Aufruhr des Blutes

1929
1h 37min

TU CALIFICACIÓN

Agrega una trama en tu idiomaOskar, George and Fred are fed up with their existence and long for a vagabond life in the nature. They pitch their tent at a lake when suddenly Vera appears. She has escaped from a travelin... Leer todoOskar, George and Fred are fed up with their existence and long for a vagabond life in the nature. They pitch their tent at a lake when suddenly Vera appears. She has escaped from a traveling circus and all three men are impressed by her and want her in different ways. Oskar is m... Leer todoOskar, George and Fred are fed up with their existence and long for a vagabond life in the nature. They pitch their tent at a lake when suddenly Vera appears. She has escaped from a traveling circus and all three men are impressed by her and want her in different ways. Oskar is most successful with Vera, but soon hostility grows among the three buddies.

Dirección
- Victor Trivas
Guionistas
- Paul Schiller
- Victor Trivas
Elenco

Ver la información de producción en IMDbPro

TU CALIFICACIÓN

Dirección
- Victor Trivas
Guionistas
- Paul Schiller
- Victor Trivas
Elenco

1Opinión de los usuarios

Ver la información de producción en IMDbPro

Fotos1

Elenco principal5

Editar

Vera Voronina

Vera

Jan Sviták

Saeto

Oscar Marion

Oskar
(as Oskar Lepka)

Feodor Chaliapin Sr.

Fred
(as Fedor Salin)

George Seroff

Jirí
(as Georgi Serov)

Opiniones de usuarios1

Opiniones destacadas

5boblipton

Another Erda

Three friends -- Oscar Marion, Feodor Chaliapin, and George Seroff -- are enjoying a weekend camping, when Vera Voronina shows up. She's a circus acrobart who has tired of the life. The fellows make her welcome, then compete for her attention, and finally begin to fight.

It's another appearance of the Erda, the woman who ruins men. Their isolation makes this an opportunity for this very late silent to shoot some nice rural scenery, but the essential simplicity of the story makes it of limited interest.

Fraulein Veronina had been a model when she showed up in Berlin and caught the eye of Gustaf Molander, who used her in one of his productions. Others followed, and she wound up Hollywood. But the changeover to sound left her at loose ends; she did not speak English. Back to Europe she went. This was her last movie. She disappeared from view shortly thereafter and is believed to have died in 1942 at the age of 38 or so.