From Soup to Nuts

FROM SOUP TO NUTS is one of the classic silent shorts featuring the boys playing waiters at a swanky dinner party with high class guests. Of course, everything that could go wrong does end up going wrong, from obvious slapstick (the classic cream pie to the face sketch is repeated constantly) to classic misunderstandings and bizarro situations. While the boys are on top form as ever here, what I really liked was the characterisation of the other players. The scene with the lady trying to get the cherry on her spoon is utterly delightful and on par with the established players. Altogether a fine show.

Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.

While not classic Laurel and Hardy, later films, short and feature, had stronger chemistry when fully formed and used their considerable talents better, 'From Soup to Nuts' is a lot of fun. Before, Laurel was much funnier and more interesting while Hardy in most of the previous outings had too little to do. 'From Soup to Nuts', along with 'Leave Em Laughing' and 'The Finishing Touch', is one of their first very good efforts, to me it's easily one of their best at this point of their careers and one of the first, along with the two mentioned above, to feel like a Laurel and Hardy short rather than a short featuring them.

'From Soup to Nuts' is slight and it affects the pace slightly of the early stages.

A few gags are a bit repetitive and old-fashioned, like slipping on bananas.

Laurel however is very funny, and sometimes hilarious. It is wonderful seeing Hardy having more to do and he is on Laurel's level and actually even funnier. The chemistry is certainly much more here than in previous outings of theirs, namely because there's more of them together and it was starting to feel like a partnership. Support is nice, particularly from Anita Garvin who actually steals the show.

Both Laurel and Hardy have great moments, Laurel's salad routine is classic and Hardy with the cake is fun too.

A good deal of the humour is well timed, hugely energetic and very funny if not always hilarious, with everything going at a lively pace and there is a lot of charm and good nature to keep one going. 'From Soup to Nuts' looks quite good still with some interesting shots.

In summary, a lot of fun. 8/10 Bethany Cox

"Some wiggler huh?" Oliver Hardy says while both he and Stan Laurel ogle Anita Garvin's swaying backside (and quite an ogle inducing backside it is).

Quite refreshing to see a pre-code comedy that shows that men were not indifferent to female charms despite what most films from 1935 to 1950-something would have us believe. Nothing smutty like you would see today. Just an appreciation of the female form in all it's glory.

And besides, it's Laurel & Hardy.

d:) d:)

From Soup to Nuts (1928)

*** (out of 4)

Laurel and Hardy are waiters to a rich party but havoc begins as they start to serve the food. This is a delightful short that doesn't have too much going for it other than the boys falling into the food but this here is quite funny especially Hardy and the cake.

Another Fine Mess (1930)

*** (out of 4)

Laurel and Hardy, being chased by the police, enter a mansion and assume the identity of the owner and maid. This is a very funny short with highlights including Laurel going from the butler to the maid in a matter of minute to the best moment at the end of the film in a horse outfit.

As others have commented, this isn't one of the boys best, but it is probably on a par (if not better) than anything they had done individually up to that point in their careers. The set-up is simple: Stan and Ollie are a pair of hapless (what else?) waiters employed to serve food at a swank dinner party. Of course chaos ensues as Ollie repeatedly falls head first into a gigantic cake after slipping on a banana skin, and Stan takes the instruction to serve the salad without dressing literally. Some of the gags are a little repetitive, but there's enough quality here to see why Hal Roach decided to keep the boys together. The film was pretty much remade (together with elements from Another Fine Mess) to provide an extended prologue to the European version of 1939's A Chump at Oxford.