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IMDbPro

Napoléon vu par Abel Gance

  • 1927
  • 5h 30min
CALIFICACIÓN DE IMDb
8.2/10
9.5 k
TU CALIFICACIÓN
Napoléon vu par Abel Gance (1927)
A film about the French general's youth and early military career.
Reproducir trailer1:31
1 video
99+ fotos
DocudramaDrama de ÉpocaÉpicaÉpica de guerraÉpica históricaBiografíaDramaGuerraHistoria

Una película sobre la juventud del general francés y su carrera militar temprana.Una película sobre la juventud del general francés y su carrera militar temprana.Una película sobre la juventud del general francés y su carrera militar temprana.

  • Dirección
    • Abel Gance
  • Guionista
    • Abel Gance
  • Elenco
    • Albert Dieudonné
    • Nicolas Roudenko
    • Edmond Van Daële
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    8.2/10
    9.5 k
    TU CALIFICACIÓN
    • Dirección
      • Abel Gance
    • Guionista
      • Abel Gance
    • Elenco
      • Albert Dieudonné
      • Nicolas Roudenko
      • Edmond Van Daële
    • 89Opiniones de los usuarios
    • 51Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Premios
      • 4 premios ganados en total

    Videos1

    Trailer
    Trailer 1:31
    Trailer

    Fotos137

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    Elenco principal99+

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    Albert Dieudonné
    Albert Dieudonné
    • Napoléon Bonaparte
    Nicolas Roudenko
    • Napoléon Bonaparte enfant
    • (as Vladimir Roudenko)
    Edmond Van Daële
    Edmond Van Daële
    • Maximilien Robespierre
    Alexandre Koubitzky
    • Georges-Jacques Danton
    Antonin Artaud
    Antonin Artaud
    • Jean-Paul Marat
    Abel Gance
    Abel Gance
    • Louis Saint-Just
    Gina Manès
    Gina Manès
    • Joséphine de Beauharnais
    Suzanne Bianchetti
    Suzanne Bianchetti
    • La reine Marie-Antoinette
    Marguerite Gance
    • Charlotte Corday
    Yvette Dieudonné
    • Élisa Bonaparte
    Philippe Hériat
    Philippe Hériat
    • Antonio Salicetti
    Pierre Batcheff
    Pierre Batcheff
    • Le général Lazare Hoche
    Eugénie Buffet
    • Laetizia Bonaparte
    Acho Chakatouny
    • Pozzo di Borgo
    Nicolas Koline
    Nicolas Koline
    • Tristan Fleuri
    Max Maxudian
    Max Maxudian
    • Barras
    • (as Maxudian)
    Annabella
    Annabella
    • Violine Fleuri et Désirée Clary
    Henri Baudin
    Henri Baudin
    • Santo-Ricci - le berger corse
    • Dirección
      • Abel Gance
    • Guionista
      • Abel Gance
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios89

    8.29.4K
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    Opiniones destacadas

    8blanche-2

    an emotional extravaganza that reaches across time

    I had the privilege of seeing the restored version of this film, to the accompaniment of a live orchestra under the baton of Carmine Coppola, in Los Angeles' un-air-conditioned war memorial. Despite uncomfortable seating and terrible heat, the experience of this four hour movie remains a watershed for anyone who attended. To think that because of the invention of sound, this masterpiece was partially destroyed by Abel Gance in a fit of depression, is heartbreaking. More shocking is that Gance's invention of Cinemascope - of which today only the end of the film retains in its triptych screen effect - was lost to filmgoers until its reinvention years later.

    Obviously true art can't be hidden forever, and Gance did live to see Napoleon take its rightful place in cinematic history. Though it is many years later, I can still remember the tears and the ovation when the black screen with the white signature, "Abel Gance", signified the end of the film. A compelling and great work of art.
    9AlsExGal

    Stunning masterpiece from French director Abel Gance,

    ... and remarkable even in it's current, truncated form. The film details the early life of Napoleon Bonaparte (Albert Dieudonne), from his unpleasant childhood in boarding school to his early military life during the French Revolution and the subsequent Reign of Terror, through to his first military victories and marriage to Josephine (Gina Manes). Also featuring Annabella and Abel Gance as Saint-Just.

    Gance seems to have taken note of every cinematic technique of the previous 30 years of the medium, combining them all into a breathtaking, exhaustive epic that transcends the time of it's making while being wholly of it, as well. This could not exist with such strength as anything but a silent film, I feel, as the reliance on visual stimulus forced Gance into finding new and exciting ways to express emotion and mood. His early use of montage editing and super-imposition of imagery is stellar. The use of handheld cameras adds to the immediacy of the revolutionary scenes, conveying a newsreel touch that seems far advanced from other films of its day. The sets and costumes are very impressive, as is the cast of thousands. Dieudonne resembles Olivier's Richard III more than any other screen Napoleon that I've seen, but it works, and I wonder if this is the image I'll conjure in the future when thinking of the French military genius.

