Lights of New York

Okay so I gave this a 6 but to be fair you can't grade Lights of New York in any ordinary sense. The camera's immobile, the acting's on par with lumber and the script's below second-rate. I love the dialog--- Wheeler Oakman's "But... they... must not... find... Eddie" and the infamous, "Take.. him... for... A... ride" is stupifyingly awful (further proof of his thespian skills can be seen in his death scene... then he keeps on breathing!). But hey, this was the very first all-talking movie! There's every reason in the world to make allowances for every one of it's shortcomings. I've seen The Jazz Singer released around 8 months earlier and this represented a huge leap over part-talkies. It's hard to be overly critical on the technical aspects when it's apparent that everyone was dealing with new fangled sound and heavily soundproofed cameras--- not to mention sound requiring completely new types of direction. This is a gem that deserves to be seen and judged for what it is, a historical artifact. Eugene Palette is the best actor here (no surprise).

EARLY talkie... even the poster said "first all talking picture". stars Helene Costello as Kitty, well-meaning chorus girl. Co stars Cullen Landis as Eddie. Eugene pallette is in here as Gene, the barber. He wasn't so big yet, but still had the lower, deep voice. Bootleggers move in. and unfortunately, that's where the money is. the timing is odd, but it IS one of the early talkies, so technical difficulties are to be expected. Speak-easies. the mob. Wheeler Oakman is "the Hawk", mob boss. Wheeler died young at 59... sadly, Costello also died quite young at 50, of tuberculosis. Directed by prolific Bryan Foy, who actually was one (the oldest) of the Seven Little Foys! warner brothers shortie, at only 57 minutes. This one is interesting for history's sake, since it claims to be the first all talking picture, with no music. after the silents, they even have title cards here and there to explain things. It's okay. more important as a piece of history.

This is an important historical film since it was the the first all-talking feature film.

The film was made for a mere 23,000 dollars.

It grossed over a million dollars upon its release.

This film all so helped define the gangster melodramas that were to become the bread and butter of the Warner's studio in the 1930's.

The popularity of this film ended the silent era more so than its more famous part-talkie predecessor, the Jazz Singer. The film deserves its place in history and not as a mere footnote.

The only actor who might be remember today that is in it was Eugene Palette.

Fascinating and amusingly bad, Lights of New York is the first all talkie feature and one that almost never saw the light of day.

Two naive barbers (Eddie and Gene) from out of town get involved with bootleggers and end up fronting a speak. When a cop is shot by one of the bootleggers the police start to close in, and the Hawk (who shot the officer) decides to pin the murder on Eddie instructing his henchman to "take him for a ride". But it's the Hawk himself who takes the bullet in a twist that will surprise few.

Shot in one week at a cost of $23,000, "Lights" was originally meant as a two reeler but Foy took advantage of Jack Warner's absence to extend it to six. When Warner discovered this he ordered Foy to cut it back to the original short. Only when an independent exhibitor offered $25k for the film, did Warners actually look at the film, which went on to make a staggering $1.3 million.

Seen now this is an extremely hokey piece, with acting that ranges from the passable (Eugene Pallette) to trance like (Eddie's Granny in a particularly risible scene) and much of the playing is at the level of vaudeville. Since it's an early talkie (4 part-talkies preceded it) that's about all the characters do, and very slowly at that. The script feels improvised, visual style is non existent (apart from the shooting scene done in silhouette) and scenes grind on interminably. Title cards are intercut which redundantly announce characters and locales.

Despite all this "Lights" is a compelling experience, as we watch actors and crew struggling with the alien technology, and changing cinema for ever.

Catch it if you can

One-hour-long, corny, somewhat boring---but still kind of watchable. I liked one song that an entertainer in a nightclub sang (and he did a bit of dance accompaniment). Some decent plot twists. The actors stumble over their lines but one cannot blame the movie that much because I am reading here that it was billed as "the first 100% talkie." The slang expressions and quick-fire dialogue are big pluses.