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7.1/10
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Agrega una trama en tu idiomaLaurel and Hardy patrol the streets as the city's newest cops. This can't possibly end well--except for the criminals who can now safely commit crime.Laurel and Hardy patrol the streets as the city's newest cops. This can't possibly end well--except for the criminals who can now safely commit crime.Laurel and Hardy patrol the streets as the city's newest cops. This can't possibly end well--except for the criminals who can now safely commit crime.
- Dirección
- Guionistas
- Elenco
Harry Bernard
- Jail Visitor
- (sin créditos)
Billy Bletcher
- Radio Dispatcher
- (voz)
- (sin créditos)
Frank Brownlee
- Police Chief Ramsbottom
- (sin créditos)
Al Corporal
- Butler
- (sin créditos)
Edgar Dearing
- Policeman
- (sin créditos)
Eddie Dunn
- Police Sergeant
- (sin créditos)
Charlie Hall
- Tire Thief's Partner
- (sin créditos)
Bob Kortman
- Tire Thief
- (sin créditos)
James C. Morton
- Policeman
- (sin créditos)
Tiny Sandford
- Policeman
- (sin créditos)
Frank Terry
- Safecracker
- (sin créditos)
Opiniones destacadas
A LAUREL & HARDY Comedy Short.
Novice cops Stan & Ollie are THE MIDNIGHT PATROL, guardians of the night. Their complete incompetence dealing with crime, however, soon leaves a trail of chaos & destruction.
A funny little film, although ending it with two murders is a bit much. Highlight: Ollie in the fishpond. That's Frank Brownlee as the Chief, Walter Plinge as the gentlemanly crook and Charlie Hall as one of the tire thieves.
Novice cops Stan & Ollie are THE MIDNIGHT PATROL, guardians of the night. Their complete incompetence dealing with crime, however, soon leaves a trail of chaos & destruction.
A funny little film, although ending it with two murders is a bit much. Highlight: Ollie in the fishpond. That's Frank Brownlee as the Chief, Walter Plinge as the gentlemanly crook and Charlie Hall as one of the tire thieves.
New cops Laurel and Hardy bungle their way into arrest the Chief of Police in his own home.
Of course, that's not the only thing they bungle. They get into an argument with safecracker Frank Terry, with not a clue as to what is going on. That's one of the pleasures of Laurel & Hardy -- I almost wrote 'cartoons; -- shorts: their ability to keep going with no idea of what is going on.
It's not one of the best of the Boys' shorts. Well, they can't all be masterpieces. his one is only very funny.
Of course, that's not the only thing they bungle. They get into an argument with safecracker Frank Terry, with not a clue as to what is going on. That's one of the pleasures of Laurel & Hardy -- I almost wrote 'cartoons; -- shorts: their ability to keep going with no idea of what is going on.
It's not one of the best of the Boys' shorts. Well, they can't all be masterpieces. his one is only very funny.
This is most definitely not one of the best or most memorable Laurel & Hardy shorts. It doesn't really have enough slapstick in it and the comical situations, although good, feel far fetched and perhaps a bit awkward, especially toward the ending.
They could have done something more interesting with the concept of Stan Laurel and Oliver Hardy joining the police force. They get themselves into some comical and dumb situations but it all is perhaps a bit too formulaic. That is the main reason why "Midnight Patrol" is an enjoyable but at the same time very forgettable Laurel & Hardy shorts.
Lloyd French never was the best or most consistent director of Laurel & Hardy movies. His movies are certainly enjoyable but lacking in originality or true creativity at the same time.
I'm beginning to sound negative but of course this movie is not an horrible one to watch. Mainly the Laurel & Hardy fans will still find plenty to enjoy in this movie, although also they have to admit that this is far from the best and/or most memorable Laurel & Hardy shorts.
7/10
http://bobafett1138.blogspot.com/
They could have done something more interesting with the concept of Stan Laurel and Oliver Hardy joining the police force. They get themselves into some comical and dumb situations but it all is perhaps a bit too formulaic. That is the main reason why "Midnight Patrol" is an enjoyable but at the same time very forgettable Laurel & Hardy shorts.
Lloyd French never was the best or most consistent director of Laurel & Hardy movies. His movies are certainly enjoyable but lacking in originality or true creativity at the same time.
I'm beginning to sound negative but of course this movie is not an horrible one to watch. Mainly the Laurel & Hardy fans will still find plenty to enjoy in this movie, although also they have to admit that this is far from the best and/or most memorable Laurel & Hardy shorts.
