Dr. Jack

The Sick-Little-Well-Girl (Mildred Davis) is being treated by Doctor von Saulsbourg who forces her to stay in bed and trapped in her own home. Then he decides to sent her to his private sanitarium. Dr. 'Jack' Jackson (Harold Lloyd) is a simple country doctor who cares for his poor patients whether they are a little girl with a sick dolly or a little boy trying to skip school or an old lady who misses her busy lawyer son. Doctor von Saulsbourg and The Sick-Little-Well-Girl make a stop where they encounter Dr. Jack.

I really like the sweet doctoring from Dr. Jack until they do the accidental kiss. I get the idea of a Sleeping Beauty kiss. It would fit the story much more if she gets so excited that she's the one who kisses him. There is a lot of chasing around the rooms comedy. This is all good fun. I would really make that change with the kiss.

Most of this Harold Lloyd feature consists of enjoyable low-key comedy, but it is capped off with a manic chase finale that is fun to watch. Aside from a handful of somewhat dated details, it holds up pretty well, and it has some good material. In "Doctor Jack", Lloyd gets to play the kind of energetic, well-meaning character that he performed almost effortlessly.

Most of the first half of the movie simply introduces the characters and presents a series of interactions between "Doctor Jack" and various persons in his hometown. It's pleasant and often pretty amusing, since there are a lot of subtle comic touches to go along with the rather broadly-played events. In the second half, the doctor takes on the 'invalid' played by Mildred Davis, and from there things build up towards the finale.

The conference between 'Jack' and the stuffy specialist is crafted nicely, and the climactic chase sequence is entertaining as long as you don't take it too seriously. In fact, by design it seems to get more and more ridiculous as it proceeds, until it is finally resolved in a clever way.

This doesn't have the memorable material or impressive set pieces of Lloyd's most celebrated movies, but it has a lot of amusing moments, and shows skill in a different way, by taking what is essentially one simple situation and using it for as much comedy as possible.

This silent film is a real charmer. It relies almost exclusively on the talents of Harold Lloyd as the eponymous doctor, who sees the world as a funhouse and treats his patients accordingly. Written by Hal Roach and others, "Dr. Jack" feels like it was written with Lloyd's talents in mind. The physicality of the humor, and the sight gags, make this a perfect vehicle for Lloyd's abilities.

There is a basic story, but "Dr. Jack" is a series of vignettes which demonstrate the doctor's uncommon but "common sense" approach to healing. Best described as holistic, the doctor looks beyond the apparent malady, prescribing whatever a patient truly needs--from fresh air to a hug.

The overly-serious conventions of mainstream medicine are lampooned as is the image of the stuffy practitioner whose gravity only manages to drag down the spirits of those he treats. As we see, the levity of Lloyd is sometimes just what the doctor (should have) ordered.

I'm not quite at the level of film geek status, but I have seen a large quantity of movies, old and new, and I'm just now hearing of Harold Lloyd. I'd always heard of Charlie Chaplin as being the man in silent films and no one else. Harold Lloyd deserves an honorable mention at least.

This is the second Harold Lloyd starred film I've watched and in this he plays Dr. Jack, an unconventional doctor who could be considered Patch Adams before there was a Patch Adams (and a lot better too).

Dr. Jack treated various ailments with fun and entertainment--exactly what we'd see the Robin William's character, Patch Adams, do in the self-titled movie. Dr. Jack was summoned by the lawyer (C. Norman Hammond) of the family of The Sick-Little-Well-Girl (Mildred Davis) to possibly cure her. She was being treated by Dr. Ludwig von Saulsbourg (Eric Mayne), a stuffy establishment doctor who was keeping her in bed and shoveling medicine down her throat. The Lawyer saw Dr. Jack's methods and thought he could help The Sick-Little-Well-Girl.

As you could imagine, Dr. Jack was not welcomed by Dr. Ludwig. Dr. Jack was young, unconventional, and smitten with the patient--three things that got under Dr. Ludwig's skin.

Harold hammed it up in this short movie. He was acrobatic enough to execute all kinds of physical comedy feats. Harold Lloyd deserves a lot more recognition.

Too often silent films were bogged down with inter-titles, slowing the action and frequently boring the audience to tears.

Harold Lloyd avoids that, especially in "Dr. Jack."

"Dr. Jack" the movie is a light story, perhaps even silly in spots, but it MOVES, and Dr. Jack the character is such a pleasant and kind and likable person that he overcomes any minor problem like that.

Turner Classic Movies presented this recently with a new score by Robert Israel, who captures the mood perfectly. He is quite the silent film composer, obviously a man of much talent.

For 1922, the acting was great to adequate, and Harold Lloyd is such a graceful and athletic performer that he could alone make this worthwhile; but he is accompanied by many other talented players, so many of whom, alas, don't even get screen credit (although Mickey Daniels, for example, is so recognizable, maybe he doesn't need to be named).

"Dr. Jack" is a lot of fun to watch, in part because you can just watch -- and laugh -- and not have to spend much effort reading.