Agrega una trama en tu idiomaLeila Porter comes to dislike her husband James, a glue king who is always eating onions and looking sloppy. But after she divorces him and marries two-timing playboy Schuyler Van Sutphen th... Leer todoLeila Porter comes to dislike her husband James, a glue king who is always eating onions and looking sloppy. But after she divorces him and marries two-timing playboy Schuyler Van Sutphen the now-reformed James looks pretty good.Leila Porter comes to dislike her husband James, a glue king who is always eating onions and looking sloppy. But after she divorces him and marries two-timing playboy Schuyler Van Sutphen the now-reformed James looks pretty good.
- Undetermined Role
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- Manager of Gambling Club
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- Croupier at Gambling Club
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- Member of Gambling Club
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- Mr. Frankel - Dressmaker
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- Undetrmined Role
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- Dirección
- Guionista
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Opiniones destacadas
I also thought it was similar to todays life, even though it was produced in 1919, you could relate it to todays time, most women want the good looking man and in the end it doesn't turn out to be what you expected and you want what you did have at one point.
** (out of 4)
Second in a semi-trilogy following Old Wives for New, this film tells the story of a husband (Elliott Dexter) who eats onions (?!?!?), neglects his wife (Gloria Swanson) and takes her for granted. The wife gets fed up after he forgets their anniversary so she divorces him for a better looking man (Lew Cody) who she thinks will treat her right but we all know he's going to turn out to be a jerk. This is a rather strange mix of light comedy and melodrama but the two don't mix well together. Whereas Old Wives for New was a pretty strong comment on society, this film just comes off as a tamed down version with the sexes switched. Perhaps my sense of humor just isn't where it should be but the constant running joke of the husband eating onions and then trying to kiss his wife just got boring to me. Perhaps a female would find these jokes funnier but I doubt it. Another problem I had was that the wife really wasn't that sympathetic. I honestly can't say that I cared for her in any way, shape or form and the strange thing is that the husband actually gets the sympathy. With that in mind, it's rather hard for us to want to see the husband take her back after the way she's treated him. This was apparently the film that finally launched Swanson as a star but I really didn't see anything here too special. Her performance here certainly wasn't in the same league as a Gish or Pickford but even if we don't put her up to those standards I still found the performance rather lacking. I wasn't impressed with Cody either as the playboy as he too come off rather stiff and wooden. Dexter on the other hand delivered a fine performance and he's the main reason to watch this film. I wouldn't say his comic timing was overly impressive but he did a fine job in the more dramatic moments. There are a couple interesting sequences here with a couple appearing as fantasy sequences where the wife dreams of what her life will be like with the playboy. The feeding of grapes is something to see but there are very few moments like this one.
For this movie I did not expect how beautiful the setting would be. All the different sculptures, paintings, furniture, rooms and decorations kept your mind thinking and alive as the movie played on. The costumes were beautiful and it was something you don't see often in movies today.
Overall, I would recommend this movie. It was certainly one that kept my interest although it was a bit boring in the beginning. The plot is something that can happen today and it can teach us all a lesson about how to deal with our lives.
The three principals are fine, with Swanson most impressive in the pivotal role as the woman torn. Julia Faye grabs supporting honors as Cody's other interest, "Toodles"; off-screen, she tempted director Cecil B. DeMille. The DeMille touch is evident; especially in an imaginary sequence wherein Cody promises Swanson... "Pleasure Wealth Love "
******* Don't Change Your Husband (1/26/19) Cecil B. DeMille ~ Gloria Swanson, Elliott Dexter, Lew Cody
¿Sabías que…?
- TriviaThis is the first collaboration between Gloria Swanson and Cecil B. DeMille.
- Citas
First Title Card: This does not deal with the tread of victorious Armies, nor defeated Huns - but is just a little sidelight on the inner life of Mr. and Mrs. Porter - who found that they should not have looked for their marital troubles with a Telescope - but with a Microscope.
- ConexionesFeatured in Boulevard! A Hollywood Story (2021)
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Detalles
- Tiempo de ejecución
- 1h 11min(71 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1