Agrega una trama en tu idiomaTwo sailors with a rivalry over chasing women become friends. But when one decides to finally settle down, will this mysterious young women come between them?Two sailors with a rivalry over chasing women become friends. But when one decides to finally settle down, will this mysterious young women come between them?Two sailors with a rivalry over chasing women become friends. But when one decides to finally settle down, will this mysterious young women come between them?
- Dirección
- Guionistas
- Elenco
Maria Alba
- Maria Buenjolla
- (as Maria Casajuana)
- …
Eileen Sedgwick
- Girl Cyclist in Amsterdam
- (as Gretel Yoltz)
Henry Armetta
- Bartender in Panama
- (sin créditos)
Gladys Brockwell
- Madame Flore
- (sin créditos)
Jackie Combs
- Child of widow
- (sin créditos)
William Demarest
- Man in Bombay
- (sin créditos)
Elena Jurado
- Girl #1 in Panama City
- (sin créditos)
Natalie Kingston
- Girl in South Sea Island
- (sin créditos)
Caryl Lincoln
- Girl in Liverpool
- (sin créditos)
Alexander P. Linton
- Carneval Sword Swallower
- (sin créditos)
Myrna Loy
- Jetta - Girl in Singapore
- (sin créditos)
Opiniones destacadas
This is what we call today a "guy film" in which two buddies share everything from drinking bouts to bar room brawls to girls. An early effort by director Howard Hawks, the bar and fight sequences are fast, at times comical and always colorful.
Another interesting thing about the film is that we get a chance to see what ordinary people looked like in the 20's. Being about two sailors and their adventures ashore, we a shown a much more exotic world than we might see today. Take for example when one of our heroes picks up a Dutch girl, dressed in full traditional Dutch costume which was common at the time. From our modern view, we expect her to act like some old fashioned Dutch doll, but instead she acts like any other teenaged girl who is out on a date with a hunk. It is a reminder that people haven't changed that much.
Louise Brooks is another treat in the film. A very extraordinary personality, Louise is the center of attention whenever she is on screen. The sexual tension is highly electric in her scenes. It was because of this film that she was chosen for her famous role as Lulu in "Pandora's Box" where she would make cinema history. All in all, although the film is not one of the greats, it certainly has some great moments and is well worth seeing.
Another interesting thing about the film is that we get a chance to see what ordinary people looked like in the 20's. Being about two sailors and their adventures ashore, we a shown a much more exotic world than we might see today. Take for example when one of our heroes picks up a Dutch girl, dressed in full traditional Dutch costume which was common at the time. From our modern view, we expect her to act like some old fashioned Dutch doll, but instead she acts like any other teenaged girl who is out on a date with a hunk. It is a reminder that people haven't changed that much.
Louise Brooks is another treat in the film. A very extraordinary personality, Louise is the center of attention whenever she is on screen. The sexual tension is highly electric in her scenes. It was because of this film that she was chosen for her famous role as Lulu in "Pandora's Box" where she would make cinema history. All in all, although the film is not one of the greats, it certainly has some great moments and is well worth seeing.
The only reason this fllm seems to garner attention is due to Louise Brooks in the final segment. She is attractive enough but displaying little dramatic talent, just a show piece that any woman, actress or not, could have provided the film makers.
I am among those who just 'don't get" Louise Brooks, and I guess I will die unchanged. Nothing special at all in my book. She just had a "look," but no talent.
A buddy movie, that could be termed gay "but without any sex," just camaraderie devoid of the influence of the female.
I am among those who just 'don't get" Louise Brooks, and I guess I will die unchanged. Nothing special at all in my book. She just had a "look," but no talent.
A buddy movie, that could be termed gay "but without any sex," just camaraderie devoid of the influence of the female.
Howard Hawks had been called by film critic Leonard Maltin as "the greatest American director who is not a household name." His imprint in the early Golden Age of Hollywood is everywhere. His versatility in expertly handling all types of genres, from screwball comedies, to westerns, to film noirs, to even musicals, is all encompassing. Hawks played a huge influence on future film directors such as Martin Scorsese, Quentin Tarantino and France's Jean-Luc Godard. The director's speciality, however, was movies about the friendly bonding of males, a concurrent theme in many of his films.
Beginning as a director in silent movies, his first movie containing the first traces of the Hawksian male trademark is February 1928's "A Girl In Every Port." Hawks wrote the story that the film's screenplay was based. It details a sailor, Spike (Victor McLaglen), who has a girlfriend in every port where his schooner docks at. Trouble brews when he discovers another sailor, Salami (Robert Armstrong), has coincidentally swept every girlfriend of his off their feet, leaving each of them a distinctive heart-shaped charm with an anchor inside. Spike finally catches up to Salami, and they duke it out. Using a similar set-up by the play and the movie "What Price Glory?" Hawks' story has the two adversaries ultimately forming a close bond-that is until Marie (Louise Brooks) enters the scene, stealing Spike (and his money) away from Salami. Film historians cite "A Girl In Every Port" as the first time in the director's oeuvre where his male characters feel friendship is more important than a relationship with a women. In this movie, Louise Brooks plays a conniving thief who is out to steal every penny from the gullible Spike.