    This movie has a storied existence, with multiple running times and edits throughout the decades. Gance's original version is said to have run over 9 hours, but subsequent edits ran as short as 115 minutes (the 1929 US release). Noted British film historian and preservationist Kevin Brownlow has made it his life's work to try and restore the movie as closely as possible to Gance's original vision. The version that I watched was the recently released BFI version, supervised by Brownlow, and it ran 333 minutes, or about 5 and a half hours. It's definitely a must see.
    bowden-5

    Fantastic performance in London with Carl Davies

    At the weekend i went to see Napoleon at the Royal Festival Hall in London. I am a relative newcomer to silent moves but too see a 5 and a half hour performance with the London Philarmonic Orchestra was incredible. Loved it, there seems to be some dispute with Coppola about the rights to this production, but if it is ever done again, it is something that any serious movie goer should make an attempt to see. And to prevent others from seeing this with an orchestra would be a travesty. The music by Carl Davies added another dimension to what was a fantastic film. It would appear that the work is a lifes work for Kevin Brownlow, he should be very proud of this acheivements.
    8Nazi_Fighter_David

    Gance needed a figure as powerful as "Napoleon" to fulfill his dream of super cinema

    Abel Gance's 'Napoleon' was premiered on April 7, 1927, at the Paris Opera House, the first movie to be accorded such an honor… It was been shown on a triple screen and to full orchestral accompaniment, running slightly under four hours…

    Impressive as it seems, it was conceived as the first of a six-part biography running many hours and tracing the life of Napoleon from childhood to the bitter end in St Helena… Fortunately-for Abel Gance who directed and for us-the project was only completed to that moment where Napoleon enters Italy at the head of the French army, and the later and less pleasant aspects of his spectacular career were left unfilmed... The Little Corporal, after all, is a less controversial figure than the Emperor…

    Gance needed a figure as emblematic and powerful as 'Napoleon' to fulfill his dream of super cinema…

    'Napoleon' is a masterpiece of excess:

    • The child Bonaparte keeps a pet eagle and wins a snow fight while at school in Brienne... In this sequence, the frame splits into nine subliminal images; as Napoleon watches his men entering Italy, the screen expands on each side to form a breathtaking panorama, then changes into three coordinated views of the scene…


    • The National Convention seems to sway and rock as Napoleon makes his escape from Corsica in a storm-tossed sailboat…


    • The Gallic of cabaret singers, Damia, leads French troops into battle personifying 'La Marseillaise'…


    'Napoleon' is like one grand musical composition. It throbs with life…

    That was Gance the great filmmaker who thought that film could do everything and who said to Kevin Brownlow: 'For me, the cinema is not just pictures. It is something great, mysterious and sublime.' Brownlow is known now not only as an English filmmaker and film historian but also as a great restorer of silent films, notably Abel Gance's 'Napoleon.'
    9Bry-2

    Excellent -- but where's the DVD?

    I saw this back in '81 or '82, on the Big Screen at the Shrine Auditorium in Los Angeles, with Carmine Coppola conducting a live orchestra -- there has never been anything like that in all my movie-going experience! The closest that's come since was _Intolerance_, restored, with another live orchestra performing under the baton of the composer, Gillian Anderson (no, not the one from the X-Files). That, too, was an occasion to remember ... but where is Napoleon on DVD?

    As many other reviewers have said, Napoleon was a relevatory experience. Certainly, other films to that point had used most of the devices Gance employed so brilliantly (except, of course, his three-screen-wide "Polyvision"), but then sound came in and the requirements of the microphone killed the recently mobilized camera. The camera became very static for at least the next ten years of films -- dynamic camera movements only returned when sound mixing came in to being, and scenes could be shot MOS (mit out sound), with foley and overdubbing replacing the missed sounds.

    For this reason, Napoleon is important to see -- as a technical achievement. But Gance's artistry wasn't limited to gimmicks. His pacing, editing, and direction of the actors (including Dieudonne as Nappy -- looking amazingly Rod-Stewart-like) is excellent as well.

    Highly recommended -- and when the DVD comes out -- hopefully, with the fuller, five-hour restoration, and Coppola's music on one track, with a reconstruction of the original music on another (and perhaps Gillian Anderson has a score of her own to share?) -- you'll owe it to yourself, as a student of Film, to see it, over and over again.

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    Argumento

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    • Trivia
      Abel Gance remembered one scene that was removed by the censors--that of the execution of civilians by soldiers. The camera is used like a bullet, zooming towards one human target, then another, then another. The sequence is lost, although a still photograph does survive.
    • Errores
      One of the Corsicans in the inn states "Our fatherland is Italy with the Duke of Savoy". The Duchy of Savoy had ceased to exist in 1713 (eighty years earlier), when the Duchy acquired the Kingdom of Sardinia and the Duke then bore the title of the King of Sardinia. Italy was a geographic place not a political entity at this time.
    • Versiones alternativas
      There are apparently at least 19 different versions of this film, starting with the original 6-hours cut (in a "triptych" format, requiring three projectors on three screens, called Polyvision). It has been shown in various formats and different running times, including a 1934 version re-edited by director Abel Gance and featuring an added soundtrack.
    • Conexiones
      Edited into Napoléon Bonaparte (1935)
    • Bandas sonoras
      The Thrill of Being In Love (Love Theme of Napoleon and Josephine)
      Music by Carmine Coppola

      Lyrics by Italia Coppola (USA version)

      UK version: score by Carl Davis (based largely on works by Beethoven)

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    • How long is Napoleon?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 7 de abril de 1927 (Francia)
    • País de origen
      • Francia
    • Idioma
      • Ninguno
    • También se conoce como
      • Napoleon
    • Locaciones de filmación
      • Domaine des Milelli, Ajaccio, Corse-du-Sud, Francia(Paolists' attack on Bonapartes' country house)
    • Productoras
      • Ciné France
      • Films Abel Gance
      • Isepa-Wengeroff Film GmbH
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • FRF 20,000,000 (estimado)
    • Total a nivel mundial
      • USD 39,448
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 5h 30min(330 min)
    • Color
      • Black and White
    • Mezcla de sonido
      • Mono
      • Silent
    • Relación de aspecto
      • 1.33 : 1

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