Mud and Sand

One of the many silent comedies Stan Laurel featured in before he teamed with Oliver Hardy, 'Mud and Sand' is a ho-hum hokum. The story is badly disjointed - though this could be because of the modern-day edit - and the humor itself is not at all inventive.

Potential plotlines are started and ignored; for instance, Stan's promise to make Fillet de Sole pay for what she's done to him never comes to fruition. Stan's character doesn't seem very centered, either, but this is a common criticism of his work before he developed 'Stanley' of Laurel & Hardy fame, so it might be that I was just expecting to see this shortcoming.

I strongly believe that all the silent films should be preserved and viewed, and I'm glad this one is still available. It's just not a great film.

Ever since Hal Roach had the idea of teaming a skinny guy and a fat guy together for a Mutt and Jeff effect on the silent screen a lot forget that both Stan Laurel and Oliver Hardy had some prominent careers as singles on the silent screen, Stan being more well known than Ollie at the time. Mud And Sand gives us a look at a Laurel specialty, spoofing some well known silent cinema classics.

I've not seen the Rudolph Valentino version of Blood And Sand, but I have seen the Tyrone Power sound version, in fact it's a favorite of mine among Power's work. And as Power was known to have a sense of humor if he ever saw Mud And Sand I'm sure he would have appreciated it.

For a solemn and tragic tale Stan Laurel certainly mined quite a few laughs out of it. There is a marvelous gag with a bull being tossed over the Corrida wall while Stan is auditioning to be a matador. I think it might have inspired the Monty Python troupe in their quest for the Holy Grail.

If you're looking for Stanley to be the Laurel we know from the Laurel And Hardy films forget it. That was a character that Stan worked into to complement Ollie's bulk and know it all attitude. Stan works in broad satire in Mud And Sand as he did with a few silent screen classics. And his scenes with the wife and temptress are something else as well.

I've got to make it a point to see more of Mr. Laurel and Mr. Hardy's work before they were a team. Hope the rest of you will as well.

This is one of Stan Laurel's best solo comedy's, before the 1927 teaming with Oliver Hardy. Laurel is a very good actor in the film, and provides good comedy. The best scene in the film is when Stan dances with Mae Laurel (his real-life common law wife), at the Cafe Espanol. Stan does silly dances that are funny, without you hearing the music. I will recommend this to any Stan Laurel fan.

Mud and Sand is one of Stan Laurel's spoofs of the popular movies at the time, this one being of Rudolph Valentino's Blood and Sand (hence Stan being Rhubarb Vaselino). While partly inconsistent on characterization (how did he defeat those bulls in the beginning is not explained), this was mostly funny from beginning to end with one of the best sequences being a dance he does with his then common-law wife, Mae Laurel. Another funny sequence concerns his reluctance with romancing a femme fatale, Filet de Sole, while his wife, Caramel, is waiting for him that shows some glimpses of his later innocent character with Oliver Hardy. Well worth seeing for anyone interested in seeing Mr. Laurel's early work before his fateful teaming that made him popular around the world.

If you want to see a film starring Stan laurel from the Laurel & Hardy comedies, this is not the film for you. Stan would not begin to find the character and rhythms of those films for another two years. If, however, you want a good travesty of the Rudolph Valentino BLOOD AND SAND, which had been made the previous year, this is the movie for you. All the stops are pulled out, both in physical comedy and on the title cards and if the movie is not held together by character, the plot of Valentino's movie is used -- well sort of.