CALIFICACIÓN DE IMDb
6.7/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaA shiftless young man becomes obsessed with a mysterious woman and yearns to find her again.A shiftless young man becomes obsessed with a mysterious woman and yearns to find her again.A shiftless young man becomes obsessed with a mysterious woman and yearns to find her again.
- Dirección
- Guionistas
- Elenco
Frida Richard
- Lubotas Mutter
- (as Frieda Richard)
- …
Hans Heinrich von Twardowski
- Hugo Lubota
- (as H.H. v. Twardowski)
Lya De Putti
- Veronika Harlan
- (as Lya de Putti)
- …
Karl Etlinger
- Buchbinder Starke
- (as Karl Ettlinger)
- …
Ursula Nest
- Little Girl playing near Harlan house
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
FW Murnau was a fantastic director, all his films being extremely well made, rich in atmosphere and thematically intriguing and even daring in a way that is still quite unique and ground-breaking. It is not hard to see why his films influenced a lot of major directors, why he was one of the best and most influential directors in his day and it is sad that he didn't make more films and that he died too young. Even his lesser work is still worth seeing if mainly for historical interest.
Lost for a long time but rediscovered and available in a not too bad print, 'Phantom' is one of Murnau's minor films. It is nowhere near on the same level as 'Nosferatu', 'Faust', 'The Last Laugh' and 'Sunrise', people will say that it is unfair to compare and that it should stand on his own. Which is fair enough, but it is hard not to when his best work is as brilliant as it is and when some other films are still worth watching but a little bland at the same time.
'Phantom' is one of those cases. As said with a few others, the acting even for a silent film tends to be too theatrical and overdone. Was expecting more from Alfred Abel, good in other things but a bit miscast here. Not just in age but for my tastes he is too wild and comes over as borderline neurotic.
The story for 'Phantom' is somewhat too slight for the running time, feeling like an over-stretched short film. Less intertitles and ones that didn't slow the film down too much and it being less flashback heavy would have helped a bit. Lorenz's descent felt too rushed and out of nowhere, needing a lot more time to progress, that way it would have been easier to root for him.
Having said all of that, 'Phantom' is not a bad film despite how all of that sounds. It is beautifully directed by Murnau and as expected wonderfully made. Some very atmospheric and imaginative photography and quite transfixing imagery that allows one to provoke thought. Luckily doing so without being too heavy on it.
Appreciated too its use of themes not explored a lot in films those days and would be considered quite bold to portray. Some of the acting comes over well, with a great performance from Grete Berger that genuinely unsettles.
Summing up, worth uncovering but far from a Murnau essential. 6/10
Lost for a long time but rediscovered and available in a not too bad print, 'Phantom' is one of Murnau's minor films. It is nowhere near on the same level as 'Nosferatu', 'Faust', 'The Last Laugh' and 'Sunrise', people will say that it is unfair to compare and that it should stand on his own. Which is fair enough, but it is hard not to when his best work is as brilliant as it is and when some other films are still worth watching but a little bland at the same time.
'Phantom' is one of those cases. As said with a few others, the acting even for a silent film tends to be too theatrical and overdone. Was expecting more from Alfred Abel, good in other things but a bit miscast here. Not just in age but for my tastes he is too wild and comes over as borderline neurotic.
The story for 'Phantom' is somewhat too slight for the running time, feeling like an over-stretched short film. Less intertitles and ones that didn't slow the film down too much and it being less flashback heavy would have helped a bit. Lorenz's descent felt too rushed and out of nowhere, needing a lot more time to progress, that way it would have been easier to root for him.
Having said all of that, 'Phantom' is not a bad film despite how all of that sounds. It is beautifully directed by Murnau and as expected wonderfully made. Some very atmospheric and imaginative photography and quite transfixing imagery that allows one to provoke thought. Luckily doing so without being too heavy on it.
Appreciated too its use of themes not explored a lot in films those days and would be considered quite bold to portray. Some of the acting comes over well, with a great performance from Grete Berger that genuinely unsettles.
Summing up, worth uncovering but far from a Murnau essential. 6/10
Hot off his formidable achievement with "Nosferatu", F.W. Murnau made another expressionistic film, "Phantom". This one depicts Lorenz (Alfred Abel), a clerk who becomes obsessed with a woman (Lya De Putti) who accidentally struck him with a carriage. The movie contains some neat effects to highlight Lorenz's descent into madness. There are of course the buildings, but even more impressive is the ghostly carriage that emerges from a black void. A short documentary about the production makes note of how Murnau accomplished these interesting tricks.
