West Point

William Haines sparks this tale of a brash cadet who thinks West Point will really be something now that he has arrived. Terrific goony comic performance by Haines was his trademark--one that made him a top box office star from 1928-1932 and one of MGM's biggest stars. Joan Crawford and William Bakewell are fine too. And although this storyline may seem trite now, this was a huge hit, putting Haines and Crawford in a college football (a national craze during the 20s) story. After Haines blows off his big mouth one time too often and nearly gets shunned by fellow cadets, he turns in a wonderful performance as he swallows his pride and gets into the big game against Navy. Even with a broken arm, he wins the game for Army and regains his place at West Point. It's easy to see from this film and Show People (with the always underrated Marion Davies) why Billy Haines was a huge star of the time. He needs and deserves to be remembered!

William Haines plays a wealthy young man named Brice Wayne. No, this isn't an early Batman movie. That's Bruce Wayne. This is Brice and he's a class clown type, always making bad jokes and pissing people off. To make matters worse, he's stupendously arrogant and thinks he is God's gift to football and pretty much everything else. So obviously this will lead to him learning some humility, saving the day, and getting the girl (Joan Crawford). Despite the predictable clichéd plot, it's hard to dislike. Crawford is fine but does little to impress. Haines is a mixed bag but enjoyable to watch. At times his he is brash and irritating. At other times I couldn't help but smile at his antics. He had a great screen presence and made a thoroughly unlikeable character work.

West Point (1928)

** 1/2 (out of 4)

Average silent drama about a cocky, rich man (William Haines) who goes to West Point thinking he owns the world but all he does his turn his friends against him and lose the girl (Joan Crawford) that he loves. We've seen this story countless times but the movie still manages to be entertaining thanks in large part to the filming on West Point and Crawford. Haines was one of the most popular actors in the late silent era but today he's forgotten for the most part. I thought he was pretty good here but I wouldn't call him one of the all-time greats. Crawford steals the show as Haines' girl and delivers a very good performance. Crawford also comes off very attractive here. Also interesting is the football subplot thrown in, which leads to a big Navy-Army game at the end. The football scenes are handled very well and the cinematography is very good.

William Haines and his lifetime friend Joan Crawford played the leads in the first silent screen film I've ever set at the US Military Academy, appropriately entitled West Point. Both were young contract players at MGM at the time. Crawford going to legendary status and Haines forced to give up acting when he wouldn't stay quietly in the closet.

To the last day of her life Crawford insisted that the happiest couple she knew in Hollywood was Billy Haines and his partner. Haines landed on his feet and became one of the most sought out interior designers in Hollywood. Among his clients was Nancy Reagan.

In this film Haines played his usual smart aleck whom we meet first on the Day Line boat to West Point to join the US Military Academy as a plebe. What struck me in his performance is how much it resembled Tyrone Power in one of his hero/heel roles like A Yank In The RAF or In Old Chicago. Power in the sound era could have done this one in his sleep.

Crawford meets Haines on the Day Line and this man starts putting the moves on Joan right then and there. The plot from there on in is pretty predictable given Haines's screen persona. The climax of course is the great Army/Navy game.

All the clichés in service academy films are there few films with this setting that had variation. Still Haines and Crawford are good and William Bakewell who is one of the few other cadets who becomes Bill Haines's friend even after he becomes a football hero stands out in the supporting cast.

For myself I remember once a year going to Bear Mountain for an overnight get away with Daniel Strausbaugh and later David Frank and with both of them we did the Day Line. I miss you both and the film brought back some good times.

Interesting story of coming of age of a young man who has yet to take the world seriously. William Haines plays his part so as to not evoke any sympathy -- one wonders if this was his idea or that of director Edward Sedgwick. Haines portrays a real louse who really doesn't deserve a second chance or Joan Crawford. Do all young men really need Army discipline before they can make their contribution? The interplay between Haines and the Corps is probably realistic and offer a rare inside look into the socialization and molding of officers at the US Military Academy. Joan does a passable job but looks great. Well developed story will surprise those who think that all silent films offer little in the way of value today. Best shot in the movie is the superimposition of former soldiers from various eras over the marching of the band at the June graduation parade. I may be wrong, but it appears that Edward Brophy is one of those extras seated in a train departing from West Point -- he is credited as an Assistant Director in this movie as well as being credited in a documentary West Point made in 1927. Fair, but especially recommended for graduates of the USMA and those who would like to see a bit of the inside story.