Hell Below

As I type these comments I'm watching a DVD of this movie that I just got from a mail-order dealer, and I'm finding that it holds up extremely well, with strong characterizations, believable situations, and well-staged action scenes.

It's been a good 45 years, maybe 50, since I saw HELL BELOW, but the one scene that made an extremely deep impression on me was Sterling Holloway's death scene, which several other commenters have mentioned here. I haven't gotten to that scene yet on this viewing, but I can vouch for what other comments have said: once you see Sterling Holloway's death scene in this movie, you will absolutely never, ever forget it. Judging from how strong the film so far is holding up, I fully expect that scene to live up to the memory of it -- as unquestionably one of the greatest death scenes in movie history. The movie's worth seeing for that moment alone, but even without it, it would be a first-rate early submarine drama.

The classic story of falling in love with the boss's daughter gets a fresh take with Hell Below. Robert Montgomery, Eugene Pallette, Jimmy Durante, Robert Young, and Sterling Holloway are all sailors under the command of the stern Walter Huston. The first Robert falls in love with Walter's daughter, Madge Evans, but that's not enough of an obstacle; she's also married.

Spliced in between romantic scenes are some pretty intense battle scenes. If you liked Devil and the Deep, this movie will be right up your alley. Both are submarine dramas with a stern captain and a forbidden love. You can tell this movie is pre-Code, because while on leave, Eugene is trying to pick up a girl, who's started to cozy up to Jimmy. He says a suggestive remark about Jimmy's nose that could only be allowed passed the censors when there weren't any censors.

What I like about these movies is that in general, it's really easy to see the "bad guy's" side and even take it. When Walter tries to intervene and save his daughter from hurting her husband, Robert tries to insult him by saying, "I can't see you apologizing for anything, sir." Walter holds up a glass and makes the perfect comeback and toast: "I don't plan on doing things I'll be sorry for. Here's to discipline. There's nothing like it, and nothing without it." Isn't he great?

Hell Below gives a warning with the title. This is gritty, violent, dramatic, and raw. It's not for the faint of heart, but those who do rent it are in for a great forgotten treat.

It's 1918. American submarine USS AL-14 arrives at the Allied naval base at Taranto, Italy. Lieutenant Thomas Knowlton (Robert Montgomery) is the acting captain after a deadly crossing. Lieutenant Commander T. J. Toler (Walter Huston) takes over as their new captain. Ptomaine (Jimmy Durante) and Mac Dougal (Eugene Pallette) are two of the crew.

The war situation is realistic more or less. There is some good submarine action with both miniatures and the real things. As long as the movie stays at sea, this is a very good war movie. I actually like the crew gallivanting at the carnival especially with the air raid. I cannot abide with the romantic melodrama and the over the top results. I'd rather skip all those parts and focus on the war movie.

Everyone jumps to the conclusion that since this is a World War I picture the enemy the Americans are fighting must be the Germans. However, since the setting of this movie is the Adriatic, the enemy is actually the Austrians (or to be more exact, the Austro-Hungarians). You can just make out the Austrian Naval Flag on the sterns of the enemy ships in several scenes. The climactic battle is an attack on Durazzo (Durres in Albania) which was a major Austro-Hungarian naval base in WWI and the site of two battles in that war, the second battle in 1918 being a major allied victory which undoubtedly served as the historical basis for the battle shown in this movie. Some may be thrown by the "Iron Cross" type markings on the attacking enemy airplanes, but these were in fact the markings used on WWI Austrian aircraft. I only gave this movie a 5 because frankly I found the part about the romance between Montgomery and Evans poorly written and overly melodramatic. But I was impressed by Walter Huston's performance, which gave dimension to a character who could have been played as only a martinet. The real standout of this film were the battle scenes. As some have noted, actual WW I footage was woven into some scene, though others were obviously done using models. The battle scenes were uniformly quite grim and therefore realistic, equal or better to similar scenes in WW II films. Others have mentioned the memorable scene with Sterling Holloway (I was afraid it would give me nightmares) but I also was struck by the cries for help from sailors diving into the sea in a panic from torpedoed and sinking ships. In this movie, the combatants were neither extraordinary heroes nor snide villains, but just ordinary men doing their jobs in a nasty, nasty business.

Robert Montgomery and Robert Young are outstanding as a duo of young submarine officers stationed in Italy during World War I. The dialog is highly entertaining, and Jimmy Durante is hilarious as the ship's cook, "Ptomaine". Walter Huston's character is inspiring as the captain of the submarine, a stellar example of an officer and a gentleman. One of the most interesting aspects of this movie was the level of technology displayed in the battle scenes. I was surprised at how similar the technology of World War I was to the technology displayed 25 years later in World War II. Basic human nature was portrayed as very similar to modern times, and far from the conservativism I thought existed in the so-called "innocent" past. All in all I felt that the cast, characters, action scenes, and view of history depicted in this movie were first-rate.