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Agrega una trama en tu idiomaAfter being mistakenly certified as an electrical engineer, Buster is hired to wire a house.After being mistakenly certified as an electrical engineer, Buster is hired to wire a house.After being mistakenly certified as an electrical engineer, Buster is hired to wire a house.
- Dirección
- Guionistas
- Elenco
Buster Keaton
- Buster
- (as 'Buster' Keaton)
Virginia Fox
- The Millionaire's Daughter
- (sin créditos)
Joe Keaton
- Buster's Father in Prologue
- (sin créditos)
Louise Keaton
- Buster's Sister in Prologue
- (sin créditos)
Myra Keaton
- Buster's Mother in Prologue
- (sin créditos)
Laura La Varnie
- Guest
- (sin créditos)
Steve Murphy
- Real Electrical Engineer
- (sin créditos)
Joe Roberts
- Millionaire
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
A wonderfully inventive companion piece to The Scarecrow, this mechanical comedy by Keaton often makes me wonder if it isn't possible to go back in time and hire Keaton to design a house for me.
Due to a mix-up of diplomas, the young hair-stylist character of Keaton is asked to wire a mansion with electricity. Spending a moment with a book on "Wiring Made Easy" and the mansion owner's vacation time, Keaton devises escalators, train-propelled dishwashers, and all the neat little gadgets and tricks that "surprise" them (whether or not any of these flourishes are needed, of course, adds its own amount of humor to the equation).
Of course it's not like we can have everything just go well like that, so the rejected and jealous actual electrical engineer decides one fateful day to wreak vengeance upon the circuitry. It's then a trip of mayhap and mayhem as the hosting family tries to entertain guests, Keaton tries to figure out what's wrong, and bodies, dishes, and pool balls go flying amiss.
The appealing result is a good chuckle. It's definitely not as amazingly inventive as The Scarecrow (which is absolutely mind-boggling in its mechanical genius), but it does the job and does it well. It also doesn't really end the way you come to expect of Keaton. All in all, however, it's a pretty good time.
--PolarisDiB
Due to a mix-up of diplomas, the young hair-stylist character of Keaton is asked to wire a mansion with electricity. Spending a moment with a book on "Wiring Made Easy" and the mansion owner's vacation time, Keaton devises escalators, train-propelled dishwashers, and all the neat little gadgets and tricks that "surprise" them (whether or not any of these flourishes are needed, of course, adds its own amount of humor to the equation).
Of course it's not like we can have everything just go well like that, so the rejected and jealous actual electrical engineer decides one fateful day to wreak vengeance upon the circuitry. It's then a trip of mayhap and mayhem as the hosting family tries to entertain guests, Keaton tries to figure out what's wrong, and bodies, dishes, and pool balls go flying amiss.
The appealing result is a good chuckle. It's definitely not as amazingly inventive as The Scarecrow (which is absolutely mind-boggling in its mechanical genius), but it does the job and does it well. It also doesn't really end the way you come to expect of Keaton. All in all, however, it's a pretty good time.
--PolarisDiB
A film created around gadgets. In profound impressive manner. Because, the gags, the story, the humor are the perfect frame of a portrait of young man, victim of an error, giving his the best in a not comfortable task. The technique seems almost magic in this case - And that gives to "The Electric House" not the status of the best short film of Buster Keaton but a special one.
What makes The Electric House such a must-see Keaton short is curiously not the showcasing of the great man himself but that of the technical prowess of his technical director Fred Gabourie. Gabourie had built The Boat and worked with Keaton since 1920's One Week, which was the one with the ingenious portable house, and he would progress with Keaton from the shorts to the features. But never were the technical gadgets Keaton used and Gabourie had to make work practically better displayed than in The Electric House. Keaton really lets Gabourie's gadgets take centre stage here and it is a chance to marvel at a master at work.
In a strange way it's almost too brilliant because the laughs don't really play as well. Whereas in One Week or The Boat the gadgets and physical comedy worked in perfect harmony in The Electric House Keaton lets the film get a bit bogged down in watching the gadgets at work.
Nevertheless in these days of CGI and visual cheats it is stunning to see these practical effects in full flow. Gabourie was clearly a genius, one whose name deserves to be held in the same light as practical effects masters like Willis O'Brien, Ray Harryhausen and Stan Winston.
In a strange way it's almost too brilliant because the laughs don't really play as well. Whereas in One Week or The Boat the gadgets and physical comedy worked in perfect harmony in The Electric House Keaton lets the film get a bit bogged down in watching the gadgets at work.
Nevertheless in these days of CGI and visual cheats it is stunning to see these practical effects in full flow. Gabourie was clearly a genius, one whose name deserves to be held in the same light as practical effects masters like Willis O'Brien, Ray Harryhausen and Stan Winston.
The Buster Keaton short 'The Electric House' is fun to watch, does not bore, but misses the most important element to make a Buster Keaton short brilliant. The thing I mean is his physical magic, displayed in almost all of his short film, almost completely missing here.
As a fake electric engineer Keaton installs electricity in the house of rich man while he is on vacation. Once the man is back Keaton shows him a lot of electrical surprises. There is an electric snooker table, a train that delivers food, a pool able the empty itself and a lot of other stuff. Of course things do not go as they should, especially when the real electrical engineer arrives.
The problem here is the electricity, almost making a statement: electricity makes men useless. The fun in 'The Electric House' comes from the machines, how they work and at times how they fail to work. This leaves little room for Keaton to show what he does best. It is fun alright, but not much more.
As a fake electric engineer Keaton installs electricity in the house of rich man while he is on vacation. Once the man is back Keaton shows him a lot of electrical surprises. There is an electric snooker table, a train that delivers food, a pool able the empty itself and a lot of other stuff. Of course things do not go as they should, especially when the real electrical engineer arrives.
The problem here is the electricity, almost making a statement: electricity makes men useless. The fun in 'The Electric House' comes from the machines, how they work and at times how they fail to work. This leaves little room for Keaton to show what he does best. It is fun alright, but not much more.
A lot of Keaton's comedies feature a scene or two filled with creative and wacky gadgets that make you laugh and make you marvel at his inventiveness, all at the same time. This short comedy is entirely devoted to this kind of eccentric gadgetry, and while that means there isn't much of a plot, it's fun to watch. There's a subtle, funny mix-up at the beginning that results in Buster being entrusted with filling up a man's house with whatever electronic devices he can think of, and he really goes to it. "The Electric House" is a funny place to visit.
¿Sabías que…?
- TriviaFilming was delayed when star Buster Keaton got his foot caught in the escalator and broke his ankle. During his recovery, Keaton released his previously shelved film, The High Sign (1921), and filmed The Play House (1921). Upon his return to this short, he abandoned his original footage and started fresh. Little is known about the first version, and no scenes are known to still exist.
- Versiones alternativasIn 1995, Film Preservation Associates copyrighted a version with new titles by Jeffrey Vance and a music soundtrack arranged by Robert Israel. The running time was 24 minutes.
- ConexionesEdited into The Golden Age of Buster Keaton (1979)
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Detalles
- Tiempo de ejecución
- 23min
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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