Hallelujah

1929
Approved
1h 49min

CALIFICACIÓN DE IMDb

6.7/10

2.1 k

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1 video

21 fotos

Drama Musical

Agrega una trama en tu idiomaA sharecropper decides to become a preacher after falling for a vamp from the city.A sharecropper decides to become a preacher after falling for a vamp from the city.A sharecropper decides to become a preacher after falling for a vamp from the city.

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CALIFICACIÓN DE IMDb

6.7/10

2.1 k

TU CALIFICACIÓN

Ver la información de producción en IMDbPro

Nominado a 1 premio Óscar
- 3 premios ganados y 1 nominación en total

Child
(sin créditos)

Evelyn Pope Burwell

Singer
(sin créditos)

Eddie Conners

Singer
(sin créditos)

William Allen Garrison

Heavy
(sin créditos)

Eva Jessye

Singer
(sin créditos)

Sam McDaniel

Adam
(sin créditos)

Clarence Muse

Church Member
(sin créditos)

‘Snow White’ Stars Test Their Wits

Rachel Zegler, Gal Gadot, and director Marc Webb take our Ultimate Disney Quiz.

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9:57

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Argumento

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Trivia
Although this film is frequently touted as the first black-cast film produced in Hollywood, it is actually predated by the more obscure Hearts in Dixie (1929).

Errores
When Zeke confronts Chick and Hot Shot and strong-arms them in front of the crowd, the shadow of the microphone falls across Hot Shot as he is pushed to the background of the scene and tries to regain his composure. The shadow of the boom is also visible falling across the extras behind him.

Citas
Spunk: You knows you's just jokin'! Why, I never had no new pants in my life. Why, as soon as you grows out 'em, I steps in.

Versiones alternativas
MGM also issued this movie in a silent version, with Marian Ainslee writing the titles.

Conexiones
Featured in Fejezetek a film történetéböl: Amerikai filmtípusok - A zenés film (1989)

Bandas sonoras
Sometimes I Feel Like a Motherless Child
(uncredited)
Traditional Spiritual
Sung offscreen during the opening credits

Opiniones de usuarios47

Opinión destacada

A great movie from a great director.

It's important to realize this was only the first year of sound pictures. Seen in that light, HALLELUJAH! has a remarkable fluidity, and a freedom from the tyranny of the sound camera that is little short of astonishing. (See "Singin' in the Rain" for a realistic depiction of this problem.) The acting is on a high level, if somewhat dated. King Vidor did an admirable job in depicting his characters' life condition, and was deservedly nominated as Best Director of 1929/30.