Convict 13

I've seen better Buster Keaton short films, but this one still manages to portray the rather dreary fate of a man who finds himself in prison because an escaped convict switched clothes with him after he knocked himself unconscious with a golf ball. His is ultimately to be hung, and I think the film deserves respect for keeping you laughing even while a man gets a noose wrapped around his neck. The story involves Keaton's efforts to escape from the prison, oppressed at first by the prison guards holding him prisoner and then by a massive behemoth of a convict, who takes control of the small prison by knocking out all of the guards with a sledge hammer (in a rather entertaining sequence where he smacks them all one by one and they pile up like the police cars in Blues Brothers 2000) at right about the same time that Keaton manages to switch clothes with one of them in order to help himself escape. Lots of clever slapstick gags, some of which may have influenced Chaplin's work in Pay Day, made a couple years later, make this an entertaining short from one of the giants of silent film comedy.

"Convict 13" is an unrefined but fun short comedy, much less carefully made than Keaton's later films, but still having many good moments. Buster gets a couple of good opportunities to display his athleticism, and Joe Roberts also helps out with some funny moments.

The story starts with a silly mix-up that gets Buster tossed in jail. From there on, he gets involved in a series of antics, mostly improbable, but a very good set-up for physical humor. It has a good combination of slapstick, stunts, and chases, with some of the kind of material common to films of the 1910's plus some distinctive Keaton material. (There are also couple of good gags of the more morbid type that you'd expect from someone like Alfred Hitchcock.)

It might be of interest mainly to those who are already Keaton fans, but it's pretty funny, and well worth watching.

Convict 13 is definetly one of Buster's better shorts. Fatty Arbuckle is rather oddly absent in this one (probably too busy dealing with the Virginia Rappe case at this point), and his presence is greatly missed. He would have added much to this film. There are some brilliant sight gags, like I said, particularely involving the crowd of coppers chasing Buster around and almost every frame of the scenes at the gallows. It was the ending that more or less let me down. I won't reveal it. I just think it was too abrupt and convenient. It was disappointingly unresourceful, compared to the rest of Keaton's work, which is put on display quite nicely in all the other scenes. One of the best moments is in the very beginning and involves a pond and a golf ball and a piece of drift wood (and a golf club used as an oar).

An early Buster Keaton short, this begins with Buster attempting to play golf and obviously not being too familiar with how to play the game. Where else but in a silent comedy can you see a golfer trying to hit the ball out of a lake while standing on a raft...and then diving in for fish to find out which fish swallowed his golf ball?! Keaton gets it on the third try and gives the fish a spanking after retrieving the ball! Insane stuff, as that's just the first five minutes!

Along comes an escaped convict (crazy things just happen out of the blue in a lot of these old silent comedies) who sees Buster lying the ground, having knocked himself out with a golf ball. The convict switches clothing and now Buster is wearing stripes. Cops notice him (HE didn't notice what he was wearing?!) and begin chasing him. Buster winds up back at the penitentiary. Since he's wearing number 13 on his jail outfit, he's scheduled to be hanged the next day. His girlfriend saves him by putting elastic gymnasium rope in place of the noose, so Buster bounces up and down after the trap door operates. Watching all of this are the other inmates who are sitting in bleachers while a vendor sells peanuts and popcorn.

It goes on from there, with a prison riot the next day and Buster and some humongous goon knocking out a bunch of uniformed guards and the other prisoners via some strange methods. It's pure disjointed chaos but it makes for a wild and fun 20-minute film.

I'd like to add to Claudio's plot synopsis that this film is total surrealism. I was so struck by its superficial resemblance to reality but the story is really taking place in a crazy imaginary world where Keaton as the golfer can grab a fish out of the river (when the ball is knocked there), shake it around and have his golf ball pop out the fish's mouth. The film has a charm all it's own - so different from what Chaplin or Harold Lloyd were doing. I wonder if the European Dadaists were looking at Keaton's early stuff. The time frame is just right. The film is available, by the way,on the Kino Steamboat Bill Jr. DVD. But in an unrestored version, alas.