One might call "Phantom" a precursor to "The Blue Angel" and "Lolita", but I wouldn't call that totally accurate. The latter two are more straightforward about their subject matter, while this one is deliberately surreal and dreamlike. But no matter how you interpret "Phantom", you can't deny that it is a very good representation of inter-war German cinema. The movie is a little slow at times, but definitely worth seeing.
One might call "Phantom" a precursor to "The Blue Angel" and "Lolita", but I wouldn't call that totally accurate. The latter two are more straightforward about their subject matter, while this one is deliberately surreal and dreamlike. But no matter how you interpret "Phantom", you can't deny that it is a very good representation of inter-war German cinema. The movie is a little slow at times, but definitely worth seeing.
Silent German film about a meek, mild man who seems to have no life or goals. Then he meets a blond-haired girl riding a chariot. He immediately falls in love with her. It leads to his downfall ending in murder. But there is redemption.
This silent film was long believed to be lost. Thankfully it's been rediscovered which is great--this is a wonderful drama. My synopsis may sound a little strange but this is a hard film to describe--you have to see it to understand. It's beautifully directed by F.W. Muranu--many elaborate camera tricks and fade ins and outs. Also it deals with some touchy subjects such as prostitution (never called that but it's there). The acting is a little over the top but that's to be expected in silent movies. But there is a wonderful (if frightening) performance by Grete Berger as Mrs. Schwibe. My only complaint is that this film is shown in flashback which somewhat dilutes the drama (that's why I'm only giving it a 9). Still, this is a great silent film. It's not up to Muranu's "Nosferatu" or "Sunrise"--but then what is? Well worth seeing.
This silent film was long believed to be lost. Thankfully it's been rediscovered which is great--this is a wonderful drama. My synopsis may sound a little strange but this is a hard film to describe--you have to see it to understand. It's beautifully directed by F.W. Muranu--many elaborate camera tricks and fade ins and outs. Also it deals with some touchy subjects such as prostitution (never called that but it's there). The acting is a little over the top but that's to be expected in silent movies. But there is a wonderful (if frightening) performance by Grete Berger as Mrs. Schwibe. My only complaint is that this film is shown in flashback which somewhat dilutes the drama (that's why I'm only giving it a 9). Still, this is a great silent film. It's not up to Muranu's "Nosferatu" or "Sunrise"--but then what is? Well worth seeing.
8thao
I just saw Phantom (F.W. Murnau: 1922) for the first time. It just came out on DVD (from Flicker Alley). The transfer is really good and the music is beautiful. I was a bit disappointed that the inter titles are in English and tinted green but other than that, I have no complaints.
The film was good. It is extremely well told with some unbelievable scenes. It is really worth buying the DVD just for those scenes. I had how ever problems with the story (I just could not believe that an honest man like that would loose his head so easily). I also thought that Alfred Abel was to old for the part, even though he was good in the role.
This is not one of Murnau's best films but it is one of his best visually told films. I give it 7/10.
The film was good. It is extremely well told with some unbelievable scenes. It is really worth buying the DVD just for those scenes. I had how ever problems with the story (I just could not believe that an honest man like that would loose his head so easily). I also thought that Alfred Abel was to old for the part, even though he was good in the role.
This is not one of Murnau's best films but it is one of his best visually told films. I give it 7/10.
10veidt_
A much underestimated movie. I've seen several of Murnau's flicks, and while I am the generally a big fan of his work, this one is actually one of my favorites. In a dreamlike manner it tells a story of main character's obsession with a manipulative and cruel woman. His love and desire makes him lose his senses - to a point where object of his passion becomes like a haunting spectre, a phantom. In some way Phantom is a forecast of another german picture, the famous Blaue Engel. Although the plot in one way or another has become a Hollywood cliche over the years, the movie is dark, strange and compelling. Murnau's depiction of insanity, especially in the final scenes is by itself a milestone of cinema.
¿Sabías que…?
- TriviaThis movie was considered lost for a long time but is now available in good condition.
- ErroresWhen Lorenz'a Aunt Schwabe reads his letter of termination, she is wearing gloves, but the close up of the letter shows a bare hand holding it.
- Créditos curiososIn the opening credits Lya De Putti only appears credited as Mellitta. The "actress" who plays the role of Veronika Harlan appears credited only as "x x x".
- Versiones alternativasIn 2003, Flicker Alley, LLC copyrighted a new digital version with English intertitles and a new orchestral score composed, arranged and conducted by 'Robert Israel (II)'. It was produced by Jeffery Masino and runs 117 minutes.
- ConexionesFeatured in Cinema Europe: The Other Hollywood (1995)
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- How long is Phantom?Con tecnología de Alexa
Detalles
- Tiempo de ejecución
- 2h 5min(125 min)
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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