant young and beautiful daughter but the wicked Comte de Alan Mowbray manages to bring about Voltaire's arrest for alleged treason instead. It was based on a real series of events, but needless to say partly fictionalised by olde Hollywood. The acting is usually intense but believable, although Douglas Dumbrille as the Eastern King in the play had me involuntarily looking out for Abbott & Costello! As the film lasts only 72 minutes it's all taken at a cracking pace, but I thought it was detailed enough for me to come away with a little more knowledge than I had before. Voltaire was a bit of a wit - a wag in a wig - unfortunately not much wit is on display in here.

If he was living today his interpretation of egalitarianism probably would be equated by many people almost to fascism, so far has our wonderful world been "improved" over the years. Nevertheless, he was a brave man for his time - if he had not lived it would have been necessary to have invented him, as this film did admirably well.

"France - in the year 1762 - with its sumptuous and lavish court - was in a corrupt and bankrupt state. One man dared to speak out for the rights of an oppressed people. With a pen that dripped venom, he attacked intolerance and injustice. He educated the masses to think and act. This was the forerunner of the French Revolution, that gave the world the present Great Republic of France. This man - a hundred years ahead of his time - was Voltaire, the great mocker, the great wit, the great humanitarian of the 18th century," gives us a fine description of setting. The opening coach passing peasants on the street is a defining visual...

Once considered a friend of the French court, coffee-lover George Arliss (as Voltaire) stirs the masses with his revolutionary pamphlets. At first, white-wigged Reginald Owen (as King Louis XV) ignores his advisers' warnings about Mr. Arliss' treasonous activity. Arliss maintains a close friendship with King's mistress Doris Kenyon (as Madame Pompadour). With her help, he takes a cue from Shakespeare, "The play's the thing wherein I'll catch the conscience of the King." The staged production only makes matters worse, but Arliss has more up his sleeve. This story never rises far above star vehicle status, but Arliss is always worth watching.

****** Voltaire (8/5/33) John G. Adolfi ~ George Arliss, Doris Kenyon, Alan Mowbray, Reginald Owen

The wigs in this film are an excellent example of "period" hairstyling, with a 1920s/1930s twist.

As with any period piece, the hairdressers working at the time of production must resist the urge to allow contemporary styling methods interfere with being true to the period they are representing. Inevitably, a hybrid of period styling with elements of the modern era is usually the end result.

This is the case for some of the looks in this fantastic adventure through Louis XIV France - in fact there are a few scenes with Voltaire desperately trying to choose a wig before his guests come in.

Regardless of not every piece being perfectly period styled, the wigs in this film are magnificent and an endless source of wonder for a veteran stylist like myself.

"Voltaire" is set in Paris in 1762, as an aged Voltaire rallies the people and warns King Louis XV that the excesses of the French nobility will lead to revolution. This story provides another historical fiction vehicle for Arliss to serve as a great interpreter of historical figures.

George Arliss once again shows his talents in the lead role as Voltaire. He develops the character well through his careful mannerisms, dialogue and appearance. I enjoyed the supporting performances as well, especially Reginald Owen as the leisurely but proud King Louis XV.

The story is a decent one, and it is interesting to see the ways Voltaire manipulates his surroundings to his benefit. There is also a lot of well-placed humor in the film and great irony, particularly when Louis XV decries the traits which he possesses. Overall this film is worth seeing, in particular for another notable performance from George Arliss.

With this film Voltaire, George Arliss wrapped up his commitment to Warner Brothers playing the 1th century French philosopher Voltaire. As he as in real life Voltaire was a witty and wise fellow who should have been appreciated more than for saying funny things. His king, Louis XV played here by Reginald Owen thinks him an amusing fellow but wishes that Arliss would can the Cassandra like warnings about reform and just entertain the court.

One who does worry about him is our sinister minister Alan Mowbray who worries that Arliss may be gaining too much influence at court. Mowbray is a master of intrigue and the film is about his schemes to disgrace Voltaire.

But as you can imagine Arliss is up to the challenge. As a classical stage actor who also did several silent films he seem to know instinctively what to do for sound. Arliss is the total package, face, voice, gestures, the works in his performances.

It seems that every Arliss film has a pair of young lovers whom Arliss helps through a crisis as well. In this case it's Gordon Westcott and Margaret Lindsay. And I cannot also forget a winning performance by Doris Kenyon as the royal mistress Madame Pompadour..

Arliss's biographical films were Warner Brothers prestige pictures in their day and they hold up well, Watching them is a tutorial in classical acting.