The Delicious Little Devil

There are precious few films of the silent screen superstar Mae Murray known to exist these days and when a new one emerges it's a cause for celebration. DELICIOUS LITTLE DEVIL is particularly valuable in that it's the first of her silent comedies to rise from the archives and costars the legendary Rudolph Valentino as her beau. Mae stars as a poor girl supporting her parents and a no account uncle who passes herself off as the notorious showgirl mistress of a Duke and becomes a sensation in a New York nightclub. Among Mae's most ardent admirers is young millionaire heir Valentino who vows to marry her. Rudy's father is not amused and plans a lavish party in Mae's honor hoping she will reveal her true colors with the booze flowing. To make matters worse, the infamous Duke crashes the party. This delightful little comedy is a fascinating glimpse of the first days of the Jazz Age with a never more charming Mae Murray who practically cannot stand still and gives a sweet, amusing performance and then there's the stunningly handsome Valentino, then not yet a star but certainly showing star charisma in spades. An additional bonus is the fantastic musical score and some wonderful title cards with vintage artwork that really brings back the art deco era.

Delicious Little Devil, The (1919)

** (out of 4)

This film was lost until a print was found in 1991 but it doesn't do much outside of that little fact. A poor girl (Mae Murray) loses her job but decides to take on the identity of a mistress to a world famous Duke so that she can get a job as a dancer in a roadhouse. She soon becomes a hit and falls for the son of a millionaire (Rudolph Valentino) but his father isn't too fond of the romance. This comedy has very few laughs, although it remains interesting throughout. Thankfully the film only runs 55-minutes and it moves by pretty quickly. Valentino only has a supporting role but he does a fine job even though I still don't see the reasons behind his big sex appeal. This is the first film I've seen Murray in and I enjoyed her enough to search out more of her films. She brings forth a very innocent appeal and although I didn't find her sexy she did have some sort of strange sexuality, which come off very well.

TCM broadcast this film in a grouping of Valentino films but the film really belongs to Mae Murray. I should add that Mae Murray seemed to be imitating Mary Pickford when she was in her comedy cups, down to gestures, mannerisms, facial expressions, it was uncanny. I kept visualizing Mary Pickford as I watched Mae, it was that strong.

The film is about a girl who is desperate for a well paying job and she tries out at a nightclub as a dancer. The proprietor is looking for someone "with a past", and Mae's character is a properly brought up young girl with no past at all. So she lies, pretending to be a notorious ex-lover of a duke, so that she will seem exotic enough to be hired. Her tryout test is a scream, I was laughing my head off. Eventually the real duke shows up and even though he knows she is not the same woman he had a fling with he still wants Mae. Valentino's character is jealous and a pursuit for the girl begins.

I really enjoyed the picture, and think you will too. Just don't expect the film to focus on Valentino, and you'll be OK with it. If it's true it will be included on the future Beyond the Rocks DVD it will find a whole new audience, which can only be beneficial to Mae Murray, since not a lot of her silent film work seems to be available to the public.

This film seemed to run at high speed, but it made the action more hilarious! Mae Murray was the real star, as in this case her eccentricity worked! She plays a poor shop girl impersonating a show girl. She whirls around like a dervish and struts like a diva! It was funny how she presented herself as a Mary Pickford look alike! Over the top works for comedies,wish she had done more of the genre! Poor Rudy had little to do except look beautiful though! But I'm not complaining! I know this was an early effort for him.I guess he and Mae remained friends as he was best man at one of her weddings! This is a cute little rarity, and Mae is a hoot! Fine supporting cast with Harry I.Rattenberry as the father and Richard Cummings as Uncle Barnley being particular stand outs.

This long lost film was rediscovered, restored and preserved at Nederlands Filmmuseum. My hats off to them! It is now companioned on DVD with the lost Gloria Swanson/Rudolph Valentino 1922 starring vehicle BEYOND THE ROCKS. TDLD stars Mae Murray for sure. She is a little hurricane moving from scene to scene in this routine Universal programmer of 1919. Murray's then husband, up and coming director and former actor Robert Z. Leonard, does the directing honors. Leonard keeps his wife and cast in a fast paced zip. The fast zip of this movie is no doubt due to the 24fps running speed on the DVD rather than the actual running speed the film was shot in which to me would seem more in the neighborhood of 18-21 fps. Even at the slower speeds the film still moves at a good pace. Most of Murray's starring vehicles of the 1920s are in archives or foreign collections unrestored, so it's hard to judge her career. TDLD was made at the beginning of her great screen success after a few years appearing in dramatic roles. This film shows Murray in all the raw material of her beauty and energy just before her great successes as a fantasy type queen in the 1920s. This film also gives up-n-coming Rudolph Valentino a significant supporting player part as a rich man's son who loves Murray. For once Rudy isn't playing the gigolo or thug that he was always being cast in. He and Murray got along and stayed friends even after Rudy's big success in 1921 with THE FOUR HORSEMEN OF THE APOCALYPSE and when Murray married a faux Russian prince in 1926 it was at Rudy's house. Luckily the TDLD survives in a decent enough 35mm print. Several highlights of this film include Murray getting in and out of a large sunken bath(much like Gloria Swanson in MALE & FEMALE that same year), several cheesecake shots of Murray by director Leonard showing her in near-nude see thru while changing costumes at a play, a funny scene with tall Gertrude Astor that involves talcum powder, a thrilling well choreographed car chase, Murray dancing around and running all while wearing large heeled pump shoes, and a short sequence involving soon to be famous screenwriter Katherine Hilliker as herself in name on a newspaper. Watching this makes one want to see Murray with Lon Chaney in the lost 1918 Universal film DANGER, GO SLOW also directed by Leonard. Audiences are going to discover Mae Murray, if they can find and view her films. This is more deserving of her than just glancing across a famous photo of her in some film book. Oh I must say one thing, the DVD copy has a resurrected original score performed by the Mont Alto orchestra and they do a marvelous job. Overall Mae does what actresses such as Mary Pickford and Lillian Gish wouldn't do, show a little (or a lot?) of cheesecake that verges on the daring when viewing the film. These were the days of no Will Hays or Joseph Breen or his Production Code. Nope, all of that lay in the future. Leonard also manages to imbue the film with some filmic technique where he obviously worm gears a pan across a room. If you're a silent fan, this is a rare glimpse at a once famous and beautiful silent film actress in her prime.