Volando a Río

By the time Flying Down to Rio was released in 1933, It was Warner Brothers who had been having the success as far as musicals were concerned.

Ruby Keeler and Dick Powell were the uncrowned King and Queen of song and dance land and in films like 42nd Street, Footlight Parade and Gold Diggers and the later movies Dames and Flirtation Walk they were paving the way for a motion picture genre that would continue in much the same vein for the next twenty years.

With kaleidescope routines expertly directed by Busby Berkeley via overhead cameras, the movie musical was finally taking shape bearing little or no resemblance to earlier dismal efforts like MGM'S Broadway Melody of 1929 or their equally unimpressive Hollywood Review from the same year.

RKO was at the time a struggling studio with huge debts and was on the verge of going bankrupt. However they decided to capitalize on this medium in an effort to pull themselves back into the black.

Flying Down to Rio was in all respects no different to any other of the films they produced at the time and I'm sure this film would have sank into obscurity and be long forgotten had it not been for the movie milestone it boasts.

Fred Astaire and Ginger Rogers were cast as only 3rd and 4th billed performers, to all intents and purposes, the token dance act, a novelty. Neither of them had done much before. Ginger of course was beginning to make a name for herself. She had featured in both the fore-mentioned 42nd Street and Gold Diggers and was slowly working her way out of chorus lines into bit parts and the occasional solo number.

Fred had done less still. Already a well known stage star in America and Britain, he had just one previous film under his belt. A natural dancer of extraordinary talent, Fred was signed on as RKO's secret weapon in their efforts to make the best musicals.

However, no matter how dull the storyline to "Rio" is (and it is believe me) it is soon forgotten when Fred and Ginger perform their first ever screen dance, The Carioca, a musical number with Latin- American tempo complete with stunning costumes, guest singers and the very kaleidoscopic shots of which Busby Berkeley himself would have been proud. It is their only dance together in the film and their actual dancing is given very limited screen-time, but it was enough to cause Astaire/Rogers mania.

Forgive the cliche but the rest is history as they say.

So successful were they that they went on to appear in a further nine films together making them one of the most beloved and cherished screen partnerships ever.

Alone the Astaire/Rogers musicals of the thirties saved the studio from closure and they helped push Warner's, Keeler and Powell into second place, at least as far as musicals were concerned.

Astaire is given further opportunity to shine in two stunning solos which will leave the viewer in no doubt whatsoever why he was the very best at his chosen craft.

Complete with the now famous 'girls-strapped-onto-aeroplane-wings' scene and with the added talents of Delores Del Rio and Gene Raymond adding the romance, It all helps to make an otherwise dull film into a legendary silver screen gem.

I gave this "Fred Astaire" comedy-romance-musical higher marks than normal because the romance, usually the sappy part of the Astaire films, doesn't dominate as it does most of his movies.

As usual, there are a number of interesting dance scenes including a spectacular Busby Berkeley-type production on the wings of airplanes. That scene has to be seen to be believed, not just for the uniqueness of it but for the bra-less women pictured! Yikes, it's not something you expect to see with a classic film - and you wouldn't see for another 35 years. It's pretty amazing.

I really shouldn't label this an "Astaire film " because Dolores Del Rio and Gene Raymond are the two stars. Astaire is a close third. Raul Roulien would be next while Ginger Rogers just has a small role.....but it IS noteworthy for being the first time all of us saw the famous Astaire-Rogers pairing.

The comedy in this film also is pretty good. The best parts of the film are the beginning and end. The fadeout segways in here reminded of silent films, which weren't that long removed from this.

In Miami, during the presentation of the Yankee Clippers, the wolf band leader and pilot Roger Bond (Gene Raymond) flirts with the guest Belinha de Resende (Dolores Del Rio) and the stringent hotel manager fires them. However, the band is hired for the opening night of the Atlântico Hotel in Rio de Janeiro, and they need to fly to Brazil.

When Roger meets Belinha in the hall of the hotel, he learns that she lost her flight to Rio and he offers a ride for her in his plane. Roger is forced to land in an island and he immediately fixes the mechanical problem in the plane; however, he lies to Belinha and tells that he can not fix the problem just to spend the night alone with her. But Belinha, who is the fiancée of the Brazilian Júlio, resists to his harassment and later she finds another plane to fly to Rio.

Once in Rio, the infatuated Roger meets his friend Júlio without knowing that he is the fiancé of Belinha, and he tells about his love for the woman. When the Yankee Clippers are ready to open the hotel, powerful bankers that are interested to force the bankruptcy of the Atlântico's owner to take the hotel, send the police since he does not have the permit to anticipate the opening day. However, Roger's friend and musician Fred Ayres (Fred Astaire) proposes an airborne show to the guests. Meanwhile, the brokenhearted Roger decides to return to his country and leave Belinha with Júlio.

"Flying Down to Rio" is the debut of the pair Fred and Ginger in minor support roles. The sappy and naive romance has the Mexican Dolores Del Rio performing a Brazilian sassy woman and Gene Raymond in the lead roles. The footages from Rio de Janeiro in the 30's and the airborne show are the best moments of this film. The funniest thing in "Flying Down to Rio" is that there is no Brazilian actor or actress in the cast. My vote is six.

Title (Brazil): "Voando para o Rio" ("Flying to Rio")

The first pairing of Astaire and Rogers, playing second leads to Dolores DelRio and a slightly strabismic Gene Raymond. What music and what dancing!!! And the scenery of 1933 Rio is worth seeing. The story is slight, the acting is slighter but who cares when Astaire and Rogers take the floor for the Carioca. How silly is the concept of a bunch of girls strapped to the wings of airplanes performing over the hotel? But again, who cares?...it's history on film as the seminal appearance of the most famous dance team in the movies. The supporting players are good but what became of Raul Roulien?.....the rest are familiar to fans of old movies. Love the music,(even Orchids in the Moonlight)and especially the title tune which is rather forgotten now. Step back in time and enjoy this dated, but absolutely wonderful film. You won't be sorry and maybe you will dance the Carioca!!

There was a golden age of cinema lasting only four or five years - from the end of the silent era to the beginning of the Hays Code, the severe censorship rules which sought to turn cinema from naughty to nice, but in actuality sapped them of their truth and energy.

`Flying Down to Rio' is a classic pre-Hayes code talkie, and its characters have a quality of frankness which endears them to modern audience far more than many later films, whose stilted, conservative quality is somewhat alienating. You'd be surprised at what they could get away with in those days - it would be forty years before a film could get away with a line like that spoken by a starlet of her South American rivals - `What have those girls got below the equator that we haven't got?'

The film, about a love triangle between a Brazilian woman and two members of a swing band, is of course famous for two things - the slightly surreal sequence in which showgirls ride a biplane down to Rio in Busby Berkley-esque formation, and the debut of Fred Astaire and Ginger Rogers as a screen team. It's no wonder that audiences fell in love with the duo, whose `Carioca' is the highlight of the film.

They only made them like this for a little while - more's the shame!