An avid tennis player as a youth (he won the United States Junior Tennis Championship), Hawks joined the Aviation Section of the U. S. Signal Corps during World War One teaching untrained pilots how to fly. Living in Pasadena, California, after the war, he had worked summer jobs at film studios. His first employment was as a prop boy for Douglas Fairbanks films. Working alongside the actor, Mary Pickford and Cecil B. DeMille, Hawks secured a position at Paramount Pictures as a Production Editor and script writer. In 1925, Hawks was offered to direct films at Fox Films, with "A Girl In Every Port" his fifth movie.
The 21-year-old actress Louise Brooks' career took a giant leap forward in her role as Marie. Soon after "A Girl In Every Port" was released, German director G. W Pabst spotted her on the screen and felt she would be perfect for what turned out to be her defining role, 1929's "Pandora's Box." This Hawks film and her next appearance in "Beggars In Life" solidified Brooks' reputation as one of the more talented rising new stars in cinema.
Beginning as a director in silent movies, his first movie containing the first traces of the Hawksian male trademark is February 1928's "A Girl In Every Port." Hawks wrote the story that the film's screenplay was based. It details a sailor, Spike (Victor McLaglen), who has a girlfriend in every port where his schooner docks at. Trouble brews when he discovers another sailor, Salami (Robert Armstrong), has coincidentally swept every girlfriend of his off their feet, leaving each of them a distinctive heart-shaped charm with an anchor inside. Spike finally catches up to Salami, and they duke it out. Using a similar set-up by the play and the movie "What Price Glory?" Hawks' story has the two adversaries ultimately forming a close bond-that is until Marie (Louise Brooks) enters the scene, stealing Spike (and his money) away from Salami. Film historians cite "A Girl In Every Port" as the first time in the director's oeuvre where his male characters feel friendship is more important than a relationship with a women. In this movie, Louise Brooks plays a conniving thief who is out to steal every penny from the gullible Spike.
An avid tennis player as a youth (he won the United States Junior Tennis Championship), Hawks joined the Aviation Section of the U. S. Signal Corps during World War One teaching untrained pilots how to fly. Living in Pasadena, California, after the war, he had worked summer jobs at film studios. His first employment was as a prop boy for Douglas Fairbanks films. Working alongside the actor, Mary Pickford and Cecil B. DeMille, Hawks secured a position at Paramount Pictures as a Production Editor and script writer. In 1925, Hawks was offered to direct films at Fox Films, with "A Girl In Every Port" his fifth movie.
The 21-year-old actress Louise Brooks' career took a giant leap forward in her role as Marie. Soon after "A Girl In Every Port" was released, German director G. W Pabst spotted her on the screen and felt she would be perfect for what turned out to be her defining role, 1929's "Pandora's Box." This Hawks film and her next appearance in "Beggars In Life" solidified Brooks' reputation as one of the more talented rising new stars in cinema.
Victor McLaglen and Robert Armstrong become best buddies after trying to beat the brains out of one another in this solid but unremarkable comedy from Howard Hawks. The delectable Louise Brooks is the scheming woman who threatens to come between them. Pabst hired Brooks for Pandora's Box and Diary of a Lost Girl after seeing her in this movie, and got so much more from her than Hawks does here.
A Girl In Every Port is a nice comedy equiped with laughs, betrayal, lust and fighting. It is about two sailors and their adventures with women. As one character finds his girls being stolen leaving the infamous heart and anchor on all of his women. Love interest in this movie is Mam'selle Godiva/ Tessie, played by Louise Brooks. A circus diver she enters the film late in the movie. She fiens interest in one of the friends, trying to seduce the other. A predatory character, Tessie is a nice addition to this film. Which without could have become just another non-convincing comedy. I enjoyed this film mainly because of Brooks. All in all a nice movie.
¿Sabías que…?
- TriviaThis is the film that inspired G.W. Pabst to hire Louise Brooks to play Lulu in Pandora's Box (1929).
- ErroresSpike Madden consults his little black addresses book at each port, and we see close-ups of the pages with names, addresses and notes. When he crosses out Maria Buenjolla's name, the page is as large as his pencil-holding hand, out of proportion to the pocket book seen earlier. By WesternOne.
- Citas
Spike Madden: I remember! This is the place - and she's got a figure like an eel!
- Versiones alternativasThe more complete version known today runs under 79 minutes, yet it lacks scenes with actresses that were named as part of 10 girls in different ports, in Fox's promotional flyer, some of whom were worth mention, by name or character, from viewers and reviewers in different countries. This may be the result of censorship, that changed the name of Madden's rival in love, from Salami to Bill - as Spike and Salami made it too obvious of a sexual innuendo. There is even a shorter version, possibly from the TCM archives, being shown in film festivals that runs under 64 minutes.
- ConexionesEdited into Spisok korabley (2008)
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Detalles
- Tiempo de ejecución
- 1h 18min(78 min)
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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