Roman Scandals

If you aren't a fan of the Wide-Eyed Wonder already, you should be. He takes the audience of romp after romp from Rome, New York to ancient Rome itself. Cantor was the emperor's food taster in the time of the Roman Empire; what a task! Who else could do it so whimsically? We to go to the movies for fun, right? You will definitely have fun skipping through a loosely written script with the man with the mesmerizing eyes. Considering the time(1930's) and the sad state the entire country was in (the Depression), this had to be the most enjoyable time of a person's week. Absolutely remarkable. And to prove it, this movie made a ton of money! Lucille Ball makes her screen debut in this film and rejoins Eddie a year later in 1934's Kid Millions. Eddie Cantor is said to have commended Lucy for putting "comedy before glamour" in her work on this film.

This was my first look at Eddie Cantor, whom I subsequently saw in a few other films. I thought he was funny, a very entertaining entertainer - a guy who could sing well and tell jokes and perform slapstick comedy. With all that, he reminded me a bit of the Marx Brothers. He could fit in with those guys, particularly Groucho with his comparable wit and short stature.

Even though "Roman Scandals" was only 92 minutes, it would have been even better cut about 10, although I'm not complaining. In between the gags and the sappy Roman days story were at least three songs by Canotr, who was a decent singer and whose songs were pretty good, along with two Busby Berkely numbers with a bunch of scantily-clad ladies. It's corny stuff but it's still good. Lucille Ball is supposed to be in here but I didn't spot her in the two times I've watched this movie. I hardly recognized Gloria Stuart, too.

The last part of the movie was similar to the climax of many a silent film comedy with a great chase scene. Cantor, a la Ben-Hur, raced his chariot with four white horses. Instead of an arena, however, Cantor raced through the countryside. There were great stunts and funny bits in that race.

It was a great finish to a dated-but-very entertaining film. I wonder why Cantor's films are not available on DVD? I hope that oversight is corrected soon.

One of the underlying themes is slavery —- mostly as satire, but a disturbingly poignant scene at the climax of the slave bazaar number has a girl throwing herself to her death to escape from bondage. This was at a time when Busby Berkeley, the choreographer, was sometimes inserting serious byplay into his numbers (a la "42nd Street"). Boy, is this example a beaut! The Ruth Etting blues solo "No More Love" directly plays on the same theme. Both songs have undercurrents I've never seen suggested in a comedy before or since. These, along with the nutty, racially integrated "Keep Young & Beautiful" routine, add a curiously (yet fascinating) unsavory aspect to the proceedings that is not really easy to characterize.

Oh yeah, what about that lively beer garden drinking song near the beginning and Cantor in black-face! Offensive, absolutely —- but somehow, with Cantor, what's not to love? Politically incorrect? You betcha —- but this is not cruel or demeaning stuff. It's mostly just out-and-out dream-like crazy.

Others have noted the fine production values, and of course the great comic chariot race at the end. Add it all up and what you've got is a nice, unique, big 'ol pastry of a movie musical. If you wanted something to take your mind of things for 93 minutes in 1933, this was just the ticket. If you want something to take your mind off things for 93 minutes in 2007,this is still just the ticket

I recently "discovered" the hilarity that is Eddie Cantor and am taking every opportunity to see him in action. This is a nice little film that seems to have it all: music, comedy (both physical and verbal), a good cast, and a cohesive storyline. The effort that the filmmakers put into some of the smaller touches, like SPQR stamped on everything from the auctioneer's amulet to the metal plate "Oedipus" uses to cover his rear end in fear that his new master will want to beat him, are particularly impressive, because one wonders how many viewers would have noticed them in the first place. (I definitely wouldn't have, except I've done a lot of walking in Rome and I've seen SPQR on hundreds of manhole covers.)

The songs are catchy, particularly "Build A Little Home" which I was still humming two days later. The blackface number, a Cantor trademark, will hopefully be taken as a product of its time and not as a deliberate affront… so far, I think all his pictures except one that I've seen have had this element. Unfortunately, it does make it a little hard to share the film with others whose levels of tolerance for that kind of thing might differ. I can't say as I enjoy it, but I'm not willing to throw the baby out with the bathwater either... Cantor is a very talented comedian/song & dance man, and I enjoy the vast majority of what I've seen of his work.

For fans on the lookout for a very young Lucille Ball, here's a tip: don't look for her, LISTEN for her. I'm all but 100% sure I heard her distinctive voice at least once in the beginning sequence out in the street of modern-day West Rome, and again at the end after the dream sequence. I'm sure she was also one of the glamour girls in Ancient Rome as well, but I can't figure out which one.

All in all, an enjoyable movie. I'll definitely be looking for more from Cantor.

Lucille Desiree Ball's beginnings in Hollywood was inauspicious to say the least. Her first appearance in movies, in December 1933's "Roman Scandals" with Eddie Cantor, was brief that came with a major incident, yet it was a start. Fatherless at the age of four, Lucille caught the acting bug in her late teens when she was part of a Shriner's chorus line, receiving praise for her performance she never had growing up. Attending the John Murray Anderson School for Dramatic Arts in New York City with Bette Davis in 1926, she left early because her instructor told her she was too shy. But Ball persisted, and landed a number of small showgirl roles before she hopped on a train to Hollywood.

Lucille Ball made it known she would do anything, including having mud thrown in her face, during the production of "Roman Scandals." She's seen in the film's opening and the closing as an uncredited 'Shantytown resident,' saying her first line on film. During one provocative dancing sequence, she's a chained slave with very long blonde hair with no clothes on. Ball later said of her appearance, "I was classified with the scenery." In the Busby Berkeley number "No More Love," she and the other 'slave girls' are shackled high on a circular platform. To insure there was privacy for the women because of their nakedness, the production was scheduled at night in a closed set with a skeleton film crew. Several takes and retakes under the hot lights while the chorus girls had to stand between each shoot became an ordeal for Lucy, who became faint on the pedestal. Her fake chains broke loose and she fell. An extra playing a slave driver had the strength to catch her before she severely injured herself.

Singer/actor Eddie Cantor was consistently Hollywood's top box office draw since the introduction of talkies. "Roman Scandals" became the number one film for ticket receipts in 1933. One of Winston Churchill's most beloved songs was introduced in this movie, "Keep Young and Beautiful." Film reviewer Derik Winnert's assessment on Cantor's acting was "The star appears at his most engaging, exuberant and typical in a dynamic, winning performance."

Cantor plays Eddie, a delivery boy who stumbles upon members of a city graft operation, discovering residents of an entire neighborhood being kicked out to build a needless jail. Passionate with the history of ancient Rome, Eddie finds himself in that time period after a blow to his head. He soon discovers the emperor of Rome, Valerius (Edward Arnold), is just as crooked as the politicians back home. He spots a captured princess, Sylvia (Gloria Stuart), and sets out to free her. Stuart, who played Old Rose in 1997's "Titanic," received the role of the princess without taking a screen test because producer Samuel Goldwyn personally saw she got the part. Stuart met her future husband, Arthur Sheekman, a dialogue writer for "Roman Scandals," on the set and soon married him. They named their daughter Sylvia for the character Gloria played.

Even though for the next few years Lucille Ball was unable to capitalize on her innate talents, "Roman Scandals" did begin a lifelong friendship between her and Eddie Cantor. The two crossed paths a number of times, including on the radio, in fundraisers and appearing in television skits together. "Roman Scandals" was nominated as one of 500 motion pictures to be considered for the American Film Institute's Top 100 Funniest Movies.