CALIFICACIÓN DE IMDb
6.9/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaTaking the train to a show in Pottsville, musicians Stanley and Oliver run into trouble once settled in their sleeping car berth.Taking the train to a show in Pottsville, musicians Stanley and Oliver run into trouble once settled in their sleeping car berth.Taking the train to a show in Pottsville, musicians Stanley and Oliver run into trouble once settled in their sleeping car berth.
- Dirección
- Guionistas
- Elenco
Harry Bernard
- Train Passenger
- (sin créditos)
Sammy Brooks
- Short Train Passenger
- (sin créditos)
Baldwin Cooke
- Train Passenger
- (sin créditos)
Eleanor Fredericks
- Lady in Berth
- (sin créditos)
Paulette Goddard
- Train Passenger
- (sin créditos)
Pete Gordon
- Train Passenger
- (sin créditos)
Charlie Hall
- Train Passenger
- (sin créditos)
Pat Harmon
- Stationmaster
- (sin créditos)
John M. O'Brien
- Man who trips over briefcase
- (sin créditos)
Hayes E. Robertson
- Train Porter
- (sin créditos)
S.D. Wilcox
- Train Conductor
- (sin créditos)
Grace Woods
- Train Passenger
- (sin créditos)
Opiniones destacadas
I just recently got into collecting really old films in their original format--16mm--to be viewed on a projector. And I just won a print of this on eBay, to arrive in a few days.
I'm curious how the experience will differ watching it blown up on a large screen in my backyard... with the noise of the projector...and those real grey tones and unaltered sound.
As opposed to just watching a DVD of it.
Yeah, progress is great, but I have a feeling that watching it via film is gonna feel more like living a little bit of history. When it arrives and I finally view it, I'll give a review.
But I have a feeling that it's going to be magic.
I'm curious how the experience will differ watching it blown up on a large screen in my backyard... with the noise of the projector...and those real grey tones and unaltered sound.
As opposed to just watching a DVD of it.
Yeah, progress is great, but I have a feeling that watching it via film is gonna feel more like living a little bit of history. When it arrives and I finally view it, I'll give a review.
But I have a feeling that it's going to be magic.
On a train to a musical performance, Stan and Ollie do what you might expect. The best part of "Berth Marks" is when they're in the compartment trying to go to bed. A notable piece of trivia about this short - their second talkie - is that it's the film debut of Paulette Goddard, Charlie Chaplin's wife from 1936-42 (and his co-star in "Modern Times" and "The Great Dictator").
It's not Laurel & Hardy's best movie, but still fun. There's now a movie about the comic duo, with Steve Coogan as Laurel and John C. Reilly as Hardy. I hope to see it. In the meantime, I recommend "Berth Marks". One can see how L&H influenced Gilligan and the Skipper.
Good one.
It's not Laurel & Hardy's best movie, but still fun. There's now a movie about the comic duo, with Steve Coogan as Laurel and John C. Reilly as Hardy. I hope to see it. In the meantime, I recommend "Berth Marks". One can see how L&H influenced Gilligan and the Skipper.
Good one.
With their vaudeville careers slowly taking off, Messers Laurel and Hardy set off on a tour of small music halls. They arrange to meet at the train station with their instrument but find that the journey is not as comfortable or straightforward as they had first expected.
Laurel and Hardy's first short film with sound is clearly the start of a developing series of shorts. For the first few minutes there is almost no sound to speak of as they rely on their normal comedy style it feels a little like they want to stay with what they know for a while. When the sound does kick in, it is very grainy and is given limited use for that reason. However, considering it is now over 70 years old this is understandable and it doesn't really affect the film too much.
The routines are pretty good and show a keen imagination one running gap is left to run offscreen for five minutes before we are allowed to see it's extreme punchline! The routine in the train carriage berth has been reused to better effect by Laurel and Hardy but is still funny here. Both men are good and work well in the confines of the berth Laurel has the better of the material here though.
Overall I enjoyed this short but must admit that the sheer age of the film did shine through in regards sound quality and even film stock at times. Regards though it was still funny although I missed the verbal wit that is part of their comedy in other shorts.
Laurel and Hardy's first short film with sound is clearly the start of a developing series of shorts. For the first few minutes there is almost no sound to speak of as they rely on their normal comedy style it feels a little like they want to stay with what they know for a while. When the sound does kick in, it is very grainy and is given limited use for that reason. However, considering it is now over 70 years old this is understandable and it doesn't really affect the film too much.
The routines are pretty good and show a keen imagination one running gap is left to run offscreen for five minutes before we are allowed to see it's extreme punchline! The routine in the train carriage berth has been reused to better effect by Laurel and Hardy but is still funny here. Both men are good and work well in the confines of the berth Laurel has the better of the material here though.
Overall I enjoyed this short but must admit that the sheer age of the film did shine through in regards sound quality and even film stock at times. Regards though it was still funny although I missed the verbal wit that is part of their comedy in other shorts.
For anyone who doesn't believe that train rides can be a total hassle, see this film, and your views will be sorely changed. Laural And Hardy, two vaudeville stars heading for Pottsville, take us on a 20 minute ride of their life (one most of us wish would never happen). This movie makes me laugh tears right from the opening scenes, as the boys even find boarding the train a hard thing to do (this is one of the best scenes in the short). Next we find them on the train, and they've apparently lost their music for their act, can things get worse? of course! stan, on the way to his berth, walks into a womans room, causing her husband to think someone was looking at her, and a free for all coat fight ensues! The next scenes are what tops the short off... Stan and Ollie spend the last 15 minutes just trying to get in the berth and get settled into it! These last scenes make this short a killer, one to be remembered forever, and even though i am only 18, i will make sure my grandkids watch this when they are my age. A truly great L&H short...for everyone
Laurel and Hardy are back again in this talkie train adventure. The duo have a gig and they take the train, unknowingly create mayhem, try to get some sleep but encounter some trouble with wardrobe and when they're finally ready, they reach their destination only to forget the cello in the train. It's got the usual slapstick element and again Hardy does more of the talking while Laurel remains quiet. It's a simple little film of the typical Laurel and Hardy humour (for which they are loved). It's finely executed and provides several laugh out loud moments such as the bed scene or the sequence where the passengers start ripping each others clothes off and this starts multiplying (till the point where the conductor's clothes are tattered). Paulette Goddard and Baldwin Cooke provide great support. I love most of the things this wonderful comedy duo have done and 'Berth Marks' ranks among my favourites.
¿Sabías que…?
- TriviaA silent version was also made for theaters that at the time were not equipped to show talkies.
- ErroresAs Stan and Ollie scramble to board the train, their fiddle is clearly smashed to pieces, yet it is intact for the rest of the film.
- Versiones alternativasReissued in 1936 with a new musical score, including the "Cuckoo" song by Marvin Hatley over the main credits, as well as a 1932 version of the song played by the Van Phillips Orchestra over the first scene at the depot.
- ConexionesEdited into Noche de duendes (1930)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Berth Control
- Locaciones de filmación
- Palms Depot, Heritage Square Museum - 3800 Homer Street, Montecito Heights, Los Ángeles, California, Estados Unidos(this is where the ending train station building was moved)
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 19min
- Color
- Mezcla de sonido
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