West of Zanzibar

Very interesting and unusual silent film starring Lon Chaney as Phrosos the Magician, a stage show performer who has a wife he really loves - but she informs him she is planning to leave him for a man named Crane (Lionel Barrymore). When Crane tells Phrosos he is taking her away to Africa - he fights with Phrosos sending him falling over the railing of a second floor landing. His legs now paralyzed, Phrosos goes around riding a cart or pulls himself around by his arms, with his lifeless legs dragging behind. When the wife comes back with a baby, he finds the wife dead - so Phrosos, bitter and full of hate, sets out for Africa to seek his revenge on Crane and the baby daughter. Eighteen years pass - Phrosos, now known as "Dead-Legs", uses his magic to trick the natives with fake "voodoo" so he can steal elephant tusks from Crane, now a trader. Meanwhile, he has the daughter being raised in a Zanzibar brothel and he sends for her to come to him - all part of his evil plan. He now holds the poor girl captive and treats her like dirt - doing such things to her as making her eat on the floor and giving all her clothes to the natives. Twists and turns to follow.

This is an absorbing, well done film - odd, creepy, and sad too. Chaney is really excellent in this - he gets such a look of evil and hate on his expressive face and is just SO good at making his legs look completely lifeless. Mary Nolan, who plays the daughter, spends most of the film looking around her with a complete look of disgust (and who can blame her!) - but her facial expressions are slightly over the top sometimes. Warner Baxter is handsome here playing Doc, Chaney's sidekick in Africa who falls in love with the girl. Very good.

This film can be discounted as unacceptable by many modern audiences. It is filmed in black and white. It is silent and it shows African blacks in a stero-typic manner that would not be accepted today.

Saying all that, it is a must-see film for any serious student or fan of drama. Chaney gives in this film one of the most powerful and convincing acting performances of any actor in any film. Without a single spoken word he shows anger to the point of madness, sly intelligence and overwhelming remorse and sorrow.

There is no feel of "miming emotions " or "mugging for the camera" about this film. The emotions that Chaney display feel so authentic that at times this viewer feels a discomfort for intruding into the personal torment of the character.

The director has used the talents of Chaney and to a lesser extent those of the other actors to relay most of the story with minimal use of "Text Cards", which otherwise would have disrupted the flow of action.

Somewhere WEST OF ZANZIBAR, a crippled magician insanely plots revenge on the ivory hunter who ruined his life...

Lon Chaney dominates this fascinatingly bizarre little silent movie. More than just a ‘horror actor,' Chaney was a consummate craftsman who, here using a minimum of makeup, could sway an audience with the slightest facial twinge or glance from his haunted eyes. Completely convincing as a cripple, dragging his dead legs behind him across the floor, he becomes more a monstrous aberration than a human being.

Lionel Barrymore, Warner Baxter & lovely Mary Nolan all give excellent performances in supporting roles, but this is really Chaney's picture all the way. The fine production values , courtesy of MGM, only enhance its star's dominance of the medium.

With Tod Browning, Chaney's frequent collaborator, as director, it is fascinating to speculate how much Chaney's physical performance here later influenced Browning's vision in his masterwork, FREAKS (1932).

One year after these two prominent figures of the silent era cinema worked together for The Unknown, here they team again for another tragic story of despair, loss and revenge. Clocking at little more than an hour, West of Zanzibar combines the best of both worlds: Browning's atmospheric direction that turns Africa (or the studio backlot that stood for it) in a dark limbo where cannibal tribes perform weird rituals to their gods and drums of doom sound in the night, and Lon Chaney, the man, the myth.

Saying that Lon Chaney is among the finest character actors of all time is an understatement. Mostly known for his macabre make-up that made him almost unrecognizable from one role to the other, Chaney was also a fantastic actor, able to emote and connect with the audience with a gesture or a look of his eyes. West of Zanzibar's story works on the same motif of tragic irony that made The Unknown so good and offers the perfect role for this great actor. Unsurprisingly he makes the most of it.

A great companion piece for The Unknown and a fine movie on its own right, West of Zanzibar is the result of two inspired artists at the top of their craft working together. Recommended.

"West Of Zanzibar" is so wildly improbable that it needs some masterful acting to hold it together. That is where Lon Chaney comes in, with another of his patented acting performances. You've no doubt read other reviews on the website and gotten the gist of the story, which might sound like comedy material to some. But Chaney delivers as Phroso/"Dead Legs", cuckolded magician turned Emperor in darkest Africa. His face reflects a spectrum of emotions from anguish to amused contempt and he puts the picture over.

He is not without help, as MGM has surrounded him with a stellar cast; Warner Baxter, Lionel Barrymore and Mary Nolan make up the supporting players. In short, "West Of Zanzibar" is not one of Chaney's minor films, but another example of this splendid actor's marvelous talent, a great actor who died too soon. Although it is technically in the sound era, it is a silent picture - Chaney made only one sound film before his death.