7/10
http://bobafett1138.blogspot.com/
With the 1933 comedy short film "The Midnight Patrol", Stan Laurel and Oliver Hardy returns to form. And it was so great to see them return to the formula that worked and that they do so well.
The storyline in "The Midnight Patrol" is pretty straight forward and has some great comedy moments to it. I had some good laughs throughout the 20 minutes that the short film ran for.
Stan Laurel and Oliver Hardy shows that they do witty banter and physical slapstick comedy so well, and it was a joy to have the duo back on this particular track after a handful of not so funny movies.
"The Midnight Patrol" is a classic, no doubt about it. And if you enjoy comedy, then you should definitely take the time to sit down and watch this 1933 short film, if you haven't already done so.
My rating of "The Midnight Patrol" lands on a seven out of ten stars.
The storyline in "The Midnight Patrol" is pretty straight forward and has some great comedy moments to it. I had some good laughs throughout the 20 minutes that the short film ran for.
Stan Laurel and Oliver Hardy shows that they do witty banter and physical slapstick comedy so well, and it was a joy to have the duo back on this particular track after a handful of not so funny movies.
"The Midnight Patrol" is a classic, no doubt about it. And if you enjoy comedy, then you should definitely take the time to sit down and watch this 1933 short film, if you haven't already done so.
My rating of "The Midnight Patrol" lands on a seven out of ten stars.
We've seen Laurel and Hardy as bums, unionized workers, manual laborers, Christmas tree sales man, and men soon to be married, but never before have we seen them as police officers (that work was presumably left to the Keystone Cops). The Midnight Patrol shows Laurel and Hardy as two late night police officers, who are informed of a burglary at a nearby mansion. After being completely oblivious to another thief attempting to crack a safe at a local store until he tries to steal the boys' car, Laurel and Hardy arrive at the aforementioned mansion and need to find a way inside. The boys attempt to use a solid stone bench as a battering ram to break the door down, which results in one of the funniest Laurel and Hardy stunts in any of their shorts, as they cause complete destruction to property and end up in a barrel of sauerkraut (don't ask) before being scolded by their superiors in the harshest, most evil way.
The Midnight Patrol is a much more downtrodden, morbid short by the boys, dark and noir-ish in lighting and tone, only complimenting the early 1930's time period. Laurel and Hardy are intensely watchable here, but the humor is traded for a much more casual approach to a narrative that isn't always funny nor interesting, and, frankly, sometimes boring. However, the frightening and unexpected ending and the setup here are unique enough for Laurel and Hardy standards that The Midnight Patrol merits a watch in some respect.
Starring: Stan Laurel and Oliver Hardy. Directed by: Lloyd French.
The Midnight Patrol is a much more downtrodden, morbid short by the boys, dark and noir-ish in lighting and tone, only complimenting the early 1930's time period. Laurel and Hardy are intensely watchable here, but the humor is traded for a much more casual approach to a narrative that isn't always funny nor interesting, and, frankly, sometimes boring. However, the frightening and unexpected ending and the setup here are unique enough for Laurel and Hardy standards that The Midnight Patrol merits a watch in some respect.
Starring: Stan Laurel and Oliver Hardy. Directed by: Lloyd French.
¿Sabías que…?
- TriviaThe title sequence of this short is filmed to look like a police car racing West at night on Wilshire Boulevard in Los Angeles, with siren blaring, and a windshield wiper 'erasing' each set of credits and 'sweeping in' the next. Along the route, mostly on the left (South) side of Wilshire, we see a Cut Rate drug store; a billboard (or perhaps a building logo) for Mullen & Bluett clothiers; a billboard ad for R&H Pilsner Beer. An apparent 'jump cut' puts us a few blocks farther West on Wilshire, where, again on the left, we see a movie theatre marquee (probably the Fox Ritz at 5214 Wilshire); a large, billboard-sized Coca-Cola sign in lights on the right; and in the distance, on the left, a rooftop lighted sign on the Myer Siegel building at 5410 Wilshire.
- ErroresStan and Ollie argue about their last day off, but at the end of the film they claim it's their first day on the job.
- Citas
Car Dispatcher: Calling Car Thirteen.
Oliver: That's us.
Car Dispatcher: Calling Car One-Three.
Stanley: I thought he said Thirteen.
Oliver: Shut up.
Car Dispatcher: Look out, boys, somebody's stealing your spare tire. That is all.
- Versiones alternativasThere is also a colorized version.
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Calling All Cars
- Locaciones de filmación
- Wilshire Boulevard, Los Ángeles, California, Estados Unidos(opening credits, beginning of which became known as "The Miracle Mile")
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 20min
- Color
- Relación de aspecto
- 1.37 : 1
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