Agrega una trama en tu idiomaStan and Ollie hold out money from their paychecks from their shrewish wives so they can enjoy a night out on the town... with predictable results.Stan and Ollie hold out money from their paychecks from their shrewish wives so they can enjoy a night out on the town... with predictable results.Stan and Ollie hold out money from their paychecks from their shrewish wives so they can enjoy a night out on the town... with predictable results.
- Dirección
- Guionistas
- Elenco
Tiny Sandford
- Waiter
- (as S.J. Sandford)
Jimmy Aubrey
- Cook
- (sin créditos)
Chet Brandenburg
- Waiter
- (sin créditos)
Ed Brandenburg
- Waiter
- (sin créditos)
Betty Caldwell
- Nightclub Cigarette Girl
- (sin créditos)
Dorothy Coburn
- Hatcheck Girl
- (sin créditos)
Edgar Dearing
- Waiter
- (sin créditos)
Gracie Doll
- Pink Pub Midget Performer
- (sin créditos)
Daisy Earles
- Pink Pub MIdget Performer
- (sin créditos)
Harry Earles
- Pink Pub Midget Perfomer
- (sin créditos)
Helen Gilmore
- Pink Pub Patron
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
THEIR PURPLE MOMENT
Aspect ratio: 1.33:1
Sound format: Silent
(Black and white - Short film)
Two luckless nightclub revellers (Laurel and Hardy) are unable to pay their bill, provoking violent retribution from a hot-tempered waiter (Tiny Sandford).
Typical L&H scenario, less substantial than some of their best work from this period, but worth a look nonetheless. Stan takes center-stage this time round, caught up in a financial dilemma after holding back part of his wages to fund a night on the town, only to find out - too late! - that his aggrieved wife (Fay Holderness) has replaced his stash with worthless coupons. Some of the prolonged closeups of Laurel as he slowly becomes aware of the unfolding disaster reveal his genius for characterization and mime. 1920's morality is represented by Patsy O'Byrne, playing a hatchet-faced busy-body who takes great joy in alerting L&H's respective spouses (Holderness and Lyle Taho) to their husbands' bad behavior. The ending fizzles, but the movie still has much to recommend it. Directed by James Parrott.
Aspect ratio: 1.33:1
Sound format: Silent
(Black and white - Short film)
Two luckless nightclub revellers (Laurel and Hardy) are unable to pay their bill, provoking violent retribution from a hot-tempered waiter (Tiny Sandford).
Typical L&H scenario, less substantial than some of their best work from this period, but worth a look nonetheless. Stan takes center-stage this time round, caught up in a financial dilemma after holding back part of his wages to fund a night on the town, only to find out - too late! - that his aggrieved wife (Fay Holderness) has replaced his stash with worthless coupons. Some of the prolonged closeups of Laurel as he slowly becomes aware of the unfolding disaster reveal his genius for characterization and mime. 1920's morality is represented by Patsy O'Byrne, playing a hatchet-faced busy-body who takes great joy in alerting L&H's respective spouses (Holderness and Lyle Taho) to their husbands' bad behavior. The ending fizzles, but the movie still has much to recommend it. Directed by James Parrott.
The Laurel and Hardy team was now reasonably well established at this time in 1928,but for some reason THEIR PURPLE MOMENT takes one or two steps back;Stan is billed as 'Mr.Pincher'and not Mr.Laurel,and a proposed final scene involving an escape from the night club involving a midget troupe was removed before the film's release,and replaced with a rushed,rather(for L & H)hackneyed final pie throwing sequence.Still,there are some very funny moments,especially with a waiter who keeps on falling into a tray of mashed potatoes;these gags were reworked into the following year's THAT'S MY WIFE(1929).Edgar Kennedy was apparently in these deleted scenes.
5tavm
This is another of Laurel & Hardy's early shorts that I watched on Hulu as linked from IMDb. This seems to be the first time they have wives that boss them around so they have to sneak around in order to have some fun like later on in films like Be Big or Sons of the Desert. In this one, Stan & Ollie go to a restaurant after a couple of men run out on their dates so the boys volunteer to help pay for the women (Kay Deslys, Anita Garvin) left behind. But both men find out their wives took their money without them knowing. And the gossiping woman, seeing them all there, goes back to tell the spouses what's what. I'll stop there and just say that not much funny happens until the food fight that ends the picture. It replaced an earlier sequence that involved Stan & Ollie dressing as women that was filmed but I'm guessing that's now lost. There's a still from that scene in Randy Skrevedt's book "Laurel and Hardy: The Magic Behind the Movies". On that point, Their Purple Moment is at least worth a look.
Their Purple Moment (1928)
*** (out of 4)
Laurel and Hardy hold out some of their pay so that they can go out on the town but their wives find their hiding spot. When the boys are out they run up a tab and must find a way out. There are plenty of laughs here including a wonderfully funny food fight at the end as well as a nice sequence with the two trying to sneak out of a restaurant.
I viewed this in the UK, 21-disc set, which is a dream come true for fans of Laurel and Hardy. The price has recently dropped on the set so any fan should certainly look into picking it up.
*** (out of 4)
Laurel and Hardy hold out some of their pay so that they can go out on the town but their wives find their hiding spot. When the boys are out they run up a tab and must find a way out. There are plenty of laughs here including a wonderfully funny food fight at the end as well as a nice sequence with the two trying to sneak out of a restaurant.
I viewed this in the UK, 21-disc set, which is a dream come true for fans of Laurel and Hardy. The price has recently dropped on the set so any fan should certainly look into picking it up.
Stan and Ollie decide to hold back a few bucks from their weekly paychecks so they can save up and have a night on the town (without their wives!)... When they finally embark on their secret evening of fun, they alight on two girls outside a restaurant who have been stood up. Convinced that they are flush; they offer to bankroll them and after a rather nice dinner discover that their secret evening has been anything but.... and that they have nothing to pay the bills with but coupons! It gets off to quite a good start, but the ending let's it down quite badly. Anita Garvin & Kay Deslys are good as the gals and the music has a few recognisable bars from "Baby Face' and "Ain't She Sweet"
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- TriviaThe troupe of midgets hired for a deleted scene in the film came from the Al G. Barnes Circus, which was wintering in Los Angeles, at the time. They were paid $50 a day.
- ErroresWhen Stan knocks on the front door and enters the door is completely different in the interior shot. It's the same when Ollie and his wife enter.
- Citas
Title card: [Opening lines] Dedicated to husbands who "hold out" part of their pay envelope on their wives - And live to tell about it...
- ConexionesFeatured in Cuatro cómicos (1970)
- Bandas sonorasOh, You Beautiful Doll
(1911) (uncredited)
Music by Nat Ayer (as Nat D. Dyer)
Instrumental version in restoration background music
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
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- Tiempo de ejecución
- 22min
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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